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All Outputs (85)

Heritage, Community, Trawling and Gold Nose: Towards a model for the creative producer in UK City of Culture 2017 (2024)
Thesis
Dankoff, L. (2023). Heritage, Community, Trawling and Gold Nose: Towards a model for the creative producer in UK City of Culture 2017. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4587958

The UK City of Culture 2017 in Hull serves as a useful archive to develop a new model for the Creative Producer, a designation of a new type of producer that recognises the remit and capabilities of contemporary producing practice. The title of UK Ci... Read More about Heritage, Community, Trawling and Gold Nose: Towards a model for the creative producer in UK City of Culture 2017.

Playing, viewing, touching, modelling, mentalizing: theoretical reflections on PQ 2023 (2024)
Journal Article
Drábek, P. (2024). Playing, viewing, touching, modelling, mentalizing: theoretical reflections on PQ 2023. Theatre and performance design, 10(1-2), 88-104. https://doi.org/10.1080/23322551.2024.2334614

Artefacts exhibited at PQ 2023 challenge our disciplinary heritage in several ways: What is scenography now? How does it engage the viewer/spectator/participant? How does it change our conceptions of theatre, performance, and scenography? How should... Read More about Playing, viewing, touching, modelling, mentalizing: theoretical reflections on PQ 2023.

English actors in the Polish-Lithuanian Commonwealth at the time of Ladislaus IV. (2023)
Book Chapter
Katritzky, M. A., & Drábek, P. (2023). English actors in the Polish-Lithuanian Commonwealth at the time of Ladislaus IV. In J. Żukowski (Ed.), Triumphant harmony. Władysław IV Theatre (286-313). Arx Regia Publishing

This chapter considers the English players in the light of a radical re-evaluation of previously under-researched visual sources, before focusing on three Habsburg “theatre letters” of 1608, 1617 and 1628 valuably supplementing the sparse documentary... Read More about English actors in the Polish-Lithuanian Commonwealth at the time of Ladislaus IV..

"You Have Served Me Well": The Shakespeare Empire in Central Europe (2023)
Journal Article
Drabek, P. (2023). "You Have Served Me Well": The Shakespeare Empire in Central Europe. Multicultural Shakespeare: Translation, Appropriation and Performance, 28(43), 83-114. https://doi.org/10.18778/2083-8530.28.06

Shakespeare has often served as an instrument of cultural colonialism. In this 2-part essay I argue that the current practice of Shakespeare studies in many ways replicates this pattern. By priming the discourse through Shakespeare, it perpetuates lo... Read More about "You Have Served Me Well": The Shakespeare Empire in Central Europe.

Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w. (2023)
Book Chapter
Katritzky, M. A., & Drabek, P. (2023). Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w. In J. Żukowski (Ed.), Triumfalna harmonia. Teatr Władysława IV (287-315). Zamek Królewski w Warszawie - Muzeum

This book chapter analyses new visual documentary evidence of English travelling actors in seventeenth-century Poland with a special view to the theatrical culture of Ladislaus IV's (1595-1648) royal court. The centre piece of the chapter is analyse... Read More about Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w..

Transnationality: Intercultural Dialogues, Encounters and the Theatres of Curiosity (2023)
Book Chapter
Drábek, P. (2023). Transnationality: Intercultural Dialogues, Encounters and the Theatres of Curiosity. In Y. Meerzon, & S. E. Wilmer (Eds.), The Palgrave Handbook on Theatre and Migration (639–650). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-20196-7_51

This chapter reflects on the long history of cultural dialogues in theatre, summed up in the concept of transnationality. Drawing on a range of dramaturgies, it argues for a historiographic approach that foregrounds the transnational and intercultura... Read More about Transnationality: Intercultural Dialogues, Encounters and the Theatres of Curiosity.

Performative Models and Physical Fictions (2023)
Journal Article
Drábek, P. (2023). Performative Models and Physical Fictions. Litteraria Pragensia : Studies in Literature and Culture, 32(64), 8-36

Arcadian Theatre is a concept for performance practice that uses fictional scenarios to engage participants in autotelic play that facilitates intercultural (inter-epistemological) dialogue. In so doing, the performance models of Arcadian Theatre ena... Read More about Performative Models and Physical Fictions.

Lukas Erne and Kareen Seidler, eds. Early Modern German Shakespeare: Hamlet and Romeo and Juliet: Der Bestrafte Brudermord and Romio und Julieta in Translation. The Arden Shakespeare. London and New York: Bloomsbury, 2020. Pp. 366. (2022)
Journal Article
Drábek, P. (2022). Lukas Erne and Kareen Seidler, eds. Early Modern German Shakespeare: Hamlet and Romeo and Juliet: Der Bestrafte Brudermord and Romio und Julieta in Translation. The Arden Shakespeare. London and New York: Bloomsbury, 2020. Pp. 366. Early theatre, 25(1), 175-183. https://doi.org/10.12745/et.25.1.5170

A book review of Lukas Erne and Kareen Seidler's translation and edition of two early modern German plays, Der Bestrafte Brudermord and Romio und Julieta, adapted from Shakespeare's Hamlet and Romeo and Juliet. The review contextualises the two plays... Read More about Lukas Erne and Kareen Seidler, eds. Early Modern German Shakespeare: Hamlet and Romeo and Juliet: Der Bestrafte Brudermord and Romio und Julieta in Translation. The Arden Shakespeare. London and New York: Bloomsbury, 2020. Pp. 366..

Dramaturgy of the Shakespearean Libretto (2022)
Book Chapter
Drábek, P. (2022). Dramaturgy of the Shakespearean Libretto. In C. R. Wilson, & M. Cooke (Eds.), The Oxford Handbook of Shakespeare and Music (761-804). Oxford: Oxford University Press (OUP). https://doi.org/10.1093/oxfordhb/9780190945145.013.27

From the late seventeenth century (Purcell’s The Fairy-Queen, 1692), Shakespeare’s plays have entered the realm of music theatre and opera, inspiring both composers and their librettists. Operas on Shakespearean themes have played a seminal role in t... Read More about Dramaturgy of the Shakespearean Libretto.

Book review: Lucy Munro, Shakespeare in the Theatre: The King’s Men. The Arden Shakespeare. London and New York: Bloomsbury, 2020. xxvi, 239 S. (2021)
Journal Article
Drábek, P. (in press). Book review: Lucy Munro, Shakespeare in the Theatre: The King’s Men. The Arden Shakespeare. London and New York: Bloomsbury, 2020. xxvi, 239 S. Shakespeare Jahrbuch,

A book review of Lucy Munro, Shakespeare in the Theatre: The King’s Men. The Arden Shakespeare. London and New York: Bloomsbury, 2020. xxvi, 239 pp.

German Shakespeare and the Political Stage (2021)
Journal Article
Drábek, P. (in press). German Shakespeare and the Political Stage. Theatralia, 24(2), 263-266. https://doi.org/10.5817/TY2021-2-12

A book review of two volumes by Peter W. Marx:
Peter W. Marx. Hamlets Reise nach Deutschland: Eine Kulturgeschichte. Berlin: Alexander Verlag Berlin, 2018. 435 pp. ISBN 978-3-89581-480-7.
Peter W. Marx. Macht|Spiele: Politisches Theater seit 1919.... Read More about German Shakespeare and the Political Stage.

Heterotelic Models as Performatives: From Speech Acts to Propositionality (2021)
Journal Article
Drabek, P. (2021). Heterotelic Models as Performatives: From Speech Acts to Propositionality. Litteraria Pragensia : Studies in Literature and Culture, 30(60), 100-117

Performatives in the sense of speech act theory (SAT) have long been held for the elementary building blocks of theatre and performance. This article proposes a theory of performative models as autonomous forms that are (1) propositional (to be worke... Read More about Heterotelic Models as Performatives: From Speech Acts to Propositionality.

Modelling the World through Play: An Exploration in Repurposing, Representation, and History-Writing (2020)
Book Chapter
Drabek, P. (2020). Modelling the World through Play: An Exploration in Repurposing, Representation, and History-Writing. In T. C. Davis, & P. W. Marx (Eds.), The Routledge Companion to Theatre and Performance Historiography (ed. Tracy C. Davis and Peter W. Marx)) (397-417). Taylor & Francis (Routledge). https://doi.org/10.4324/9781351271721

Models occupy a central role in the history of theatre and performance. In contrast to distinctions between models of something that exists and models for some prospective reality, this chapter argues that shifting between models-of and models-for is... Read More about Modelling the World through Play: An Exploration in Repurposing, Representation, and History-Writing.

Scenography 2019 in PQ Talks (2020)
Journal Article
Příhodová, B., & Drábek, P. (2020). Scenography 2019 in PQ Talks. Theatre and performance design, 6(1-2), 26-36. https://doi.org/10.1080/23322551.2020.1771943

Co-authored with Barbora Příhodová, this essay analyses the plurality of scenography as presented in the PQ Talks programme of the 2019 Prague Quadrennial, curated by the two authors. The curatorial concept is explained and justified, followed by an... Read More about Scenography 2019 in PQ Talks.

"Samson Figuru nese": Biblical Plays between Czech Drama and English Comedy in Early Modern Central Europe (2020)
Book Chapter
Drabek, P. (2020). "Samson Figuru nese": Biblical Plays between Czech Drama and English Comedy in Early Modern Central Europe. In E. von Contzen, & C. Goodblatt (Eds.), Enacting the Bible in Medieval and Early Modern Drama (211-231). Manchester University Press

The first decade of the 17th century saw a new wave of biblical drama in Czech, with the plays of Rúth (1604), Šalamoun (Salomon, 1605), and Samson (1608) most prominent among them. This essay studies the dramaturgical similarities between these Czec... Read More about "Samson Figuru nese": Biblical Plays between Czech Drama and English Comedy in Early Modern Central Europe.