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All Outputs (5)

Adapting live loudspeaker array spatialisation methods for a site-specific live electronic music performance in physical, virtual and hybrid contexts (2023)
Presentation / Conference Contribution
Barnard, M., Slater, M., & Martin, A. (2023, August). Adapting live loudspeaker array spatialisation methods for a site-specific live electronic music performance in physical, virtual and hybrid contexts. Presented at International Conference on Spatial and Immersive Audio 2023, Huddersfield

Nightports at Hull Minster is a musical project that harnesses spatialisation techniques to present music composed of the sounds of Hull Minster, UK, in both the location itself and alternative performance spaces, whilst still expressing the spatiali... Read More about Adapting live loudspeaker array spatialisation methods for a site-specific live electronic music performance in physical, virtual and hybrid contexts.

The Piano Makers
Digital Artefact
Barnard, M. The Piano Makers

Furthering the research into the binaural method, and specifically the ‘ear-shot’ aesthetic, this piece also explores the evolving soundscape - more specifically, the disappearance of sounds and the significance of the recording process thereof. The... Read More about The Piano Makers.

Closely Observed Trains
Digital Artefact
Barnard, M. Closely Observed Trains

The binaural method was employed to capture the sonority of the overground and underground railways in England. As the binaural method works under the premise of recording what is heard by the recordist, the capture of sonic environments becomes intu... Read More about Closely Observed Trains.