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Dr Catherine Baker's Outputs (91)

Croatian Veteran Masculinities and Exclusive Narratives: Points of Identification With the “Myth of the Homeland War” in the 2010s (2024)
Book Chapter
Baker, C., & Touquet, H. (2025). Croatian Veteran Masculinities and Exclusive Narratives: Points of Identification With the “Myth of the Homeland War” in the 2010s. In P. Schulz, B. Hamber, & H. Touquet (Eds.), Masculinities and Queer Perspectives in Transitional Justice (208-227). Routledge. https://doi.org/10.4324/9781003519522

A generation after the end of the Croatian War of Independence, transitional justice advocates had hoped Croatian society would be able to separate individual and organizational responsibility for war crimes from the moral significance of a war of se... Read More about Croatian Veteran Masculinities and Exclusive Narratives: Points of Identification With the “Myth of the Homeland War” in the 2010s.

The Routledge Handbook of Popular Music and Politics of the Balkans (2024)
Book
Baker, C. (Ed.). (2024). The Routledge Handbook of Popular Music and Politics of the Balkans. Routledge. https://doi.org/10.4324/9781003328162

The Routledge Handbook of Popular Music and Politics of the Balkans is a comprehensive overview of major topics, established debates and new directions in the study of popular music and politics in this region. The vibrant growth of this subject area... Read More about The Routledge Handbook of Popular Music and Politics of the Balkans.

What is this ‘Balkan’ in Balkan Popular Culture?: Stuart Hall’s Sociology of Popular Culture, Identity and Race through Analogy and Connection (2024)
Book Chapter
Baker, C. (2024). What is this ‘Balkan’ in Balkan Popular Culture?: Stuart Hall’s Sociology of Popular Culture, Identity and Race through Analogy and Connection. In C. Baker (Ed.), The Routledge Handbook of Popular Music and Politics of the Balkans (500-512). Routledge. https://doi.org/10.4324/9781003328162-39

This chapter situates ‘Balkan’ popular music within a global politics of identity and difference and gives an example of how to use social and cultural theory to develop a research agenda, by reviewing how scholars of popular culture in the region ha... Read More about What is this ‘Balkan’ in Balkan Popular Culture?: Stuart Hall’s Sociology of Popular Culture, Identity and Race through Analogy and Connection.

Introduction: Thinking Politically with Popular Music of the Balkans (2024)
Book Chapter
Baker, C. (2024). Introduction: Thinking Politically with Popular Music of the Balkans. In C. Baker (Ed.), The Routledge Handbook of Popular Music and Politics of the Balkans (1-27). Routledge. https://doi.org/10.4324/9781003328162-1

The introduction surveys the sociopolitical contexts surrounding historic and contemporary popular music in the Balkans. It explains the complexities of ‘popular music’ and other related terms in defining the field of study, including the problems of... Read More about Introduction: Thinking Politically with Popular Music of the Balkans.

Off white: Central and Eastern Europe and the global history of race (2024)
Book
Baker, C., Iacob, B. C., Imre, A., & Mark, J. (Eds.). (2024). Off white: Central and Eastern Europe and the global history of race. Manchester University Press. https://doi.org/10.7765/9781526172211

This volume foregrounds racial difference as a key to an alternative history of the Central and Eastern European region, which revolves around the role of whiteness as the unacknowledged foundation of semi-peripheral nation-states and national identi... Read More about Off white: Central and Eastern Europe and the global history of race.

Introduction: Racial disavowals-Historicising whiteness in Central and Eastern Europe (2024)
Book Chapter
Mark, J., Imre, A., Iacob, B. C., & Baker, C. (2024). Introduction: Racial disavowals-Historicising whiteness in Central and Eastern Europe. In C. Baker, B. C. Iacob, A. Imre, & J. Mark (Eds.), Off White: Central and Eastern Europe and the Global History of Race (1-30). Manchester University Press. https://doi.org/10.7765/9781526172211.00007

Central and Eastern Europe has long been removed from global histories of race: this introduction firstly explores the regional and global forces which have forged this capacity for disavowal, and analyses what has been long at stake in doing so. Sec... Read More about Introduction: Racial disavowals-Historicising whiteness in Central and Eastern Europe.

Through the Balkans to Christchurch: Southeast Europe and global white nationalist historical mythology (2024)
Book Chapter
Baker, C. (2024). Through the Balkans to Christchurch: Southeast Europe and global white nationalist historical mythology. In C. Baker, B. C. Iacob, A. Imre, & J. Mark (Eds.), Off White: Central and Eastern Europe and the Global History of Race (328-347). Manchester University Press. https://doi.org/10.7765/9781526172211.00023

The chapter explores Southeast Europe’s part in global white nationalist historical mythology through the March 2019 Christchurch massacre and what it revealed about how both recent and distant histories of intercommunal violence in Southeast Europe... Read More about Through the Balkans to Christchurch: Southeast Europe and global white nationalist historical mythology.

Lion of Love: Representations of Russian Homosexuality and Homophobia in Netflix’s Eurovision Song Contest: The Story of Fire Saga (2024)
Journal Article
Baker, C. (2024). Lion of Love: Representations of Russian Homosexuality and Homophobia in Netflix’s Eurovision Song Contest: The Story of Fire Saga. Historical reflections, 50(2), 61-76. https://doi.org/10.3167/hrrh.2024.500205

Alexander Lemtov, the Russian antagonist of Netflix’s 2020 musical comedy Eurovision Song Contest: The Story of Fire Saga, embodies and dramatizes contentions over Russian homophobia, disavowals of homosexuality in Russian entertainment, and the cons... Read More about Lion of Love: Representations of Russian Homosexuality and Homophobia in Netflix’s Eurovision Song Contest: The Story of Fire Saga.

Soft power, cultural relations and conflict through Eurovision and other mega-events: a literature review (2024)
Report
Baker, C., Atkinson, D., Grabher, B., & Howcroft, M. (2024). Soft power, cultural relations and conflict through Eurovision and other mega-events: a literature review. British Council

First paragraph:
This literature review explores the significance of the Eurovision Song Contest for soft power strategies and cultural relations activities, especially at times of conflict and international aggression.

Culture, place and partnership: the cultural relations of Eurovision 2023 (2024)
Report
Baker, C., Atkinson, D., Grabher, B., & Howcroft, M. (2024). Culture, place and partnership: the cultural relations of Eurovision 2023. British Council

Foreword:
This report tells the story of the Eurovision Song Contest in 2023, when the UK found itself as host on behalf of the 2022 winners Ukraine, due to Russia’s full-scale invasion of the country in 2021. As the UK’s 2022 entry Sam Ryder put it... Read More about Culture, place and partnership: the cultural relations of Eurovision 2023.

Eurovision 2023 Cultural Relations Snapshot: A snapshot from the forthcoming cultural relations, soft power and shared values research (2023)
Report
Baker, C., Atkinson, D., Burgess, G., Grabher, B., & Howcroft, M. (2023). Eurovision 2023 Cultural Relations Snapshot: A snapshot from the forthcoming cultural relations, soft power and shared values research. British Council

About this research
In May 2023, Liverpool and the BBC hosted the Eurovision Song Contest on Ukraine’s behalf. This was the first time since 1980 that Eurovision has not been hosted in the previous winning country, and the first time a winner has e... Read More about Eurovision 2023 Cultural Relations Snapshot: A snapshot from the forthcoming cultural relations, soft power and shared values research.

Second-Generation Voices of the Polish and Ukrainian Diaspora in Northern Britain, 1948-1998 (2023)
Thesis
Grombir, F. Second-Generation Voices of the Polish and Ukrainian Diaspora in Northern Britain, 1948-1998. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4425243

In the immediate aftermath of the Second World War hundreds of thousands of migrants came to rebuild post-war Britain. The arrival of the so-called Windrush generation presented, in the words of Trevor Phillips, the irresistible rise of multi-racial... Read More about Second-Generation Voices of the Polish and Ukrainian Diaspora in Northern Britain, 1948-1998.

Eurovision 2023: Broadcasting Liverpool, Welcoming LGBTQ+ Communities, Honouring Ukraine (2023)
Report
Baker, C. (2023). Eurovision 2023: Broadcasting Liverpool, Welcoming LGBTQ+ Communities, Honouring Ukraine. Heseltine Institute for Public Policy, Practice and Place, University of Liverpool

The Heseltine Institute is marking Liverpool’s status as host city for Eurovision 2023 with a special series of policy briefings. In this first briefing of the series, Dr Catherine Baker (University of Hull) discusses some of the key themes that will... Read More about Eurovision 2023: Broadcasting Liverpool, Welcoming LGBTQ+ Communities, Honouring Ukraine.

Gay Bod: Civic and LGBTQ+ Pride After Brexit in a City on the Margins of the UK and Europe (2023)
Book Chapter
Baker, C., & Howcroft, M. (2023). Gay Bod: Civic and LGBTQ+ Pride After Brexit in a City on the Margins of the UK and Europe. In K. Loftsdóttir, B. Hipfl, & S. Ponzanesi (Eds.), Creating Europe from the Margins: Mobilities and Racism in Postcolonial Europe (108-124). Routledge. https://doi.org/10.4324/9781003269748-7

In 2017, Kingston-upon-Hull celebrated becoming UK City of Culture (‘Hull2017’). Organisers of the cultural mega-event hoped to restore civic pride amongst residents of Hull, which had been severely affected ever since its North Sea fishing industry... Read More about Gay Bod: Civic and LGBTQ+ Pride After Brexit in a City on the Margins of the UK and Europe.

‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home (2022)
Journal Article
Baker, C. (2023). ‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home. Critical military studies, 9(3), 442-461. https://doi.org/10.1080/23337486.2022.2113960

In 2017, the British Army opened its ‘This is Belonging’ recruitment campaign, aimed at groups of young people who were considered traditionally less likely to join the Army, with marketing at Pride in London aimed at LGBTQ youth. The campaign’s next... Read More about ‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home.

The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics (2022)
Book Chapter
Baker, C. (2022). The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics. In A. Dubin, D. Vuletic, & A. Obregón (Eds.), The Eurovision Song Contest as a Cultural Phenomenon: From Concert Halls to the Halls of Academia (96-110). Abingdon: Routledge. https://doi.org/10.4324/9781003188933-9

This chapter explores how the author’s research into nationalism, popular culture, gender and sexuality in international politics has been able to apply the idea that the Eurovision Song Contest illustrates the idea of contestants as symbolic represe... Read More about The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics.

Your race sounds familiar? Blackface, cross-racial/cross-gender drag and the Your Face Sounds Familiar franchise (2013–) on post-Yugoslav television (2021)
Journal Article
Baker, C. (2021). Your race sounds familiar? Blackface, cross-racial/cross-gender drag and the Your Face Sounds Familiar franchise (2013–) on post-Yugoslav television. VIEW Journal of European Television History and Culture, 10(20), 83-103. https://doi.org/10.18146/view.267

Your Face Sounds Familiar, a celebrity talent television format developed by the Dutch production company Endemol and first broadcast in Spain in 2011, has entertained audiences in more than forty countries with the sight of well-known professional m... Read More about Your race sounds familiar? Blackface, cross-racial/cross-gender drag and the Your Face Sounds Familiar franchise (2013–) on post-Yugoslav television.

Guarding the “Balkan Route” on the postsocialist frontier: revisiting Maja Weiss’ Varuh meje (2002) (2021)
Journal Article
Baker, C., Szczygielska, M., & Drnovšek Zorko, Š. (2021). Guarding the “Balkan Route” on the postsocialist frontier: revisiting Maja Weiss’ Varuh meje (2002). International Feminist Journal of Politics, 23(5), 811-828. https://doi.org/10.1080/14616742.2021.1991827

Introduction
Varuh meje, Maja Weiss’ debut film, dates back to 2002 – when Slovenia was soon to join the European Union (EU), when the state was first taking up its role as EU “border guard,” and when Slovenian society was reacting to the first wave... Read More about Guarding the “Balkan Route” on the postsocialist frontier: revisiting Maja Weiss’ Varuh meje (2002).

Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia (2021)
Journal Article
Baker, C. (in press). Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia. Historical Journal of Film, Radio and Television, 42(2), 344-371. https://doi.org/10.1080/01439685.2021.1948205

Between early 1994 and the end of the wars in Croatia and Bosnia-Herzegovina, a team of journalists working for the United Nations peacekeeping mission in former Yugoslavia (UNPROFOR) was in charge of a unique televisual experiment–a documentary film... Read More about Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia.

The call is coming from inside the house: researching race after Yugoslavia in ‘post-post-racial’ times (2021)
Book Chapter
Baker, C. (2021). The call is coming from inside the house: researching race after Yugoslavia in ‘post-post-racial’ times. In Researching Yugoslavia and Its Aftermath: Sources, Prejudices and Alternative Solutions (253-272). Springer. https://doi.org/10.1007/978-3-030-70343-1_12

This chapter sets efforts to research race in the (post-)Yugoslav region in the context of what Kimberlé Crenshaw has termed today’s ‘post-post-racial’ times, in which progressives who might have believed that global society was on an inevitable cour... Read More about The call is coming from inside the house: researching race after Yugoslavia in ‘post-post-racial’ times.

Bridging postcoloniality, postsocialism, and “race” in the age of Brexit: An interview with Catherine Baker (2021)
Book Chapter
Baker, C., & Koobak, R. (2021). Bridging postcoloniality, postsocialism, and “race” in the age of Brexit: An interview with Catherine Baker. In R. Koobak, M. Tlostanova, & S. Thapar-Björkert (Eds.), Postcolonial and Postsocialist Dialogues: Intersections, Opacities, Challenges in Feminist Theorizing and Practice (40-52). Taylor & Francis (Routledge)

In this interview, conducted over two rounds in August 2019 and January 2020, post-Cold War historian and cultural studies scholar Catherine Baker reflects on how she situates her work within the growing literature on intersections between postcoloni... Read More about Bridging postcoloniality, postsocialism, and “race” in the age of Brexit: An interview with Catherine Baker.

A War of Songs. Popular Music and Recent Russia–Ukraine Relations: Arve Hansen, Andrei Rogatchevski, Yngvar Steinholt & David-Emil Wickström. Stuttgart: Ibidem Verlag, 2019, 247pp., €34.90 p/b. (2020)
Journal Article
Baker, C. (2020). A War of Songs. Popular Music and Recent Russia–Ukraine Relations: Arve Hansen, Andrei Rogatchevski, Yngvar Steinholt & David-Emil Wickström. Stuttgart: Ibidem Verlag, 2019, 247pp., €34.90 p/b. Europe-Asia Studies, 72(8), 1426-1427. https://doi.org/10.1080/09668136.2020.1814605

Celebrity leader personas and embodied militarism (2020)
Journal Article
Baker, C., Jackson, S. T., Crilley, R., Manor, I., Oshikoya, M., Joachim, J., Robinson, N., Schneiker, A., Grove, N. S., & Enloe, C. (2021). Celebrity leader personas and embodied militarism. International studies review, 23(3), 1046-1071. https://doi.org/10.1093/isr/viaa035

Scholars of international relations frequently explore how states normalize the use of military force through processes of militarization, yet few have analyzed how new information and communication technologies impact on these processes. The essays... Read More about Celebrity leader personas and embodied militarism.

Yugoslav popular music and global histories of the Cold War (2020)
Book Chapter
Baker, C. (2020). Yugoslav popular music and global histories of the Cold War. In D. S. Beard, & L. V. Rasmussen (Eds.), Made in Yugoslavia: Studies in Popular Music (232-245). Taylor & Francis (Routledge). https://doi.org/10.4324/9781315452333-25

Employing a process of so-called circuit listening and considering the routes, networks, and histories necessary for a song to come about, however, reveals “Colinda” as the outcome of circuits of music, migration, and colonialism, owing its existence... Read More about Yugoslav popular music and global histories of the Cold War.

'Couture military' and a queer aesthetic curiosity: music video aesthetics, militarised fashion, and the embodied politics of stardom in Rihanna’s 'Hard' (2020)
Journal Article
Baker, C. (in press). 'Couture military' and a queer aesthetic curiosity: music video aesthetics, militarised fashion, and the embodied politics of stardom in Rihanna’s 'Hard'. Politik, 23(1), https://doi.org/10.7146/politik.v23i1.120308

Music video is an underappreciated type of audiovisual artefact in studies of the aesthetics of world politics, which typically privilege linear narrative storytelling and struggle to communicate how sonic and embodied practices also constitute world... Read More about 'Couture military' and a queer aesthetic curiosity: music video aesthetics, militarised fashion, and the embodied politics of stardom in Rihanna’s 'Hard'.

‘I am the voice of the past that will always be’: the Eurovision Song Contest as historical fiction (2019)
Journal Article
Baker, C. (2019). ‘I am the voice of the past that will always be’: the Eurovision Song Contest as historical fiction. Journal of historical fictions, 2(2), 102-125

The Eurovision Song Contest has been called everything from ‘the Gay Olympics’ to ‘a monument to drivel’, but can it also be thought of as historical fiction – and what could that reveal about how narratives of national and European identity are reto... Read More about ‘I am the voice of the past that will always be’: the Eurovision Song Contest as historical fiction.

"If love was a crime, we would be criminals": the Eurovision Song Contest and the queer international politics of flags (2019)
Book Chapter
Baker, C. (2019). "If love was a crime, we would be criminals": the Eurovision Song Contest and the queer international politics of flags. In J. Kalman, B. Wellings, & K. Jacotine (Eds.), Eurovisions: Identity and the international politics of the Eurovision Song Contest since 1956 (175-200). Palgrave Macmillan. https://doi.org/10.1007/978-981-13-9427-0_9

Baker uses contestations over flags at the Eurovision Song Contest to illustrate the paradox that, while Eurovision is ostensibly ‘non-political’ and prohibits ‘political’ messages and symbols, organisers, hosts, broadcasters, contestants and fans ha... Read More about "If love was a crime, we would be criminals": the Eurovision Song Contest and the queer international politics of flags.

Language intermediaries and local agency: peacebuilding, translation/interpreting and political disempowerment in 'mature' post-Dayton Bosnia-Herzegovina (2019)
Journal Article
Baker, C. (2019). Language intermediaries and local agency: peacebuilding, translation/interpreting and political disempowerment in 'mature' post-Dayton Bosnia-Herzegovina. Journal of War and Culture Studies, 12(3), 236-250. https://doi.org/10.1080/17526272.2019.1644413

The peace negotiations that ended the 1992–95 war in Bosnia-Herzegovina established a constitutional system of ethnic power-sharing that satisfied its signatories (the presidents of Serbia, Croatia and Bosnia) enough for war to cease and provided for... Read More about Language intermediaries and local agency: peacebuilding, translation/interpreting and political disempowerment in 'mature' post-Dayton Bosnia-Herzegovina.

What female pop-folk celebrity in south-east Europe tells postsocialist feminist media studies about global formations of race (2019)
Journal Article
Baker, C. (2020). What female pop-folk celebrity in south-east Europe tells postsocialist feminist media studies about global formations of race. Feminist Media Studies, 20(3), 341-360. https://doi.org/10.1080/14680777.2019.1599035

Feminist media studies of postsocialism are well practised at explaining how ideologies of gender and nation reinforce each other amid neoliberal capitalism on Europe’s semi-periphery. They extend this, by critiquing media marginalization of Roma, in... Read More about What female pop-folk celebrity in south-east Europe tells postsocialist feminist media studies about global formations of race.

Interviewing for research on languages and war (2019)
Book Chapter
Baker, C. (2019). Interviewing for research on languages and war. In M. Kelly, H. Footitt, & M. Salama-Carr (Eds.), The Palgrave Handbook of Languages and Conflict (157-179). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-04825-9_8

Many participants in conflict have experienced it through mediations of meaning between languages, and whole categories of participants have even often gone unnoticed in the study of war because of the historic ‘invisibility’ of languages and transla... Read More about Interviewing for research on languages and war.

Textual representation, class exploitation and the postcolonial: is the proletariat always in twilight? (2019)
Journal Article
Baker, C. (2019). Textual representation, class exploitation and the postcolonial: is the proletariat always in twilight?. New perspectives : interdisciplinary journal of Central & East European politics and international relations, 27(1), 135-140. https://doi.org/10.1177/2336825X1902700112

Commentary on Rade Zinaic, 'Twilight of the Proletariat: Reading Critical Balkanology as Liberal Ideology' (New Perspectives: Interdisciplinary Journal of Central and East European Politics 25:1 (2017), 19-54)

Unsung heroism?: showbusiness and social action in Britain’s military wives choir(s) (2018)
Book Chapter
Baker, C. (2018). Unsung heroism?: showbusiness and social action in Britain’s military wives choir(s). In V. Kitchen, & J. G. Mathers (Eds.), Heroism and Global Politics (122-146). Routledge

In 2011, the BBC documentary The Choir visited military bases in Devon to film with wives and partners of British servicemen who had been deployed to Afghanistan. Amid a growing convergence between popular entertainment, popular militarism, and ‘Reme... Read More about Unsung heroism?: showbusiness and social action in Britain’s military wives choir(s).

Postcoloniality without race? Racial exceptionalism and south-east European cultural studies (2018)
Journal Article
Baker, C. (2018). Postcoloniality without race? Racial exceptionalism and south-east European cultural studies. Interventions : international journal of postcolonial studies, 20(6), 759-784. https://doi.org/10.1080/1369801X.2018.1492954

The black Dutch feminist Gloria Wekker, assembling past and present everyday expressions of racialized imagination which collectively undermine hegemonic beliefs that white Dutch society has no historic responsibility for racism, writes in her book W... Read More about Postcoloniality without race? Racial exceptionalism and south-east European cultural studies.

Race and the Yugoslav region: postsocialist, post-conflict, postcolonial? (2018)
Book
Baker, C. (2018). Race and the Yugoslav region: postsocialist, post-conflict, postcolonial?. Manchester University Press

This is the first book to situate the territories and collective identities of former Yugoslavia within the politics of race - not just ethnicity - and the history of how ideas of racialised difference have been translated globally. The book connects... Read More about Race and the Yugoslav region: postsocialist, post-conflict, postcolonial?.

Football, history, and the nation in Southeastern Europe (2016)
Journal Article
Baker, C. (2016). Football, history, and the nation in Southeastern Europe. Nationalities Papers, 44(6), 857-859. https://doi.org/10.1080/00905992.2016.1223026

Extract
In October 2014, Serbia's European Championships qualifying match against Albania was abandoned after a drone flew onto the pitch in Belgrade with a banner showing Kosovo as part of a Greater Albania, provoking a fight between both teams and... Read More about Football, history, and the nation in Southeastern Europe.

Fictionalised accounts of translation and interpreting for peacebuilding forces in Bosnia and Herzegovina and Kosovo: The memoir-novels of Veselin Gatalo and Tanja Janković (2016)
Book Chapter
Baker, C. (2016). Fictionalised accounts of translation and interpreting for peacebuilding forces in Bosnia and Herzegovina and Kosovo: The memoir-novels of Veselin Gatalo and Tanja Janković. In L. Buckingham (Ed.), The Status of English in Bosnia and Herzegovina (267-284). Channel View Publications and Multilingual Matters

Mapping the nexus of transitional justice and peacebuilding (2016)
Journal Article
Baker, C., & Obradovic-Wochnik, J. (2016). Mapping the nexus of transitional justice and peacebuilding. Journal of Intervention and Statebuilding, 10(3), 281-301. https://doi.org/10.1080/17502977.2016.1199483

This paper explores the convergences and divergence between transitional justice and peace-building, by considering some of the recent developments in scholarship and practice. We examine the notion of ‘peace’ in transitional justice and the idea of... Read More about Mapping the nexus of transitional justice and peacebuilding.

Book review: Hromadžić, Azra. 2015. Citizens of an empty nation: youth and state-making in postwar Bosnia-Herzegovina. Philadelphia, PA: University of Pennsylvania Press. 239 pp. Hb: £39.00. ISBN: 9780812247008 (2016)
Journal Article
Baker, C. (2016). Book review: Hromadžić, Azra. 2015. Citizens of an empty nation: youth and state-making in postwar Bosnia-Herzegovina. Philadelphia, PA: University of Pennsylvania Press. 239 pp. Hb: £39.00. ISBN: 9780812247008. Social anthropology : the journal of the European Association of Social Anthropologists = Anthropologie sociale, 24(2), 260-261. https://doi.org/10.1111/1469-8676.12278

Writing about embodiment as an act of translation (2016)
Journal Article
Baker, C. (2016). Writing about embodiment as an act of translation. Critical military studies, 2(1-2), 120-124. https://doi.org/10.1080/23337486.2016.1139314

Writing about embodiment is an act of compression: reducing the sensory complexity of someone else’s physical experience, or even one’s own, into written language that somebody else will understand through sight or sound. It is an act of abstraction,... Read More about Writing about embodiment as an act of translation.

The ‘Gay Olympics’? : the Eurovision Song Contest and the politics of LGBT/European belonging (2016)
Journal Article
Baker, C. (2017). The ‘Gay Olympics’? : the Eurovision Song Contest and the politics of LGBT/European belonging. European journal of international relations, 23(1), 97-121. https://doi.org/10.1177/1354066116633278

The politics of gay and transgender visibility and representation at the Eurovision Song Contest, an annual televised popular music festival presented to viewers as a contest between European nations, show that processes of interest to Queer Internat... Read More about The ‘Gay Olympics’? : the Eurovision Song Contest and the politics of LGBT/European belonging.

Encounters with the military : toward an ethics of feminist critique? (2016)
Journal Article
Baker, C., Basham, V., Bulmer, S., Gray, H., & Hyde, A. (2016). Encounters with the military : toward an ethics of feminist critique?. International Feminist Journal of Politics, 18(1), 140-154. https://doi.org/10.1080/14616742.2015.1106102

This conversation developed from a panel titled “Interrogating the Militarized Masculine: Reflections on Research, Ethics and Access” held at the May 2013 International Feminist Journal of Politics conference at the University of Sussex, UK.

Introduction : gender and geopolitics in the Eurovision Song Contest (2015)
Journal Article
Baker, C. (2015). Introduction : gender and geopolitics in the Eurovision Song Contest. Contemporary Southeastern Europe, 2(1), 74-93

From the vantage point of the early 1990s, when the end of the Cold War not only inspired the discourses of many Eurovision performances but created opportunities for the map of Eurovision participation itself to significantly expand in a short space... Read More about Introduction : gender and geopolitics in the Eurovision Song Contest.

The Yugoslav Wars of the 1990s (2015)
Book
Baker, C. (2015). The Yugoslav Wars of the 1990s. Palgrave Macmillan

Catherine Baker offers an up-to-date, balanced and concise introductory account of the Yugoslav wars of the 1990s and their aftermath. The volume incorporates the latest research, showing how the state of the field has evolved and guides students thr... Read More about The Yugoslav Wars of the 1990s.

'Ancient Volscian border dispute flares': representations of militarism, masculinity and the Balkans in Ralph Fiennes' Coriolanus (2015)
Journal Article
Baker, C. (2016). 'Ancient Volscian border dispute flares': representations of militarism, masculinity and the Balkans in Ralph Fiennes' Coriolanus. International Feminist Journal of Politics, 18(3), 429-448. https://doi.org/10.1080/14616742.2014.984486

Reception of the 2012 film adaptation of Shakespeare's Coriolanus, directed by and starring Ralph Fiennes, dealt with two particular themes: the homoerotic relationship between Fiennes' Coriolanus and the rebel leader Aufidius whose forces he eventua... Read More about 'Ancient Volscian border dispute flares': representations of militarism, masculinity and the Balkans in Ralph Fiennes' Coriolanus.

Symphony of sirens: uses and problems of sound in teaching and learning about music and politics (2015)
Journal Article
Baker, C. (2015). Symphony of sirens: uses and problems of sound in teaching and learning about music and politics. Radical history review, 2015(121), 197-208. https://doi.org/10.1215/01636545-2800108

I have been teaching courses about music and politics since 2011, firstly as a part-time instructor replacing a faculty member during her research leave and later at a different institution as a faculty member myself. This piece considers some of the... Read More about Symphony of sirens: uses and problems of sound in teaching and learning about music and politics.

The view from the back of the warrior: Mobility, privilege and power during the international intervention in Bosnia-Herzegovina (2014)
Book Chapter
Baker, C. (2014). The view from the back of the warrior: Mobility, privilege and power during the international intervention in Bosnia-Herzegovina. In K. Burrell, & K. Hörschelmann (Eds.), Mobilities in Socialist and Post-Socialist States : Societies on the Move (148-172). Palgrave Macmillan. https://doi.org/10.1057/9781137267290

This chapter shows how spatial practices of security and intervention, as well as the spatial implications of post-socialism discussed elsewhere in this book, have produced novel mobilities in Bosnia-Herzegovina since the outbreak of war in 1992 and... Read More about The view from the back of the warrior: Mobility, privilege and power during the international intervention in Bosnia-Herzegovina.

Beyond the island story? the opening ceremony of the London 2012 Olympic Games as public history (2014)
Journal Article
Baker, C. (2015). Beyond the island story? the opening ceremony of the London 2012 Olympic Games as public history. Rethinking History, 19(3), 409-428. https://doi.org/10.1080/13642529.2014.909674

This paper evaluates the opening ceremony of the London 2012 Olympic Games as an exercise in public history. Public events have been widely identified within the study of nationalism as festivals that attempt to reinforce national identity and belong... Read More about Beyond the island story? the opening ceremony of the London 2012 Olympic Games as public history.

The Local Workforce of International Intervention in the Yugoslav Successor States: 'Precariat' or 'Projectariat'? Towards an Agenda for Future Research (2014)
Journal Article
Baker, C. (2014). The Local Workforce of International Intervention in the Yugoslav Successor States: 'Precariat' or 'Projectariat'? Towards an Agenda for Future Research. International Peacekeeping, 21(1), 91-106. https://doi.org/10.1080/13533312.2014.899123

The international organizations involved in peacebuilding, democratization and peacekeeping in the Yugoslav successor states have employed thousands of locally recruited workers as project officers, language intermediaries and support staff. This mak... Read More about The Local Workforce of International Intervention in the Yugoslav Successor States: 'Precariat' or 'Projectariat'? Towards an Agenda for Future Research.

Critical pedagogy within the migration/security nexus: but who gets through the door? (2013)
Journal Article
Baker, C. (2013). Critical pedagogy within the migration/security nexus: but who gets through the door?. Critical Studies on Security, 1(3), 370-372. https://doi.org/10.1080/21624887.2013.850237

This submission will reflect on how border control and visa regimes structure access to higher education by differentiating between potential students and funding recipients based on citizenship, and will suggest some implications for critical pedago... Read More about Critical pedagogy within the migration/security nexus: but who gets through the door?.

Music as a weapon of ethnopolitical violence and conflict: processes of ethnic separation during and after the break-up of Yugoslavia (2013)
Journal Article
Baker, C. (2013). Music as a weapon of ethnopolitical violence and conflict: processes of ethnic separation during and after the break-up of Yugoslavia. Patterns of Prejudice, 47(4-5), 409-429. https://doi.org/10.1080/0031322x.2013.835914

Using illustrations from the Yugoslav wars of the 1990s and their aftermath, Baker argues that understanding popular music and public discourses about it can help to understand the dynamics of ethnopolitical conflict. Studies of war and conflict have... Read More about Music as a weapon of ethnopolitical violence and conflict: processes of ethnic separation during and after the break-up of Yugoslavia.

Language, cultural space and meaning in the phenomenon of "Cro-dance" (2013)
Journal Article
Baker, C. (2013). Language, cultural space and meaning in the phenomenon of "Cro-dance". Ethnologie française, 43(2), 313-324. https://doi.org/10.3917/ethn.132.0313

"Cro-dance" was a musical trend in 1990s Croatia which combined north-west European dance music with lyrics in Croatian and often English, unlike most Croatian popular music which used Croatian language only. This paper applies ideas from sociolingui... Read More about Language, cultural space and meaning in the phenomenon of "Cro-dance".

Prosperity without security: The precarity of interpreters in postsocialist, postconflict Bosnia-Herzegovina (2012)
Journal Article
Baker, C. (2012). Prosperity without security: The precarity of interpreters in postsocialist, postconflict Bosnia-Herzegovina. Slavic Review, 71(4), 849-872. https://doi.org/10.5612/slavicreview.71.4.0849

This article uses life history interview data collected during a project on languages and peace support operations in Bosnia-Herzegovina to consider, as an occupational group, people from former Yugoslavia who were employed as interpreters by foreign... Read More about Prosperity without security: The precarity of interpreters in postsocialist, postconflict Bosnia-Herzegovina.

Interpreting the peace: peace operations, conflict and language in Bosnia-Herzegovina (2012)
Book
Kelly, M., & Baker, C. (2012). Interpreting the peace: peace operations, conflict and language in Bosnia-Herzegovina. Palgrave Macmillan

Interpreting the Peace is the first full-length study of language support in multinational peace operations. Building peace depends on being able to communicate with belligerents, civilians and forces from other countries. This depends on effective a... Read More about Interpreting the peace: peace operations, conflict and language in Bosnia-Herzegovina.

When Bosnia was a Commonwealth country: British forces and their interpreters in Republika Srpska 1995-2007 (2012)
Journal Article
Baker, C. (2012). When Bosnia was a Commonwealth country: British forces and their interpreters in Republika Srpska 1995-2007. History workshop journal : HWJ, 74(1), 131-155. https://doi.org/10.1093/hwj/dbs018

This paper discusses the working experiences of foreign military forces' employees in post-war Bosnia-Herzegovina (BiH) with reference to oral history interviews with fourteen people who were employed as language intermediaries by British forces in t... Read More about When Bosnia was a Commonwealth country: British forces and their interpreters in Republika Srpska 1995-2007.

Being an interpreter in conflict (2012)
Book Chapter
Tobia, S., & Baker, C. (2012). Being an interpreter in conflict. In Languages at war: policies and practices of language contacts in conflict (201 - 221). Palgrave Macmillan

Fraternization (2012)
Book Chapter
Footitt, H., & Baker, C. (2012). Fraternization. In Languages at war: policies and practices of language contacts in conflict (139 - 164). Palgrave Macmillan

Civilian interpreting in military conflicts (2012)
Book Chapter
Baker, C. (2012). Civilian interpreting in military conflicts. In Languages at war: policies and practices of language contacts in conflict (184 - 200). Palgrave Macmillan

Frameworks for understanding (2012)
Book Chapter
Baker, C. (2012). Frameworks for understanding. In Languages at war: policies and practices of language contacts in conflict (37 - 53). Palgrave Macmillan

Opening the black box: oral histories of how soldiers and civilians learned to translate and interpret during peace support operations in Bosnia-Herzegovina (2012)
Journal Article
Baker, C. (2012). Opening the black box: oral histories of how soldiers and civilians learned to translate and interpret during peace support operations in Bosnia-Herzegovina. Oral History Forum d’histoire Orale, 32(Special Issue),

This paper uses 51 oral history interviews with former military personnel, language trainers and locally-recruited interpreters to explore how soldiers and civilians were educated into becoming translators and interpreters who worked in support of th... Read More about Opening the black box: oral histories of how soldiers and civilians learned to translate and interpret during peace support operations in Bosnia-Herzegovina.

The afterlife of Neda Ukraden: Negotiating space and memory through popular music after the fall of Yugoslavia, 1990-2008 (2012)
Book Chapter
Baker, C. (2012). The afterlife of Neda Ukraden: Negotiating space and memory through popular music after the fall of Yugoslavia, 1990-2008. In S. Fast, & K. Pegley (Eds.), Music, Politics, and Violence (60-82). Wesleyan University Press

© 2012 Wesleyan University Press. All rights reserved. An essay by Dubravka Ugrešic tells the story of the singer "Neda U.," who "came from Sarajevo, and her songwriter, N., [who] came from Zagreb." Neda "became⋯ a Serb" during the war in Croatia whe... Read More about The afterlife of Neda Ukraden: Negotiating space and memory through popular music after the fall of Yugoslavia, 1990-2008.

Tito's children? : educational resources, language learning and cultural capital in the life histories of interpreters working in Boznia-Herzegovina (2011)
Journal Article
Baker, C. (2011). Tito's children? : educational resources, language learning and cultural capital in the life histories of interpreters working in Boznia-Herzegovina. Südosteuropa, 59(4), 478-502

The foreign military forces and international organisations that have operated in Bosnia and Herzegovina (BiH) since 1992 recruited thousands of local people, often young students, to work as interpreters. Drawing on 31 life history interviews conduc... Read More about Tito's children? : educational resources, language learning and cultural capital in the life histories of interpreters working in Boznia-Herzegovina.

Have you ever been in Bosnia? British military travelers in the Balkans since 1992 (2011)
Journal Article
Baker, C. (2011). Have you ever been in Bosnia? British military travelers in the Balkans since 1992. Journeys : the international journal of travel and travel writing, 12(1), 63 - 92. https://doi.org/10.3167/jys.2011.120104

Tens of thousands of British military personnel traveled in former Yugoslavia as peacekeepers between 1992 and 2007. The settlements where British forces established their military presence and supply chain were conceptually far from former Yugoslavi... Read More about Have you ever been in Bosnia? British military travelers in the Balkans since 1992.

"Death to fascism isn't in the catechism": Legacies of socialism in Croatian popular music after the fall of Yugoslavia (2010)
Journal Article
Baker, C. (2010). "Death to fascism isn't in the catechism": Legacies of socialism in Croatian popular music after the fall of Yugoslavia. Narodna umjetnost: Croatian Journal of Ethnology and Folklore Research, 47(1), 163-183

This paper discusses both textual and structural legacies of socialism in Croatian popular music since the collapse of socialism and Yugoslavia. Yugoslav socialism struggled to reconcile socialist consciousness and capitalist consumerism, forcing the... Read More about "Death to fascism isn't in the catechism": Legacies of socialism in Croatian popular music after the fall of Yugoslavia.

The care and feeding of linguists : the working environment of interpreters, translators, and linguists during peacekeeping in Bosnia-Herzegovina (2010)
Journal Article
Baker, C. (2010). The care and feeding of linguists : the working environment of interpreters, translators, and linguists during peacekeeping in Bosnia-Herzegovina. War and Society, 29(2), 154-175. https://doi.org/10.1179/204243410X12674422128993

The history of war and peacekeeping has little to say about languages or the people who work with them, yet a closer inspection shows that contacts between different languages and the presence of an interpreter were a routine experience during the pe... Read More about The care and feeding of linguists : the working environment of interpreters, translators, and linguists during peacekeeping in Bosnia-Herzegovina.

Sounds of the borderland: Popular music, war and nationalism in Croatia since 1991 (2010)
Book
Baker, C. (2010). Sounds of the borderland: Popular music, war and nationalism in Croatia since 1991. Ashgate. https://doi.org/10.4324/9781315609973

Sounds of the Borderland is the first book-length study of how popular music became a medium for political communication and contested identification during and after Croatia's war of independence from Yugoslavia. It extends existing cultural studies... Read More about Sounds of the borderland: Popular music, war and nationalism in Croatia since 1991.

It's not their job to soldier: distinguishing civilian and military in soldiers' and interpreters' accounts of peacekeeping in 1990s Bosnia-Herzegovina (2010)
Journal Article
Baker, C. (2010). It's not their job to soldier: distinguishing civilian and military in soldiers' and interpreters' accounts of peacekeeping in 1990s Bosnia-Herzegovina. Journal of War and Culture Studies, 3(1), 137-150. https://doi.org/10.1386/jwcs.3.1.137_1

Peacekeeping operations throw the use of specialized military forces and the aim of accomplishing change in a civilian environment into contradiction. Organizations with cultures that facilitate warfighting have to reorient themselves towards achievi... Read More about It's not their job to soldier: distinguishing civilian and military in soldiers' and interpreters' accounts of peacekeeping in 1990s Bosnia-Herzegovina.

When Seve met Bregović: folklore, turbofolk and the boundaries of Croatian musical identity (2008)
Journal Article
Baker, C. (2008). When Seve met Bregović: folklore, turbofolk and the boundaries of Croatian musical identity. Nationalities Papers, 36(4), 741-764. https://doi.org/10.1080/00905990802230514

Popular music in Croatia has consistently been a field where the boundaries of national cultural identity are set, contested and transgressed. The most contentious boundaries involve Serbian culture and the abstract "east", to which essentialized nat... Read More about When Seve met Bregović: folklore, turbofolk and the boundaries of Croatian musical identity.

Wild dances and dying wolves : simulation, essentialization, and national identity at the Eurovision Song Contest (2008)
Journal Article
Baker, C. (2008). Wild dances and dying wolves : simulation, essentialization, and national identity at the Eurovision Song Contest. Popular Communication, 6(3), 173-189. https://doi.org/10.1080/15405700802198113

This paper examines Eurovision as a site for the public representation of the nation and explores the tendency towards simulation in such representations. The contest’s transnational audience and implication in commercial practices create pressures t... Read More about Wild dances and dying wolves : simulation, essentialization, and national identity at the Eurovision Song Contest.

The politics of performance : transnationalism and its limits in former Yugoslav popular music, 1999-2004 (2006)
Journal Article
Baker, C. (2006). The politics of performance : transnationalism and its limits in former Yugoslav popular music, 1999-2004. Ethnopolitics, 5(3), 275-293. https://doi.org/10.1080/17449050600911075

This paper examines transnational relations between the Yugoslav successor states from the point of view of popular music, and demonstrates how transnational musical figures (such as Djordje Balasevic, Momcilo Bajagic-Bajaga and Ceca Raznatovic) are... Read More about The politics of performance : transnationalism and its limits in former Yugoslav popular music, 1999-2004.