All Outputs (2)

Covers, Concreteness, and Craft: A Reply To Giupponi, Pettersson and Campion (2024)
Journal Article
Wilson, D. (2024). Covers, Concreteness, and Craft: A Reply To Giupponi, Pettersson and Campion. Debates in Aesthetics, 18(2), 101-118

I reply to three authors who responded to my target article: 'Music, Visualization and the Multi-stage Account of Photography'. Mikael Pettersson raises concerns about absent light because traditional theories suppose that a photograph is a causal tr... Read More about Covers, Concreteness, and Craft: A Reply To Giupponi, Pettersson and Campion.

Music, Visualization and the Multi-Stage Account of Photography (2024)
Journal Article
Wilson, D. (2024). Music, Visualization and the Multi-Stage Account of Photography. Debates in Aesthetics, 18(2), 13-46

Like his contemporary, Edward Weston, Ansel Adams claimed that visualization is essential for creating fine art photography. But, unlike Weston, he believed that a print from a negative is like a performance from a score. In his analogy, a photograph... Read More about Music, Visualization and the Multi-Stage Account of Photography.