All Outputs (3)

Cozarinsky's La guerre d'un seul homme and musical categories : (Re)-framing Pfitzner, Strauss, Schreker, and Schoenberg cinematically (2017)
Book Chapter
Binns, A. (2018). Cozarinsky's La guerre d'un seul homme and musical categories : (Re)-framing Pfitzner, Strauss, Schreker, and Schoenberg cinematically. In N. Attfield, & B. Winters (Eds.), Music, Modern Culture, and the Critical Ear. Abingdon: Routledge

The framing of music, especially that of the late nineteenth and early twentieth centuries, is bound up not only with the effects of the two World Wars that (dis)figured the period but also with the discourse on musical value and identity within whic... Read More about Cozarinsky's La guerre d'un seul homme and musical categories : (Re)-framing Pfitzner, Strauss, Schreker, and Schoenberg cinematically.

Functions of genre in metal and hardcore music (2017)
Thesis
Kennedy, L. F. (2017). Functions of genre in metal and hardcore music. (Thesis). University of Hull. Retrieved from https://hull-repository.worktribe.com/output/4220820

This thesis addresses various functions of genre in metal/hardcore music as a lens through which to study popular music in the twenty-first century. The thesis proposes that issues of genre are fundamental to understandings of popular music for all p... Read More about Functions of genre in metal and hardcore music.

'Sounding' Japanese: Traditions of music in Japanese cinema (2017)
Book Chapter
Binns, A. (2017). 'Sounding' Japanese: Traditions of music in Japanese cinema. In M. Mera, R. Sadoff, & B. Winters (Eds.), The Routledge companion to screen music and sound (428-439). New York: Routledge. https://doi.org/10.4324/9781315681047

The cinema of Japan, known as nihon eiga [日本映画] is vast and is not easily encapsulated because of the wide range of cultural practices that have informed its identity, including the music it deployed. And yet, it arguably presents a distinctive s... Read More about 'Sounding' Japanese: Traditions of music in Japanese cinema.