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All Outputs (85)

Culture, place and partnership: the cultural relations of Eurovision 2023 (2024)
Report
Baker, C., Atkinson, D., Grabher, B., & Howcroft, M. (2024). Culture, place and partnership: the cultural relations of Eurovision 2023. British Council

Foreword: This report tells the story of the Eurovision Song Contest in 2023, when the UK found itself as host on behalf of the 2022 winners Ukraine, due to Russia’s full-scale invasion of the country in 2021. As the UK’s 2022 entry Sam Ryder put it... Read More about Culture, place and partnership: the cultural relations of Eurovision 2023.

Soft power, cultural relations and conflict through Eurovision and other mega-events: a literature review (2024)
Report
Baker, C., Atkinson, D., Grabher, B., & Howcroft, M. (2024). Soft power, cultural relations and conflict through Eurovision and other mega-events: a literature review. British Council

First paragraph: This literature review explores the significance of the Eurovision Song Contest for soft power strategies and cultural relations activities, especially at times of conflict and international aggression.

Eurovision 2023 Cultural Relations Snapshot: A snapshot from the forthcoming cultural relations, soft power and shared values research (2023)
Report
Baker, C., Atkinson, D., Burgess, G., Grabher, B., & Howcroft, M. (2023). Eurovision 2023 Cultural Relations Snapshot: A snapshot from the forthcoming cultural relations, soft power and shared values research. British Council

About this research In May 2023, Liverpool and the BBC hosted the Eurovision Song Contest on Ukraine’s behalf. This was the first time since 1980 that Eurovision has not been hosted in the previous winning country, and the first time a winner has e... Read More about Eurovision 2023 Cultural Relations Snapshot: A snapshot from the forthcoming cultural relations, soft power and shared values research.

Eurovision 2023: Broadcasting Liverpool, Welcoming LGBTQ+ Communities, Honouring Ukraine (2023)
Report
Baker, C. (2023). Eurovision 2023: Broadcasting Liverpool, Welcoming LGBTQ+ Communities, Honouring Ukraine. Heseltine Institute for Public Policy, Practice and Place, University of Liverpool

The Heseltine Institute is marking Liverpool’s status as host city for Eurovision 2023 with a special series of policy briefings. In this first briefing of the series, Dr Catherine Baker (University of Hull) discusses some of the key themes that will... Read More about Eurovision 2023: Broadcasting Liverpool, Welcoming LGBTQ+ Communities, Honouring Ukraine.

Gay Bod: Civic and LGBTQ+ Pride After Brexit in a City on the Margins of the UK and Europe (2023)
Book Chapter
Baker, C., & Howcroft, M. (2023). Gay Bod: Civic and LGBTQ+ Pride After Brexit in a City on the Margins of the UK and Europe. In K. Loftsdóttir, B. Hipfl, & S. Ponzanesi (Eds.), Creating Europe from the Margins: Mobilities and Racism in Postcolonial Europe (108-124). London: Routledge. https://doi.org/10.4324/9781003269748-7

In 2017, Kingston-upon-Hull celebrated becoming UK City of Culture (‘Hull2017’). Organisers of the cultural mega-event hoped to restore civic pride amongst residents of Hull, which had been severely affected ever since its North Sea fishing industry... Read More about Gay Bod: Civic and LGBTQ+ Pride After Brexit in a City on the Margins of the UK and Europe.

‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home (2022)
Journal Article
Baker, C. (2023). ‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home. Critical military studies, 9(3), 442-461. https://doi.org/10.1080/23337486.2022.2113960

In 2017, the British Army opened its ‘This is Belonging’ recruitment campaign, aimed at groups of young people who were considered traditionally less likely to join the Army, with marketing at Pride in London aimed at LGBTQ youth. The campaign’s next... Read More about ‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home.

The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics (2022)
Book Chapter
Baker, C. (2022). The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics. In A. Dubin, D. Vuletic, & A. Obregón (Eds.), The Eurovision Song Contest as a Cultural Phenomenon: From Concert Halls to the Halls of Academia (96-110). Abingdon: Routledge. https://doi.org/10.4324/9781003188933-9

This chapter explores how the author’s research into nationalism, popular culture, gender and sexuality in international politics has been able to apply the idea that the Eurovision Song Contest illustrates the idea of contestants as symbolic represe... Read More about The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics.

Your race sounds familiar? Blackface, cross-racial/cross-gender drag and the Your Face Sounds Familiar franchise (2013–) on post-Yugoslav television (2021)
Journal Article
Baker, C. (2021). Your race sounds familiar? Blackface, cross-racial/cross-gender drag and the Your Face Sounds Familiar franchise (2013–) on post-Yugoslav television. VIEW Journal of European Television History and Culture, 10(20), 83-103. https://doi.org/10.18146/view.267

Your Face Sounds Familiar, a celebrity talent television format developed by the Dutch production company Endemol and first broadcast in Spain in 2011, has entertained audiences in more than forty countries with the sight of well-known professional m... Read More about Your race sounds familiar? Blackface, cross-racial/cross-gender drag and the Your Face Sounds Familiar franchise (2013–) on post-Yugoslav television.

Guarding the “Balkan Route” on the postsocialist frontier: revisiting Maja Weiss’ Varuh meje (2002) (2021)
Journal Article
Baker, C., Szczygielska, M., & Drnovšek Zorko, Š. (2021). Guarding the “Balkan Route” on the postsocialist frontier: revisiting Maja Weiss’ Varuh meje (2002). International Feminist Journal of Politics, 23(5), 811-828. https://doi.org/10.1080/14616742.2021.1991827

Introduction Varuh meje, Maja Weiss’ debut film, dates back to 2002 – when Slovenia was soon to join the European Union (EU), when the state was first taking up its role as EU “border guard,” and when Slovenian society was reacting to the first wave... Read More about Guarding the “Balkan Route” on the postsocialist frontier: revisiting Maja Weiss’ Varuh meje (2002).

Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia (2021)
Journal Article
Baker, C. (in press). Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia. Historical Journal of Film, Radio and Television, 42(2), 344-371. https://doi.org/10.1080/01439685.2021.1948205

Between early 1994 and the end of the wars in Croatia and Bosnia-Herzegovina, a team of journalists working for the United Nations peacekeeping mission in former Yugoslavia (UNPROFOR) was in charge of a unique televisual experiment–a documentary film... Read More about Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia.

The call is coming from inside the house: researching race after Yugoslavia in ‘post-post-racial’ times (2021)
Book Chapter
Baker, C. (2021). The call is coming from inside the house: researching race after Yugoslavia in ‘post-post-racial’ times. In Researching Yugoslavia and Its Aftermath: Sources, Prejudices and Alternative Solutions (253-272). Cham: Springer. https://doi.org/10.1007/978-3-030-70343-1_12

This chapter sets efforts to research race in the (post-)Yugoslav region in the context of what Kimberlé Crenshaw has termed today’s ‘post-post-racial’ times, in which progressives who might have believed that global society was on an inevitable cour... Read More about The call is coming from inside the house: researching race after Yugoslavia in ‘post-post-racial’ times.

Bridging postcoloniality, postsocialism, and “race” in the age of Brexit: An interview with Catherine Baker (2021)
Book Chapter
Baker, C., & Koobak, R. (2021). Bridging postcoloniality, postsocialism, and “race” in the age of Brexit: An interview with Catherine Baker. In R. Koobak, M. Tlostanova, & S. Thapar-Björkert (Eds.), Postcolonial and Postsocialist Dialogues: Intersections, Opacities, Challenges in Feminist Theorizing and Practice (40-52). London and New York: Taylor & Francis (Routledge)

In this interview, conducted over two rounds in August 2019 and January 2020, post-Cold War historian and cultural studies scholar Catherine Baker reflects on how she situates her work within the growing literature on intersections between postcoloni... Read More about Bridging postcoloniality, postsocialism, and “race” in the age of Brexit: An interview with Catherine Baker.

A War of Songs. Popular Music and Recent Russia–Ukraine Relations: Arve Hansen, Andrei Rogatchevski, Yngvar Steinholt & David-Emil Wickström. Stuttgart: Ibidem Verlag, 2019, 247pp., €34.90 p/b. (2020)
Journal Article
Baker, C. (2020). A War of Songs. Popular Music and Recent Russia–Ukraine Relations: Arve Hansen, Andrei Rogatchevski, Yngvar Steinholt & David-Emil Wickström. Stuttgart: Ibidem Verlag, 2019, 247pp., €34.90 p/b. Europe-Asia Studies, 72(8), 1426-1427. https://doi.org/10.1080/09668136.2020.1814605

Celebrity leader personas and embodied militarism (2020)
Journal Article
Baker, C., Jackson, S. T., Crilley, R., Manor, I., Oshikoya, M., Joachim, J., …Enloe, C. (2021). Celebrity leader personas and embodied militarism. International studies review, 23(3), 1046-1071. https://doi.org/10.1093/isr/viaa035

Scholars of international relations frequently explore how states normalize the use of military force through processes of militarization, yet few have analyzed how new information and communication technologies impact on these processes. The essays... Read More about Celebrity leader personas and embodied militarism.

Yugoslav popular music and global histories of the Cold War (2020)
Book Chapter
Baker, C. (2020). Yugoslav popular music and global histories of the Cold War. In D. S. Beard, & L. V. Rasmussen (Eds.), Made in Yugoslavia: Studies in Popular Music (232-245). London and New York: Taylor & Francis (Routledge). https://doi.org/10.4324/9781315452333-25

Employing a process of so-called circuit listening and considering the routes, networks, and histories necessary for a song to come about, however, reveals “Colinda” as the outcome of circuits of music, migration, and colonialism, owing its existence... Read More about Yugoslav popular music and global histories of the Cold War.