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All Outputs (85)

It's not their job to soldier: distinguishing civilian and military in soldiers' and interpreters' accounts of peacekeeping in 1990s Bosnia-Herzegovina (2010)
Journal Article
Baker, C. (2010). It's not their job to soldier: distinguishing civilian and military in soldiers' and interpreters' accounts of peacekeeping in 1990s Bosnia-Herzegovina. Journal of War and Culture Studies, 3(1), 137-150. https://doi.org/10.1386/jwcs.3.1.137_1

Peacekeeping operations throw the use of specialized military forces and the aim of accomplishing change in a civilian environment into contradiction. Organizations with cultures that facilitate warfighting have to reorient themselves towards achievi... Read More about It's not their job to soldier: distinguishing civilian and military in soldiers' and interpreters' accounts of peacekeeping in 1990s Bosnia-Herzegovina.

When Seve met Bregović: folklore, turbofolk and the boundaries of Croatian musical identity (2008)
Journal Article
Baker, C. (2008). When Seve met Bregović: folklore, turbofolk and the boundaries of Croatian musical identity. Nationalities Papers, 36(4), 741-764. https://doi.org/10.1080/00905990802230514

Popular music in Croatia has consistently been a field where the boundaries of national cultural identity are set, contested and transgressed. The most contentious boundaries involve Serbian culture and the abstract "east", to which essentialized nat... Read More about When Seve met Bregović: folklore, turbofolk and the boundaries of Croatian musical identity.

Wild dances and dying wolves : simulation, essentialization, and national identity at the Eurovision Song Contest (2008)
Journal Article
Baker, C. (2008). Wild dances and dying wolves : simulation, essentialization, and national identity at the Eurovision Song Contest. Popular Communication, 6(3), 173-189. https://doi.org/10.1080/15405700802198113

This paper examines Eurovision as a site for the public representation of the nation and explores the tendency towards simulation in such representations. The contest’s transnational audience and implication in commercial practices create pressures t... Read More about Wild dances and dying wolves : simulation, essentialization, and national identity at the Eurovision Song Contest.

The politics of performance : transnationalism and its limits in former Yugoslav popular music, 1999-2004 (2006)
Journal Article
Baker, C. (2006). The politics of performance : transnationalism and its limits in former Yugoslav popular music, 1999-2004. Ethnopolitics, 5(3), 275-293. https://doi.org/10.1080/17449050600911075

This paper examines transnational relations between the Yugoslav successor states from the point of view of popular music, and demonstrates how transnational musical figures (such as Djordje Balasevic, Momcilo Bajagic-Bajaga and Ceca Raznatovic) are... Read More about The politics of performance : transnationalism and its limits in former Yugoslav popular music, 1999-2004.