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‘Start not, gentle reader!’: Re-reading Alicia LeFanu’s Helen Monteagle (1818) (2019)
Journal Article
Fitzer, A. (in press). ‘Start not, gentle reader!’: Re-reading Alicia LeFanu’s Helen Monteagle (1818). Romantic Textualities: Literature and Print Culture, 1780-1840,

This article is the first to re-read Helen Monteagle as a contribution to understandings of the variety of prose fiction published in the Romantic period. Its circulation in print coincided with that of Frankenstein and Northanger Abbey, and its disa... Read More about ‘Start not, gentle reader!’: Re-reading Alicia LeFanu’s Helen Monteagle (1818).

Reform and order on the Elizabethan stage: Sir Thomas More to Hamlet (2018)
Journal Article
Clare, J. (2018). Reform and order on the Elizabethan stage: Sir Thomas More to Hamlet. Shakespeare Jahrbuch, 154,

Im Zuge des religious turn in Studien zur Frühen Neuzeit ist bisher die Bedeutung der Zensur für die Durchsetzung konfessioneller Konformität wenig berücksichtigt worden. Gleichzeitig haben Arbeiten zur Theaterzensur deren Bedeutung für die Gestaltun... Read More about Reform and order on the Elizabethan stage: Sir Thomas More to Hamlet.

Nuns' Literacies in Medieval Europe: The Kansas City Dialogue (2015)
Book
Blanton, V., O’Mara, V., & Stoop, P. (Eds.). (2015). Nuns' Literacies in Medieval Europe: The Kansas City Dialogue. Turnhout: Brepols. https://doi.org/10.1484/M.MWTC-EB.5.108474

The present volume is the second in a series of three integrated publications, the first produced in 2013 as Nuns' Literacies in Medieval Europe: The Hull Dialogue. Like that volume, this collection of essays, focused on various aspects of nuns' lite... Read More about Nuns' Literacies in Medieval Europe: The Kansas City Dialogue.

'He alone on this isotonic plain' : Robert Graves, Keidrych Rhys, Lynette Roberts, and the situation of the poet in war (2013)
Journal Article
Mundye, C. (2013). 'He alone on this isotonic plain' : Robert Graves, Keidrych Rhys, Lynette Roberts, and the situation of the poet in war. Gravesiana, 3(4), 703-729

The article examines aspects of Robert Graves’s creative and personal relationship with the Anglo-Welsh modernist poets Lynette Roberts and Keidrych Rhys. Roberts and Rhys met in late 1930s bohemian London literary circles, and were married, with Dyl... Read More about 'He alone on this isotonic plain' : Robert Graves, Keidrych Rhys, Lynette Roberts, and the situation of the poet in war.