@article { , title = {Machine, montage, and myth: Experimental cinema and politics of American modernism during the Great Depression}, abstract = {This article looks at the film journal Experimental Cinema in relation to the radical Workers Film and Photo League}, doi = {10.1080/0950236X.2011.569177}, issn = {0950-236X}, issue = {3}, journal = {Textual Practice}, pages = {563-584}, publicationstatus = {Published}, publisher = {Routledge}, url = {https://hull-repository.worktribe.com/output/1592876}, volume = {25}, year = {2011}, author = {Haran, Barnaby} }