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All Outputs (5)

The Du Mauriers and Stoker: Gothic transformations of Whitby and Cornwall (2016)
Book Chapter
Wynne, C. (2016). The Du Mauriers and Stoker: Gothic transformations of Whitby and Cornwall. In C. Wynne (Ed.), Bram Stoker and the Gothic: Formations to transformations (185-206). London: Palgrave Macmillan. https://doi.org/10.1057/9781137465047_13

In this extract from the memoir of her father, Gerald: A Portrait (1934), Daphne du Maurier resurrects the actor-manager Gerald du Maurier and places him in Whitby in 1917. This port town of North Yorkshire had been a favourite holiday retreat of Ger... Read More about The Du Mauriers and Stoker: Gothic transformations of Whitby and Cornwall.

On the origins of the Gothic novel : from Old Norse to Otranto (2016)
Book Chapter
Arnold, M. (2016). On the origins of the Gothic novel : from Old Norse to Otranto. In C. Wynne (Ed.), Bram Stoker and the Gothic: formations to transformations (14-29). Basingstoke, Hampshire: Palgrave Macmillan. https://doi.org/10.1057/9781137465047

This essay assesses the extent to which Old Norse tradition provided the basis for a subspecies of literary horror. It focuses on those formations and interpretations of Old Norse Literature as it came gradually to light from the sixteenth century on... Read More about On the origins of the Gothic novel : from Old Norse to Otranto.

Stoker, Poe, and American Gothic in ‘The Squaw’ (2016)
Book Chapter
Corstorphine, K. (2016). Stoker, Poe, and American Gothic in ‘The Squaw’. In C. Wynne (Ed.), Bram Stoker and the Gothic - Formations to Transformations. Basingstoke, UK: Palgrave Macmillan

Bram Stoker, Ellen Terry, Pamela Colman Smith and the Art of Devilry (2016)
Book Chapter
Cockin, K. (2016). Bram Stoker, Ellen Terry, Pamela Colman Smith and the Art of Devilry. In C. Wynne (Ed.), Bram Stoker and the Gothic (159-171). London: Palgrave Macmillan. https://doi.org/10.1057/9781137465047_11

When Oscar Wilde designated Ellen Terry ‘Our Lady of the Lyceum’ (Robertson, 1931: 149), the Marian terminology positioned the Lyceum Theatre itself as a sacred space or seat of worship. It was Henry Irving’s temple, with Bram Stoker as his trusted b... Read More about Bram Stoker, Ellen Terry, Pamela Colman Smith and the Art of Devilry.