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Outputs (4)

The (un) spectacle of the real: forwarding an active spectator in Michael Haneke's Le temps du loup/Time of the wolf (2003) (2010)
Journal Article
Aston, J. (2010). The (un) spectacle of the real: forwarding an active spectator in Michael Haneke's Le temps du loup/Time of the wolf (2003). Studies in European cinema, 7(2), 109-122. https://doi.org/10.1386/seci.7.2.109_1

The two central themes in the films of Michael Haneke, the fragmentation and brutality of interpersonal and societal relations and the notion of cinematic reality as an illusory construction, reach an apex in his 2003 film Le temps du Loup/Time of th... Read More about The (un) spectacle of the real: forwarding an active spectator in Michael Haneke's Le temps du loup/Time of the wolf (2003).

The Rhetoric of The Wire. (2010)
Journal Article
Zborowski, J. (2010). The Rhetoric of The Wire. Movie : a journal of film criticism, 1-6

Flog it!: nostalgia and lifestyle on British daytime television (2010)
Book Chapter
Kleinecke-Bates, I. (2010). Flog it!: nostalgia and lifestyle on British daytime television. In E. Bell, & A. Gray (Eds.), Televising History : Mediating the Past in Postwar Europe (221-233). London: Palgrave Macmillan. https://doi.org/10.1057/9780230277205_16

Nostalgia, as has long been recognized, can have a powerful impact on the construction and reception of screen texts (e.g., Boym, 2001; Cardwell, 2002; Cook, 2005; Higson, 1993, 2003; Monk and Sargeant, 2002). Closely linked to the processes of memor... Read More about Flog it!: nostalgia and lifestyle on British daytime television.