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All Outputs (5)

The ‘Not Knowns’: memory, narrative and applied theatre (2017)
Journal Article
Conroy, C., Dickenson, S. J., & Mazzoni, G. (2018). The ‘Not Knowns’: memory, narrative and applied theatre. Research in Drama Education: The Journal of Applied Theatre and Performance, 23(1), 56-72. https://doi.org/10.1080/13569783.2017.1398641

© 2017 Informa UK Limited, trading as Taylor & Francis Group This is an attempt to articulate and explore the relationship between the science of memory and the applied theatre project, The Not Knowns. The project was a collaboration between theatr... Read More about The ‘Not Knowns’: memory, narrative and applied theatre.

Anthony Minghella: Autobiographical memory and the creation of an adapted screenplay (2013)
Journal Article
Dickenson, S. J. (2013). Anthony Minghella: Autobiographical memory and the creation of an adapted screenplay. Journal of Adaptation in Film and Performance, 6(2), 317-328. https://doi.org/10.1386/jafp.6.2.317_1

The following article uses as its source material interviews with the director and screenwriter Anthony Minghella which I carried out between 2003 and 2006. Minghella approached the adaptation of a novel in a particular way and I would contend he ada... Read More about Anthony Minghella: Autobiographical memory and the creation of an adapted screenplay.

After Cyclops: appropriating the chorus of Euripides when scriptwriting for applied drama (2011)
Journal Article
Dickenson, S. J. (2011). After Cyclops: appropriating the chorus of Euripides when scriptwriting for applied drama. Journal of Adaptation in Film and Performance, 3(3), 291-304. https://doi.org/10.1386/jafp.3.3.291_7

The contention of this article is that effective appropriation of the device of chorus of ancient Athenian drama can be a powerful dramatic device for applied drama purposes. I will primarily deal with effective appropriation of the device of chorus... Read More about After Cyclops: appropriating the chorus of Euripides when scriptwriting for applied drama.