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Woche (with apologies to Ruttmann and Brock) (2019)
Digital Artefact
Barnard, M. (2019). Woche (with apologies to Ruttmann and Brock)

This composition represents an exploration and animation of an aesthetic framework outlined by the composer in previous research. The in-ear binaural method of recording and reproduction (and its headphone-based dissemination) is the focus of critica... Read More

Performers' Perspectives on "Feel" in Music (2018)
Book Chapter
King, E., & Waddington, C. (2018). Performers' Perspectives on "Feel" in Music. In N. Reyland, & R. Thumpson (Eds.), Music, analysis, and the body: Experiments, explorations, and embodimentsPeeters Publishers

This chapter explores the concept of 'feel' in relation to music performers in the Western art tradition.

Nightports, 'Nightports w/ Matthew Bourne' (2018)
Digital Artefact
Slater, M., Martin, A., & Bourne, M. (2018). Nightports, 'Nightports w/ Matthew Bourne'

A 45-minute album exploring the concept of restriction in collaboration with pianist Matthew Bourne. Liner notes (introduction): Nightports is based on a simple but unbreakable rule of restriction: only sounds produced by the featured musician ca... Read More

Authenticity and how we fake it: belief and subjectivity in reality TV, Facebook and YouTube. Aaron Duplantier (2016) (2018)
Journal Article
Hernandez-Perez, M. (in press). Authenticity and how we fake it: belief and subjectivity in reality TV, Facebook and YouTube. Aaron Duplantier (2016). Journalism & mass communication quarterly, ISSN 1077-6990

Authenticity and How We Fake It: Belief and Subjectivity in Reality TV, Facebook and YouTube. Aaron Duplantier. Jefferson, North Carolina, US: McFarland & Company. 185 pp, 2016. 196 pp. $29.95 pbk. $15.99 ebk. Reviewed by: Manuel Hernández-Pérez,... Read More

The music and music theory of Paul Hindemith (2018)
Book
Desbruslais, S. (2018). The music and music theory of Paul Hindemith. Boydell Press

The music theory of composer Paul Hindemith (1895-1963), originally entitled Unterweisung im Tonsatz, is well known, yet poorly understood. This book provides a critical engagement with Hindemith's Unterweisung, particularly concerning its relationsh... Read More

The art of dancing: 21st-century concertos for trumpet, piano and strings (2017)
Digital Artefact
Desbruslais, S. (2017). The art of dancing: 21st-century concertos for trumpet, piano and strings

Simon Desbruslais returns to disc on Signum with an album that continues to expand the repertoire of the trumpet even further, with four new commissions for Trumpet, Piano and String Orchestra Toby Young’s The Art of Dancing is described by the co... Read More

Vlastislav Hoffman’s 1926 Hamlet (2017)
Exhibition / Performance
Fergusson Baugh, C. Vlastislav Hoffman’s 1926 Hamlet. 10 February 2017 - 21 May 2017. (Unpublished)

This PaR project extends the principals explored in the reconstruction of architectural space to other visual forms, in this case, scenic design. The 1926 production of Hamlet is of particular significance in a range of contexts. It was Karel Hiller’... Read More

Nightports, 'Depart' (2015)
Digital Artefact
Slater, M., & Martin, A. (2015). Nightports, 'Depart'

A 60-minute studio album exploring the underlying concept of restriction in original musical creativity. Liner notes (introduction): Arrive. Move. Shift. Change. Depart. All sounds come from Emily. No other sound sources are permitted. Only sou... Read More

Psalm: Contemporary British Trumpet Concertos (2014)
Digital Artefact
Desbruslais, S., & Orchestra of the Swan, . (2014). Psalm: Contemporary British Trumpet Concertos

Simon Desbruslais leads the performances on this disc of world premiere recordings from some of the UK’s leading composers. Seeking to expand the trumpet’s repertoire of concerto and orchestra works, Simon Desbruslais was inspired after performing... Read More