All Outputs (5)

Dramaturgy of the Shakespearean Libretto (2022)
Book Chapter
Drábek, P. (2022). Dramaturgy of the Shakespearean Libretto. In C. R. Wilson, & M. Cooke (Eds.), The Oxford Handbook of Shakespeare and Music (761-804). Oxford: Oxford University Press (OUP). https://doi.org/10.1093/oxfordhb/9780190945145.013.27

From the late seventeenth century (Purcell’s The Fairy-Queen, 1692), Shakespeare’s plays have entered the realm of music theatre and opera, inspiring both composers and their librettists. Operas on Shakespearean themes have played a seminal role in t... Read More about Dramaturgy of the Shakespearean Libretto.

The topic of 'love' in early modern English lute songs or ayres (2018)
Book Chapter
Wilson, C. R. (2018). The topic of 'love' in early modern English lute songs or ayres. In K. A. Karlsson (Ed.), The essentially feminine: a mapping through artistic practice of the feminine territory offered by early modern music (65-90). Sweden: ArtMonitor

Thomas Campion’s “Superfluous Blossomes of His Deeper Studies”: The Public Realm of His English Ayres (2017)
Book Chapter
Wilson, C. (2017). Thomas Campion’s “Superfluous Blossomes of His Deeper Studies”: The Public Realm of His English Ayres. In L. Phyllis Austern, C. Bailey, & A. Eubanks Winkler (Eds.), Beyond Boundaries: Rethinking Music Circulation in Early Modern England (54-66). Indiana University Press

By the sweet power of musicke: Wirkungen der Musik in Shakespeares Bildlichkeit (2014)
Book Chapter
Wilson, C. (2014). By the sweet power of musicke: Wirkungen der Musik in Shakespeares Bildlichkeit. In U. Jung-Kaiser, & A. Simonis (Eds.), Die suse Macht der Tone: zur Bedeutung der Musik in Shakespeares Werken und ihrer Rezeption (1-32). Hildesheim: George Olms Verlag AG

Shakespeare and early modern music
Book Chapter
Wilson, C. Shakespeare and early modern music. . The University of Hull