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Outputs (477)

The roles of student musicians in quartet rehearsals (2006)
Journal Article
King, E. C. (2006). The roles of student musicians in quartet rehearsals. Psychology of music, 34(2), 262-282. https://doi.org/10.1177/0305735606061855

This study focuses on collaboration between student musicians in a wind quartet, saxophone quartet and string quartet. Devised as an explorative investigation using observation and interview methods, the roles of student musicians are defined within... Read More about The roles of student musicians in quartet rehearsals.

Strategies of ensemble practice (2004)
Book Chapter
King, E., & Davidson, J. (2004). Strategies of ensemble practice. In A. Williamon (Ed.), Musical Excellence: Strategies and Techniques to Enhance Performance (105-22). Oxford University Press

Straddling the intersection (2003)
Journal Article
Mitchell, H. (2003). Straddling the intersection. Crossings electronic journal of art and technology,

Music technology straddles the intersection between art and science and presents those who choose to work within its sphere with many practical challenges as well as creative possibilities. The paper focuses on four main areas: secondary education, h... Read More about Straddling the intersection.

A tempest : based on Shakespeare's The tempest ; adaptation for a black theatre / Aimé Césaire ; translated from the French by Philip Crispin (2002)
Book
(Ed.). (2002). A tempest : based on Shakespeare's The tempest ; adaptation for a black theatre / Aimé Césaire ; translated from the French by Philip Crispin. Oberon Books

A witty and fiercely anti-colonialist revision of Shakespeare's island fling, Césaire turns it into a brilliant assertion of black identity. Prospero is an exiled tyrant, while Caliban becomes a mutinous figure who has clear affinities with Malcolm X... Read More about A tempest : based on Shakespeare's The tempest ; adaptation for a black theatre / Aimé Césaire ; translated from the French by Philip Crispin.

Ensemble Performance (2002)
Book Chapter
King, E. (2002). Ensemble Performance. In J. Rink (Ed.), Musical Performance: A Guide to Understanding (153-167). Cambridge University Press. https://doi.org/10.1017/CBO9780511811739.012

Ensemble performance involves musical and social interaction between a group of performers. The term ‘ensemble’ derives from the French for ‘together’, and it defines the seemingly infinite array of musical performances involving more than one person... Read More about Ensemble Performance.

Music and familiarity: listening, musicology and performance
Book
King, E., & Prior, H. Music and familiarity: listening, musicology and performance. The University of Hull

Familiarity underpins our engagement with music. This book highlights theoretical and empirical considerations about familiarity from three perspectives: listening, musicology and performance. Part I, ‘Listening', addresses familiarity as it relates... Read More about Music and familiarity: listening, musicology and performance.

Shakespeare and early modern music
Book Chapter
Wilson, C. Shakespeare and early modern music. In The Edinburgh companion to Shakespeare and the arts. The University of Hull

Musical time and eschatology
Book Chapter
Borthwick, A. Musical time and eschatology. In Resonant witness: conversations between music and theology. The University of Hull

Marie Darrieussecq's textual worlds: self, society, language
Book
Chadderton, H. Marie Darrieussecq's textual worlds: self, society, language. The University of Hull

This is the first book-length study devoted to the work of the contemporary French author Marie Darrieussecq, one of France’s leading writers, whose work has proved fascinating to both critics and readers for its diversity, her seeming ability to eva... Read More about Marie Darrieussecq's textual worlds: self, society, language.