When Eurovision came out: LGBTQ+ visibility and the Eurovision Song Contest in the 'queer 1990s'
(2022)
Journal Article
Baker, C. (in press). When Eurovision came out: LGBTQ+ visibility and the Eurovision Song Contest in the 'queer 1990s'. QED: A Journal in GLBTQ Worldmaking,
All Outputs (3)
‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home (2022)
Journal Article
Baker, C. (2023). ‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home. Critical military studies, 9(3), 442-461. https://doi.org/10.1080/23337486.2022.2113960In 2017, the British Army opened its ‘This is Belonging’ recruitment campaign, aimed at groups of young people who were considered traditionally less likely to join the Army, with marketing at Pride in London aimed at LGBTQ youth. The campaign’s next... Read More about ‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home.
The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics (2022)
Book Chapter
Baker, C. (2022). The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics. In A. Dubin, D. Vuletic, & A. Obregón (Eds.), The Eurovision Song Contest as a Cultural Phenomenon: From Concert Halls to the Halls of Academia (96-110). Abingdon: Routledge. https://doi.org/10.4324/9781003188933-9This chapter explores how the author’s research into nationalism, popular culture, gender and sexuality in international politics has been able to apply the idea that the Eurovision Song Contest illustrates the idea of contestants as symbolic represe... Read More about The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics.