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All Outputs (11)

Victorian Stage Magic, Adventure and the Mutilated Body (2021)
Book Chapter
Wynne, C. (2021). Victorian Stage Magic, Adventure and the Mutilated Body. In C. Bloom (Ed.), The Palgrave Handbook of Steam Age Gothic (691-710). Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-030-40866-4_37

The period of ‘high imperialism’ in the late nineteenth century converges with what was known as the ‘Golden Age’ of stage magic. I examine how imperial adventure narratives of the late century and stage magicians both deploy illusions to showcase We... Read More about Victorian Stage Magic, Adventure and the Mutilated Body.

The Du Mauriers and Stoker: Gothic transformations of Whitby and Cornwall (2016)
Book Chapter
Wynne, C. (2016). The Du Mauriers and Stoker: Gothic transformations of Whitby and Cornwall. In C. Wynne (Ed.), Bram Stoker and the Gothic: Formations to transformations (185-206). London: Palgrave Macmillan. https://doi.org/10.1057/9781137465047_13

In this extract from the memoir of her father, Gerald: A Portrait (1934), Daphne du Maurier resurrects the actor-manager Gerald du Maurier and places him in Whitby in 1917. This port town of North Yorkshire had been a favourite holiday retreat of Ger... Read More about The Du Mauriers and Stoker: Gothic transformations of Whitby and Cornwall.

The Imprint of the Mother: Bram Stoker’s “The Squaw” and The Jewel of Seven Stars (2016)
Book Chapter
Williams, S. (2016). The Imprint of the Mother: Bram Stoker’s “The Squaw” and The Jewel of Seven Stars. In C. Wynne (Ed.), Bram Stoker and the Gothic: Formations to Transformations (118-137). London: Palgrave Macmillan. https://doi.org/10.1057/9781137465047_9

Like the bite of the vampire, the theme of marking punctuates Stoker’s work. Birthmarks, the indelible touch of the devouring mother, are seared into the skin of the child. Stoker’s lesser-read Gothics express Victorian patriarchal gynaecological anx... Read More about The Imprint of the Mother: Bram Stoker’s “The Squaw” and The Jewel of Seven Stars.

Popular Fiction in Performance: Gaskell, Collins and Stevenson on Stage (2016)
Book Chapter
Wynne, C. (2016). Popular Fiction in Performance: Gaskell, Collins and Stevenson on Stage. In K. Gelder (Ed.), New directions in popular fiction: Genre, distribution, reproduction (327-348). London: Palgrave Macmillan. https://doi.org/10.1057/978-1-137-52346-4_16

‘In dramatising a novel, there are many advantages but many difficulties’, notes Bram Stoker, the theatre critic for Dublin’s Evening Mail, after viewing Wilkie Collins’s adaptation of The Woman in White (1860) at Dublin’s Theatre Royal in April 1872... Read More about Popular Fiction in Performance: Gaskell, Collins and Stevenson on Stage.

On the origins of the Gothic novel : from Old Norse to Otranto (2016)
Book Chapter
Arnold, M. (2016). On the origins of the Gothic novel : from Old Norse to Otranto. In C. Wynne (Ed.), Bram Stoker and the Gothic: formations to transformations (14-29). Basingstoke, Hampshire: Palgrave Macmillan. https://doi.org/10.1057/9781137465047

This essay assesses the extent to which Old Norse tradition provided the basis for a subspecies of literary horror. It focuses on those formations and interpretations of Old Norse Literature as it came gradually to light from the sixteenth century on... Read More about On the origins of the Gothic novel : from Old Norse to Otranto.

Stoker, Poe, and American Gothic in ‘The Squaw’ (2016)
Book Chapter
Corstorphine, K. (2016). Stoker, Poe, and American Gothic in ‘The Squaw’. In C. Wynne (Ed.), Bram Stoker and the Gothic - Formations to Transformations. Basingstoke, UK: Palgrave Macmillan

Bram Stoker, Ellen Terry, Pamela Colman Smith and the Art of Devilry (2016)
Book Chapter
Cockin, K. (2016). Bram Stoker, Ellen Terry, Pamela Colman Smith and the Art of Devilry. In C. Wynne (Ed.), Bram Stoker and the Gothic (159-171). London: Palgrave Macmillan. https://doi.org/10.1057/9781137465047_11

When Oscar Wilde designated Ellen Terry ‘Our Lady of the Lyceum’ (Robertson, 1931: 149), the Marian terminology positioned the Lyceum Theatre itself as a sacred space or seat of worship. It was Henry Irving’s temple, with Bram Stoker as his trusted b... Read More about Bram Stoker, Ellen Terry, Pamela Colman Smith and the Art of Devilry.