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Outputs (4)

Bennett, Breen, and the Birdman of Alcatraz: A case study of collaborative censorship between the production code administration and the federal bureau of prisons (2016)
Journal Article
Eldridge, D. (2016). Bennett, Breen, and the Birdman of Alcatraz: A case study of collaborative censorship between the production code administration and the federal bureau of prisons. Film History, 28(2), 1-31. https://doi.org/10.2979/filmhistory.28.2.02

In bringing to the screen the life of murderer Robert Stroud in Birdman of Alcatraz (United Artists, 1962), filmmakers encountered official obstruction from the director of the Federal Bureau of Prisons, James V. Bennett. Campaigning for the release... Read More about Bennett, Breen, and the Birdman of Alcatraz: A case study of collaborative censorship between the production code administration and the federal bureau of prisons.

Watching the red dawn: the American avant-garde and the Soviet Union (2016)
Book
Haran, B. (2016). Watching the red dawn: the American avant-garde and the Soviet Union. Manchester: Manchester University Press. https://doi.org/10.7228/manchester/9780719097225.001.0001

© Barnaby Haran 2016. All rights reserved. This book offers the first sustained examination of the cultural relations of the American and Soviet avant-gardes in a period of major transformation. From the formation of the USSR in 1922 until its recogn... Read More about Watching the red dawn: the American avant-garde and the Soviet Union.

Stoker, Poe, and American Gothic in ‘The Squaw’ (2016)
Book Chapter
Corstorphine, K. (2016). Stoker, Poe, and American Gothic in ‘The Squaw’. In C. Wynne (Ed.), Bram Stoker and the Gothic - Formations to Transformations. Basingstoke, UK: Palgrave Macmillan