Screen Identities. Maximilian Schell and The Man in the Glass Booth
(2019)
Book Chapter
Ward, E. M. (2019). Screen Identities. Maximilian Schell and The Man in the Glass Booth. In H.-P. Reichmann, & I. L. Bastian (Eds.), Maximilian Schell (90-97). DFF - Deutsches Filminstitut & Filmmuseum
All Outputs (4)
Revisiting the crimes of the past: the image of the perpetrator in recent German Holocaust film (2019)
Journal Article
Ward, E. M. (2019). Revisiting the crimes of the past: the image of the perpetrator in recent German Holocaust film. Holocaust Studies, 27(2), 339-349. https://doi.org/10.1080/17504902.2019.1637503More than seven decades after the liberation of concentration camps across Europe, we are witnessing the jostle between communicative and cultural memory to determine how the Holocaust is inscribed in a post-victim and post-perpetrator world. This ar... Read More about Revisiting the crimes of the past: the image of the perpetrator in recent German Holocaust film.
Marc Rothemund’s Sophie Scholl — Die letzten Tage (2005) (2019)
Book Chapter
Ward, E. M. (2019). Marc Rothemund’s Sophie Scholl — Die letzten Tage (2005). In A. Lloyd (Ed.), The White Rose: Reading, writing, resistance (79-96). Taylor Institution Library
Review of "Screening Auschwitz: Wanda Jakubowska's The Last Stage and the Politics of Commemoration" by Marek Haltof (2019)
Journal Article
Ward, E. M. Review of "Screening Auschwitz: Wanda Jakubowska's The Last Stage and the Politics of Commemoration" by Marek Haltof. Studies in European cinema, https://doi.org/10.1080/17411548.2019.1580025Book Review