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All Outputs (5)

Against Imprinting: The Photographic Image as a Source of Evidence (2022)
Journal Article
Wilson, D. M. (in press). Against Imprinting: The Photographic Image as a Source of Evidence. Social Research: An International Quarterly, 89(4),

A photographic image is said to provide evidence of a photographed scene because it is a causal imprint of reflected light: an indexical trace of real objects and events. Though widely established in the history, theory and philosophy of photography,... Read More about Against Imprinting: The Photographic Image as a Source of Evidence.

Reflecting, Registering, Recording and Representing: From Light Image to Photographic Picture (2022)
Journal Article
Wilson, D. (2022). Reflecting, Registering, Recording and Representing: From Light Image to Photographic Picture. Proceedings of the Aristotelian Society, 122(2), 141-164. https://doi.org/10.1093/arisoc/aoac008

Photography is valued as a medium for recording and visually reproducing features of the world. I seek to challenge the view that photography is fundamentally a recording process and that every photograph is a record — a view that I claim is based on... Read More about Reflecting, Registering, Recording and Representing: From Light Image to Photographic Picture.

Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography (2021)
Journal Article
Wilson, D. M. (2021). Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography. Journal of Aesthetics and Art Criticism, 79(2), 161-174. https://doi.org/10.1093/jaac/kpab005

Some photographs show determinate features of a scene because the photographed scene had those features. This dependency relation is, rightly, a consensus in philosophy of photography. I seek to refute many long-established theories of photography by... Read More about Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography.

Facing the camera: Self-portraits of photographers as artists (2012)
Journal Article
Wilson, D. M. (2012). Facing the camera: Self-portraits of photographers as artists. Journal of Aesthetics and Art Criticism, 70(1), 56-66. https://doi.org/10.1111/j.1540-6245.2011.01498.x

Self-portrait photography presents an elucidatory range of cases for investigating the relationship between automatism and artistic agency in photography-a relationship that is seen as a problem in the philosophy of art. I discuss self-portraits by p... Read More about Facing the camera: Self-portraits of photographers as artists.

Fixing the image : re-thinking the 'mind-independence' of photographs (2009)
Journal Article
Phillips, D. M. (2009). Fixing the image : re-thinking the 'mind-independence' of photographs. Postgraduate journal of aesthetics, 6(2), 1-22

It has been argued that photographs are unsuitable or inferior candidates for art because they are not intimately bound to the mind of an artist. I believe that we can address scepticism in the philosophy of art only if we recognise that it is linked... Read More about Fixing the image : re-thinking the 'mind-independence' of photographs.