All Outputs (11)

Croatian Veteran Masculinities and Exclusive Narratives: Points of Identification With the “Myth of the Homeland War” in the 2010s (2024)
Book Chapter
Baker, C., & Touquet, H. (2025). Croatian Veteran Masculinities and Exclusive Narratives: Points of Identification With the “Myth of the Homeland War” in the 2010s. In P. Schulz, B. Hamber, & H. Touquet (Eds.), Masculinities and Queer Perspectives in Transitional Justice (208-227). Routledge. https://doi.org/10.4324/9781003519522

A generation after the end of the Croatian War of Independence, transitional justice advocates had hoped Croatian society would be able to separate individual and organizational responsibility for war crimes from the moral significance of a war of se... Read More about Croatian Veteran Masculinities and Exclusive Narratives: Points of Identification With the “Myth of the Homeland War” in the 2010s.

The Routledge Handbook of Popular Music and Politics of the Balkans (2024)
Book
Baker, C. (Ed.). (2024). The Routledge Handbook of Popular Music and Politics of the Balkans. Routledge. https://doi.org/10.4324/9781003328162

The Routledge Handbook of Popular Music and Politics of the Balkans is a comprehensive overview of major topics, established debates and new directions in the study of popular music and politics in this region. The vibrant growth of this subject area... Read More about The Routledge Handbook of Popular Music and Politics of the Balkans.

Introduction: Thinking Politically with Popular Music of the Balkans (2024)
Book Chapter
Baker, C. (2024). Introduction: Thinking Politically with Popular Music of the Balkans. In C. Baker (Ed.), The Routledge Handbook of Popular Music and Politics of the Balkans (1-27). Routledge. https://doi.org/10.4324/9781003328162-1

The introduction surveys the sociopolitical contexts surrounding historic and contemporary popular music in the Balkans. It explains the complexities of ‘popular music’ and other related terms in defining the field of study, including the problems of... Read More about Introduction: Thinking Politically with Popular Music of the Balkans.

What is this ‘Balkan’ in Balkan Popular Culture?: Stuart Hall’s Sociology of Popular Culture, Identity and Race through Analogy and Connection (2024)
Book Chapter
Baker, C. (2024). What is this ‘Balkan’ in Balkan Popular Culture?: Stuart Hall’s Sociology of Popular Culture, Identity and Race through Analogy and Connection. In C. Baker (Ed.), The Routledge Handbook of Popular Music and Politics of the Balkans (500-512). Routledge. https://doi.org/10.4324/9781003328162-39

This chapter situates ‘Balkan’ popular music within a global politics of identity and difference and gives an example of how to use social and cultural theory to develop a research agenda, by reviewing how scholars of popular culture in the region ha... Read More about What is this ‘Balkan’ in Balkan Popular Culture?: Stuart Hall’s Sociology of Popular Culture, Identity and Race through Analogy and Connection.

Off white: Central and Eastern Europe and the global history of race (2024)
Book
Baker, C., Iacob, B. C., Imre, A., & Mark, J. (Eds.). (2024). Off white: Central and Eastern Europe and the global history of race. Manchester University Press. https://doi.org/10.7765/9781526172211

This volume foregrounds racial difference as a key to an alternative history of the Central and Eastern European region, which revolves around the role of whiteness as the unacknowledged foundation of semi-peripheral nation-states and national identi... Read More about Off white: Central and Eastern Europe and the global history of race.

Introduction: Racial disavowals-Historicising whiteness in Central and Eastern Europe (2024)
Book Chapter
Mark, J., Imre, A., Iacob, B. C., & Baker, C. (2024). Introduction: Racial disavowals-Historicising whiteness in Central and Eastern Europe. In C. Baker, B. C. Iacob, A. Imre, & J. Mark (Eds.), Off White: Central and Eastern Europe and the Global History of Race (1-30). Manchester University Press. https://doi.org/10.7765/9781526172211.00007

Central and Eastern Europe has long been removed from global histories of race: this introduction firstly explores the regional and global forces which have forged this capacity for disavowal, and analyses what has been long at stake in doing so. Sec... Read More about Introduction: Racial disavowals-Historicising whiteness in Central and Eastern Europe.

Through the Balkans to Christchurch: Southeast Europe and global white nationalist historical mythology (2024)
Book Chapter
Baker, C. (2024). Through the Balkans to Christchurch: Southeast Europe and global white nationalist historical mythology. In C. Baker, B. C. Iacob, A. Imre, & J. Mark (Eds.), Off White: Central and Eastern Europe and the Global History of Race (328-347). Manchester University Press. https://doi.org/10.7765/9781526172211.00023

The chapter explores Southeast Europe’s part in global white nationalist historical mythology through the March 2019 Christchurch massacre and what it revealed about how both recent and distant histories of intercommunal violence in Southeast Europe... Read More about Through the Balkans to Christchurch: Southeast Europe and global white nationalist historical mythology.

To what extent can drama, and especially verbatim theatre techniques, be used to (re) present intergenerational transgender identities in the North East of England? (2024)
Thesis
Chapman-Wilson, T. (2024). To what extent can drama, and especially verbatim theatre techniques, be used to (re) present intergenerational transgender identities in the North East of England?. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4706291

This thesis examines how verbatim techniques can be used to (re) present an intergenerational participatory group of trans individuals in Newcastle upon Tyne. The representation of trans people from the cis-lens will be examined, as well as the incre... Read More about To what extent can drama, and especially verbatim theatre techniques, be used to (re) present intergenerational transgender identities in the North East of England?.

Lion of Love: Representations of Russian Homosexuality and Homophobia in Netflix’s Eurovision Song Contest: The Story of Fire Saga (2024)
Journal Article
Baker, C. (2024). Lion of Love: Representations of Russian Homosexuality and Homophobia in Netflix’s Eurovision Song Contest: The Story of Fire Saga. Historical reflections, 50(2), 61-76. https://doi.org/10.3167/hrrh.2024.500205

Alexander Lemtov, the Russian antagonist of Netflix’s 2020 musical comedy Eurovision Song Contest: The Story of Fire Saga, embodies and dramatizes contentions over Russian homophobia, disavowals of homosexuality in Russian entertainment, and the cons... Read More about Lion of Love: Representations of Russian Homosexuality and Homophobia in Netflix’s Eurovision Song Contest: The Story of Fire Saga.

Soft power, cultural relations and conflict through Eurovision and other mega-events: a literature review (2024)
Report
Baker, C., Atkinson, D., Grabher, B., & Howcroft, M. (2024). Soft power, cultural relations and conflict through Eurovision and other mega-events: a literature review. British Council

First paragraph:
This literature review explores the significance of the Eurovision Song Contest for soft power strategies and cultural relations activities, especially at times of conflict and international aggression.

Culture, place and partnership: the cultural relations of Eurovision 2023 (2024)
Report
Baker, C., Atkinson, D., Grabher, B., & Howcroft, M. (2024). Culture, place and partnership: the cultural relations of Eurovision 2023. British Council

Foreword:
This report tells the story of the Eurovision Song Contest in 2023, when the UK found itself as host on behalf of the 2022 winners Ukraine, due to Russia’s full-scale invasion of the country in 2021. As the UK’s 2022 entry Sam Ryder put it... Read More about Culture, place and partnership: the cultural relations of Eurovision 2023.