Skip to main content

Research Repository

Advanced Search

All Outputs (94)

Croatian Veteran Masculinities and Exclusive Narratives: Points of Identification With the “Myth of the Homeland War” in the 2010s (2024)
Book Chapter
Baker, C., & Touquet, H. (2025). Croatian Veteran Masculinities and Exclusive Narratives: Points of Identification With the “Myth of the Homeland War” in the 2010s. In P. Schulz, B. Hamber, & H. Touquet (Eds.), Masculinities and Queer Perspectives in Transitional Justice (208-227). Routledge. https://doi.org/10.4324/9781003519522

A generation after the end of the Croatian War of Independence, transitional justice advocates had hoped Croatian society would be able to separate individual and organizational responsibility for war crimes from the moral significance of a war of se... Read More about Croatian Veteran Masculinities and Exclusive Narratives: Points of Identification With the “Myth of the Homeland War” in the 2010s.

Introduction: Thinking Politically with Popular Music of the Balkans (2024)
Book Chapter
Baker, C. (2024). Introduction: Thinking Politically with Popular Music of the Balkans. In C. Baker (Ed.), The Routledge Handbook of Popular Music and Politics of the Balkans (1-27). Routledge. https://doi.org/10.4324/9781003328162-1

The introduction surveys the sociopolitical contexts surrounding historic and contemporary popular music in the Balkans. It explains the complexities of ‘popular music’ and other related terms in defining the field of study, including the problems of... Read More about Introduction: Thinking Politically with Popular Music of the Balkans.

What is this ‘Balkan’ in Balkan Popular Culture?: Stuart Hall’s Sociology of Popular Culture, Identity and Race through Analogy and Connection (2024)
Book Chapter
Baker, C. (2024). What is this ‘Balkan’ in Balkan Popular Culture?: Stuart Hall’s Sociology of Popular Culture, Identity and Race through Analogy and Connection. In C. Baker (Ed.), The Routledge Handbook of Popular Music and Politics of the Balkans (500-512). Routledge. https://doi.org/10.4324/9781003328162-39

This chapter situates ‘Balkan’ popular music within a global politics of identity and difference and gives an example of how to use social and cultural theory to develop a research agenda, by reviewing how scholars of popular culture in the region ha... Read More about What is this ‘Balkan’ in Balkan Popular Culture?: Stuart Hall’s Sociology of Popular Culture, Identity and Race through Analogy and Connection.

The Routledge Handbook of Popular Music and Politics of the Balkans (2024)
Book
Baker, C. (Ed.). (2024). The Routledge Handbook of Popular Music and Politics of the Balkans. Routledge. https://doi.org/10.4324/9781003328162

The Routledge Handbook of Popular Music and Politics of the Balkans is a comprehensive overview of major topics, established debates and new directions in the study of popular music and politics in this region. The vibrant growth of this subject area... Read More about The Routledge Handbook of Popular Music and Politics of the Balkans.

Off white: Central and Eastern Europe and the global history of race (2024)
Book
Baker, C., Iacob, B. C., Imre, A., & Mark, J. (Eds.). (2024). Off white: Central and Eastern Europe and the global history of race. Manchester University Press. https://doi.org/10.7765/9781526172211

This volume foregrounds racial difference as a key to an alternative history of the Central and Eastern European region, which revolves around the role of whiteness as the unacknowledged foundation of semi-peripheral nation-states and national identi... Read More about Off white: Central and Eastern Europe and the global history of race.

Through the Balkans to Christchurch: Southeast Europe and global white nationalist historical mythology (2024)
Book Chapter
Baker, C. (2024). Through the Balkans to Christchurch: Southeast Europe and global white nationalist historical mythology. In C. Baker, B. C. Iacob, A. Imre, & J. Mark (Eds.), Off White: Central and Eastern Europe and the Global History of Race (328-347). Manchester University Press. https://doi.org/10.7765/9781526172211.00023

The chapter explores Southeast Europe’s part in global white nationalist historical mythology through the March 2019 Christchurch massacre and what it revealed about how both recent and distant histories of intercommunal violence in Southeast Europe... Read More about Through the Balkans to Christchurch: Southeast Europe and global white nationalist historical mythology.

Introduction: Racial disavowals-Historicising whiteness in Central and Eastern Europe (2024)
Book Chapter
Mark, J., Imre, A., Iacob, B. C., & Baker, C. (2024). Introduction: Racial disavowals-Historicising whiteness in Central and Eastern Europe. In C. Baker, B. C. Iacob, A. Imre, & J. Mark (Eds.), Off White: Central and Eastern Europe and the Global History of Race (1-30). Manchester University Press. https://doi.org/10.7765/9781526172211.00007

Central and Eastern Europe has long been removed from global histories of race: this introduction firstly explores the regional and global forces which have forged this capacity for disavowal, and analyses what has been long at stake in doing so. Sec... Read More about Introduction: Racial disavowals-Historicising whiteness in Central and Eastern Europe.

To what extent can drama, and especially verbatim theatre techniques, be used to (re) present intergenerational transgender identities in the North East of England? (2024)
Thesis
Chapman-Wilson, T. To what extent can drama, and especially verbatim theatre techniques, be used to (re) present intergenerational transgender identities in the North East of England?. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4706291

This thesis examines how verbatim techniques can be used to (re) present an intergenerational participatory group of trans individuals in Newcastle upon Tyne. The representation of trans people from the cis-lens will be examined, as well as the incre... Read More about To what extent can drama, and especially verbatim theatre techniques, be used to (re) present intergenerational transgender identities in the North East of England?.

Lion of Love: Representations of Russian Homosexuality and Homophobia in Netflix’s Eurovision Song Contest: The Story of Fire Saga (2024)
Journal Article
Baker, C. (2024). Lion of Love: Representations of Russian Homosexuality and Homophobia in Netflix’s Eurovision Song Contest: The Story of Fire Saga. Historical reflections, 50(2), 61-76. https://doi.org/10.3167/hrrh.2024.500205

Alexander Lemtov, the Russian antagonist of Netflix’s 2020 musical comedy Eurovision Song Contest: The Story of Fire Saga, embodies and dramatizes contentions over Russian homophobia, disavowals of homosexuality in Russian entertainment, and the cons... Read More about Lion of Love: Representations of Russian Homosexuality and Homophobia in Netflix’s Eurovision Song Contest: The Story of Fire Saga.

Culture, place and partnership: the cultural relations of Eurovision 2023 (2024)
Report
Baker, C., Atkinson, D., Grabher, B., & Howcroft, M. (2024). Culture, place and partnership: the cultural relations of Eurovision 2023. British Council

Foreword:
This report tells the story of the Eurovision Song Contest in 2023, when the UK found itself as host on behalf of the 2022 winners Ukraine, due to Russia’s full-scale invasion of the country in 2021. As the UK’s 2022 entry Sam Ryder put it... Read More about Culture, place and partnership: the cultural relations of Eurovision 2023.

Soft power, cultural relations and conflict through Eurovision and other mega-events: a literature review (2024)
Report
Baker, C., Atkinson, D., Grabher, B., & Howcroft, M. (2024). Soft power, cultural relations and conflict through Eurovision and other mega-events: a literature review. British Council

First paragraph:
This literature review explores the significance of the Eurovision Song Contest for soft power strategies and cultural relations activities, especially at times of conflict and international aggression.

Eurovision 2023 Cultural Relations Snapshot: A snapshot from the forthcoming cultural relations, soft power and shared values research (2023)
Report
Baker, C., Atkinson, D., Burgess, G., Grabher, B., & Howcroft, M. (2023). Eurovision 2023 Cultural Relations Snapshot: A snapshot from the forthcoming cultural relations, soft power and shared values research. British Council

About this research
In May 2023, Liverpool and the BBC hosted the Eurovision Song Contest on Ukraine’s behalf. This was the first time since 1980 that Eurovision has not been hosted in the previous winning country, and the first time a winner has e... Read More about Eurovision 2023 Cultural Relations Snapshot: A snapshot from the forthcoming cultural relations, soft power and shared values research.

Second-Generation Voices of the Polish and Ukrainian Diaspora in Northern Britain, 1948-1998 (2023)
Thesis
Grombir, F. Second-Generation Voices of the Polish and Ukrainian Diaspora in Northern Britain, 1948-1998. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4425243

In the immediate aftermath of the Second World War hundreds of thousands of migrants came to rebuild post-war Britain. The arrival of the so-called Windrush generation presented, in the words of Trevor Phillips, the irresistible rise of multi-racial... Read More about Second-Generation Voices of the Polish and Ukrainian Diaspora in Northern Britain, 1948-1998.

Eurovision 2023: Broadcasting Liverpool, Welcoming LGBTQ+ Communities, Honouring Ukraine (2023)
Report
Baker, C. (2023). Eurovision 2023: Broadcasting Liverpool, Welcoming LGBTQ+ Communities, Honouring Ukraine. Heseltine Institute for Public Policy, Practice and Place, University of Liverpool

The Heseltine Institute is marking Liverpool’s status as host city for Eurovision 2023 with a special series of policy briefings. In this first briefing of the series, Dr Catherine Baker (University of Hull) discusses some of the key themes that will... Read More about Eurovision 2023: Broadcasting Liverpool, Welcoming LGBTQ+ Communities, Honouring Ukraine.

Gay Bod: Civic and LGBTQ+ Pride After Brexit in a City on the Margins of the UK and Europe (2023)
Book Chapter
Baker, C., & Howcroft, M. (2023). Gay Bod: Civic and LGBTQ+ Pride After Brexit in a City on the Margins of the UK and Europe. In K. Loftsdóttir, B. Hipfl, & S. Ponzanesi (Eds.), Creating Europe from the Margins: Mobilities and Racism in Postcolonial Europe (108-124). Routledge. https://doi.org/10.4324/9781003269748-7

In 2017, Kingston-upon-Hull celebrated becoming UK City of Culture (‘Hull2017’). Organisers of the cultural mega-event hoped to restore civic pride amongst residents of Hull, which had been severely affected ever since its North Sea fishing industry... Read More about Gay Bod: Civic and LGBTQ+ Pride After Brexit in a City on the Margins of the UK and Europe.

‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home (2022)
Journal Article
Baker, C. (2023). ‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home. Critical military studies, 9(3), 442-461. https://doi.org/10.1080/23337486.2022.2113960

In 2017, the British Army opened its ‘This is Belonging’ recruitment campaign, aimed at groups of young people who were considered traditionally less likely to join the Army, with marketing at Pride in London aimed at LGBTQ youth. The campaign’s next... Read More about ‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home.

The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics (2022)
Book Chapter
Baker, C. (2022). The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics. In A. Dubin, D. Vuletic, & A. Obregón (Eds.), The Eurovision Song Contest as a Cultural Phenomenon: From Concert Halls to the Halls of Academia (96-110). Abingdon: Routledge. https://doi.org/10.4324/9781003188933-9

This chapter explores how the author’s research into nationalism, popular culture, gender and sexuality in international politics has been able to apply the idea that the Eurovision Song Contest illustrates the idea of contestants as symbolic represe... Read More about The Molitva Factor: The Eurovision Song Contest and ‘Performing’ National Identity in World Politics.

Your race sounds familiar? Blackface, cross-racial/cross-gender drag and the Your Face Sounds Familiar franchise (2013–) on post-Yugoslav television (2021)
Journal Article
Baker, C. (2021). Your race sounds familiar? Blackface, cross-racial/cross-gender drag and the Your Face Sounds Familiar franchise (2013–) on post-Yugoslav television. VIEW Journal of European Television History and Culture, 10(20), 83-103. https://doi.org/10.18146/view.267

Your Face Sounds Familiar, a celebrity talent television format developed by the Dutch production company Endemol and first broadcast in Spain in 2011, has entertained audiences in more than forty countries with the sight of well-known professional m... Read More about Your race sounds familiar? Blackface, cross-racial/cross-gender drag and the Your Face Sounds Familiar franchise (2013–) on post-Yugoslav television.

Guarding the “Balkan Route” on the postsocialist frontier: revisiting Maja Weiss’ Varuh meje (2002) (2021)
Journal Article
Baker, C., Szczygielska, M., & Drnovšek Zorko, Š. (2021). Guarding the “Balkan Route” on the postsocialist frontier: revisiting Maja Weiss’ Varuh meje (2002). International Feminist Journal of Politics, 23(5), 811-828. https://doi.org/10.1080/14616742.2021.1991827

Introduction
Varuh meje, Maja Weiss’ debut film, dates back to 2002 – when Slovenia was soon to join the European Union (EU), when the state was first taking up its role as EU “border guard,” and when Slovenian society was reacting to the first wave... Read More about Guarding the “Balkan Route” on the postsocialist frontier: revisiting Maja Weiss’ Varuh meje (2002).