The Studio
(2020)
Book Chapter
Barnard, M. (2020). The Studio. In H. Schulze (Ed.), The Bloomsbury Handbook of the Anthropology of Sound (369-383). London: Bloomsbury Publishing. https://doi.org/10.5040/9781501335402.ch-028
All Outputs (4)
Woche (with apologies to Ruttmann and Brock) (2019)
Digital Artefact
Barnard, M. (2019). Woche (with apologies to Ruttmann and Brock). [.wav sound file]This composition represents an exploration and animation of an aesthetic framework outlined by the composer in previous research. The in-ear binaural method of recording and reproduction (and its headphone-based dissemination) is the focus of critica... Read More about Woche (with apologies to Ruttmann and Brock).
The Piano Makers
Digital Artefact
Barnard, M. The Piano MakersFurthering the research into the binaural method, and specifically the ‘ear-shot’ aesthetic, this piece also explores the evolving soundscape - more specifically, the disappearance of sounds and the significance of the recording process thereof. The... Read More about The Piano Makers.
Closely Observed Trains
Digital Artefact
Barnard, M. Closely Observed TrainsThe binaural method was employed to capture the sonority of the overground and underground railways in England. As the binaural method works under the premise of recording what is heard by the recordist, the capture of sonic environments becomes intu... Read More about Closely Observed Trains.