Czech and Slovak scenography for Shakespeare (2018)
Book
Havlíčková Kysová, Š., & Billing, C. (Eds.). (2018). Czech and Slovak scenography for Shakespeare. Brno: Masarykova univerzita = Masaryk University

This volume of essays examines the history of scenography for Shakespeare in Central Europe and explores theoretical models for understanding the space, place and performance of Shakespeare using phenomenology, Structuralist semiotics, sociologic... Read More about Czech and Slovak scenography for Shakespeare.

‘Though this be method, yet there is madness in’t’: Cutting Ovid’s tongue in recent stage and film performances of Titus Andronicus (2016)
Book Chapter
Billing, C. M. (2016). ‘Though this be method, yet there is madness in’t’: Cutting Ovid’s tongue in recent stage and film performances of Titus Andronicus. In P. Holland (Ed.), Shakespeare and Rome (58-78). Cambridge, UK: Cambridge University Press. https://doi.org/10.1017/sso9781316670408.006

Czech puppet theatre in global contexts: roots, theories and encounters (2015)
Journal Article
Billing, C. M., & Drábek, P. (2015). Czech puppet theatre in global contexts: roots, theories and encounters. Theatralia, 5-31. https://doi.org/10.5817/ty2015-2-1

This article is both an introduction to this volume as well as to the rich and enchanting world of Czech puppet theatre, with its unique combination of transnational and geographically and cultural distinctive features. Pavel Drábek's essay, incorpor... Read More about Czech puppet theatre in global contexts: roots, theories and encounters.

"Here is my space": Josef Svoboda's Shakespearean imagination (2016)
Book Chapter
Billing, C. M. (2016). "Here is my space": Josef Svoboda's Shakespearean imagination. In J. R. Brown, & S. Di Benedetto (Eds.), Designers' Shakespeare (12-37). Abingdon, Oxon: Routledge

Historiography, Rehearsal Processes, and Performance as Translation; or, How to Stage Early Modern English Drama Today? (2015)
Conference Proceeding
Billing, C. (2015). Historiography, Rehearsal Processes, and Performance as Translation; or, How to Stage Early Modern English Drama Today?.

Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences (2014)
Journal Article
Billing, C. M. (2014). Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences. Theatralia, 17(2), 13-23

Forms of fashion: Material fabrics, national characteristics and the dramaturgy of difference on the early modern English stage (2014)
Book Chapter
Billing, C. (2014). Forms of fashion: Material fabrics, national characteristics and the dramaturgy of difference on the early modern English stage. In R. Henke, & E. Nicholson (Eds.), Transnational mobilities in early modern theater (131-156). Abingdon, Oxon: Routledge

Rehearsing Shakespeare : embodiment, collaboration, risk and play (2012)
Journal Article
Billing, C. M. (2012). Rehearsing Shakespeare : embodiment, collaboration, risk and play. Shakespeare bulletin, 30(4), 383-410. https://doi.org/10.1353/shb.2012.0072