All Outputs (51)

Film musicology: the development of film musicology (2009)
Book Chapter
(2009). Film musicology: the development of film musicology. In Sound and music in film and visual media: an overview (725 - 738). Continuum

Desiring the diegesis: music and self-seduction in the films of Wong Kar Wai (2008)
Book Chapter
Binns, A. (2008). Desiring the diegesis: music and self-seduction in the films of Wong Kar Wai. In CineMusic?: constructing the film score (127 - 140). Cambridge Scholars Publishing

Examines Hong Kong art cinema, especially the work of film director Wong Kar-Wai, as a means of illustrating a use of music in film that puts a strain on the distinctions between diegetic music and its authoritative other, the non-diegetic, which hav... Read More about Desiring the diegesis: music and self-seduction in the films of Wong Kar Wai.

Supporting gestures: Breathing in piano performance (2006)
Book Chapter
King, E. (2006). Supporting gestures: Breathing in piano performance. In A. Gritten, & E. King (Eds.), Music and Gesture (142-164). Routledge. https://doi.org/10.4324/9781315091006

Existing research provides valuable insight into the importance of breathing for music performers and its function in supporting instrumentalists. The study of pianists’ breathing is perhaps a less obvious choice of subject than breathing by singers... Read More about Supporting gestures: Breathing in piano performance.

Strategies of ensemble practice (2004)
Book Chapter
King, E., & Davidson, J. (2004). Strategies of ensemble practice. In A. Williamon (Ed.), Musical Excellence: Strategies and Techniques to Enhance Performance (105-22). Oxford University Press

Ensemble Performance (2002)
Book Chapter
King, E. (2002). Ensemble Performance. In J. Rink (Ed.), Musical Performance: A Guide to Understanding (153-167). Cambridge University Press. https://doi.org/10.1017/CBO9780511811739.012

Ensemble performance involves musical and social interaction between a group of performers. The term ‘ensemble’ derives from the French for ‘together’, and it defines the seemingly infinite array of musical performances involving more than one person... Read More about Ensemble Performance.

Jazz recordings and the capturing of performance
Book Chapter
Elsdon, P. Jazz recordings and the capturing of performance. . The University of Hull

Shakespeare and early modern music
Book Chapter
Wilson, C. Shakespeare and early modern music. . The University of Hull

The potential of the jazz record
Book Chapter
Elsdon, P. The potential of the jazz record.

It is often said there is no jazz without the record, or that the history of jazz is in fact the story of recordings. Such positions always recall the limits of the record, compared to the live experience. And yet, for many listeners, the most import... Read More about The potential of the jazz record.

The four piano sonatas: past and present tensions
Book Chapter
Borthwick, A. The four piano sonatas: past and present tensions. . The University of Hull

Musical time and eschatology
Book Chapter
Borthwick, A. Musical time and eschatology. . The University of Hull

Shaping popular music
Book Chapter
Prior, H., & Greasley, A. Shaping popular music.

Much of the research on musical shaping in performance focuses on Western classical music. Although this provides scope for interesting work, the extent to which its findings are applicable to Western popular music is unclear: what different concepti... Read More about Shaping popular music.