All Outputs (6)

The Studio (2020)
Book Chapter
Barnard, M. (2020). The Studio. In H. Schulze (Ed.), The Bloomsbury Handbook of the Anthropology of Sound (369-383). London: Bloomsbury Publishing. https://doi.org/10.5040/9781501335402.ch-028

Woche (with apologies to Ruttmann and Brock) (2019)
Digital Artefact
Barnard, M. (2019). Woche (with apologies to Ruttmann and Brock). [.wav sound file]

This composition represents an exploration and animation of an aesthetic framework outlined by the composer in previous research. The in-ear binaural method of recording and reproduction (and its headphone-based dissemination) is the focus of critica... Read More about Woche (with apologies to Ruttmann and Brock).

The Piano Makers
Digital Artefact
Barnard, M. The Piano Makers

Furthering the research into the binaural method, and specifically the ‘ear-shot’ aesthetic, this piece also explores the evolving soundscape - more specifically, the disappearance of sounds and the significance of the recording process thereof. The... Read More about The Piano Makers.

Closely Observed Trains
Digital Artefact
Barnard, M. Closely Observed Trains

The binaural method was employed to capture the sonority of the overground and underground railways in England. As the binaural method works under the premise of recording what is heard by the recordist, the capture of sonic environments becomes intu... Read More about Closely Observed Trains.

Adapting live loudspeaker array spatialisation methods for a site-specific live electronic music performance in physical, virtual and hybrid contexts
Presentation / Conference Contribution
Barnard, M., Slater, M., & Martin, A. (2023, August). Adapting live loudspeaker array spatialisation methods for a site-specific live electronic music performance in physical, virtual and hybrid contexts. Presented at International Conference on Spatial and Immersive Audio 2023, Huddersfield

Nightports at Hull Minster is a musical project that harnesses spatialisation techniques to present music composed of the sounds of Hull Minster, UK, in both the location itself and alternative performance spaces, whilst still expressing the spatiali... Read More about Adapting live loudspeaker array spatialisation methods for a site-specific live electronic music performance in physical, virtual and hybrid contexts.

Nightports at Hull Minster: Physical, Hybrid and Virtualized Live Loudspeaker Array Spatialization of Electronic Music Performance
Presentation / Conference Contribution
Barnard, M., Martin, A., & Slater, M. (2023, September). Nightports at Hull Minster: Physical, Hybrid and Virtualized Live Loudspeaker Array Spatialization of Electronic Music Performance. Presented at 2023 Immersive and 3D Audio: from Architecture to Automotive (I3DA 2023), Bologna, Italy

'Nightports at Hull Minster' is a musical project that harnesses spatialization techniques to present music composed of the sounds of Hull Minster, UK, in both the location itself and alternative performance spaces, whilst still expressing the spatia... Read More about Nightports at Hull Minster: Physical, Hybrid and Virtualized Live Loudspeaker Array Spatialization of Electronic Music Performance.