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All Outputs (15)

Nightports, 'Nightports w/ Matthew Bourne' (2018)
Digital Artefact
Slater, M., Martin, A., & Bourne, M. (2018). Nightports, 'Nightports w/ Matthew Bourne'. [https://nightports.bandcamp.com/album/nightports-w-matthew-bourne]

A 45-minute album exploring the concept of restriction in collaboration with pianist Matthew Bourne. Liner notes (introduction): Nightports is based on a simple but unbreakable rule of restriction: only sounds produced by the featured musician ca... Read More about Nightports, 'Nightports w/ Matthew Bourne'.

The art of dancing: 21st-century concertos for trumpet, piano and strings (2017)
Digital Artefact
Desbruslais, S. (2017). The art of dancing: 21st-century concertos for trumpet, piano and strings. [CD]

Simon Desbruslais returns to disc on Signum with an album that continues to expand the repertoire of the trumpet even further, with four new commissions for Trumpet, Piano and String Orchestra Toby Young’s The Art of Dancing is described by the co... Read More about The art of dancing: 21st-century concertos for trumpet, piano and strings.

Equanimity
Digital Artefact
Mackay, R. Equanimity

The composition, Equanimity (for clarinet and computer), was commissioned by American clarinetist F. Gerard Errante for his CD project Delicate Balance (2012, Aucourant Records, USA). Taking a moonlit night on a beach in Majorca as its inspiration, E... Read More about Equanimity.

Strata Sequence
Digital Artefact
Mackay, R. Strata Sequence

Composition cycle based on recordings of the Brantwood Musical Stones (developed as part of the Ruskin Rocks project) and text of John Ruskin in collaboration with Dame Evelyn Glennie.

The Piano Makers
Digital Artefact
Barnard, M. The Piano Makers

Furthering the research into the binaural method, and specifically the ‘ear-shot’ aesthetic, this piece also explores the evolving soundscape - more specifically, the disappearance of sounds and the significance of the recording process thereof. The... Read More about The Piano Makers.

Closely Observed Trains
Digital Artefact
Barnard, M. Closely Observed Trains

The binaural method was employed to capture the sonority of the overground and underground railways in England. As the binaural method works under the premise of recording what is heard by the recordist, the capture of sonic environments becomes intu... Read More about Closely Observed Trains.

Flow
Digital Artefact
Mackay, R. Flow

Flow is a composition for flute, electronics and video, commissioned by Mexican multimedia performance group Luminico. It was created in the studios of CMMAS (Centro Mexicano para la Música y las Artes Sonoras) during October 2012, supported with fun... Read More about Flow.

Sounds of Sea Swim
Digital Artefact
Mackay, R. Sounds of Sea Swim

The Sounds of Sea Swim is a collection of compositions, sound collages, and installations developed as part of commissioned work for the Sea Swim project, directed by Lara Goodband and John Wedgewood Clarke. Part swimming club and part art club, Sea... Read More about Sounds of Sea Swim.

Helical Time (an open ended song cycle for combinations of baritone voice, violin, piano and trumpet with instrumental pre-/inter-/post-ludes): (i) 'Time Being', for baritone voice and piano, in Tsang, L. & Venables, P.(eds) Finding Ursula Vaughan Williams:An Anthology of New Songs for Voice and Piano, with an Introduction by Lee Tsang (York: University of York Music Press, 2010). Supplementary recorded material available from http://www.uymp.co.uk/uvw. Performed as part of Ursula Vaughan Williams: In Memoriam which featured 12 new commissions. Tsang as producer, editor, singer. Lee Tsang (baritone); Peter Sproston (piano). Recorded live to video for online use. Beverley Minster and Middleton Hall, 15-16 April 2010. (4'). ISMN M 57036 187 8; (ii) 'Days', for baritone voice, piano, trumpet and violin (a setting of the poem by Philip Larkin). Performances (as part of the whole 'helix') in Hull and Hong Kong, March 2013
Digital Artefact
Borthwick, A. Helical Time (an open ended song cycle for combinations of baritone voice, violin, piano and trumpet with instrumental pre-/inter-/post-ludes): (i) 'Time Being', for baritone voice and piano, in Tsang, L. & Venables, P.(eds) Finding Ursula Vaughan Williams:An Anthology of New Songs for Voice and Piano, with an Introduction by Lee Tsang (York: University of York Music Press, 2010). Supplementary recorded material available from http://www.uymp.co.uk/uvw. Performed as part of Ursula Vaughan Williams: In Memoriam which featured 12 new commissions. Tsang as producer, editor, singer. Lee Tsang (baritone); Peter Sproston (piano). Recorded live to video for online use. Beverley Minster and Middleton Hall, 15-16 April 2010. (4'). ISMN M 57036 187 8; (ii) 'Days', for baritone voice, piano, trumpet and violin (a setting of the poem by Philip Larkin). Performances (as part of the whole 'helix') in Hull and Hong Kong, March 2013