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All Outputs (59)

Spirituality and Contemporary Art (2016)
Book Chapter
Arya, R. (2016). Spirituality and Contemporary Art. In {. }. {Burch Brown} (Ed.), Oxford Research Encyclopedia of Religion. Oxford University Press. https://doi.org/10.1093/acrefore/9780199340378.013.209

The artworks under discussion detail the scope and breadth of art that can be described as spiritual by virtue of its revelatory, revitalizing and contemplative capacities. Rather than interrogating the relationship between art and religion, more per... Read More about Spirituality and Contemporary Art.

Reflections on the Spiritual in Rothko (2016)
Journal Article
Arya, R. (2016). Reflections on the Spiritual in Rothko. Religion and the Arts, 20, 315--335. https://doi.org/10.1163/15685292-02003003

Much has been made of the metaphysical aspects of Mark Rothko's abstract art, especially his classic works of the 1950s and the Seagram murals. The claims for the spirituality of Rothko's work are by no means unique either to his art or to art in gen... Read More about Reflections on the Spiritual in Rothko.

Religion, Spirituality and Secularity (2016)
Journal Article
Arya, R. (2016). Religion, Spirituality and Secularity. The Year's Work in Critical and Cultural Theory, 24, 131--150. https://doi.org/10.1093/ywcct/mbw007

This chapter responds to a range of contemporary debates in the fields of religion, spirituality and secularism in books published in 2015. The chapter is divided into three sections: 1. The Visual and Material Culture of Religion; 2. Secularism and... Read More about Religion, Spirituality and Secularity.

Religion, Spirituality and Secularism (2015)
Journal Article
Arya, R. (2015). Religion, Spirituality and Secularism. The Year's Work in Critical and Cultural Theory, 23, 1--19. https://doi.org/10.1093/ywcct/mbu022

This chapter responds to a range of contemporary debates in the field of religion, spirituality and secularism in books published between 2013 and 2014. The chapter is divided into three sections: 1. Religion and Digital Culture; 2. Religion and the... Read More about Religion, Spirituality and Secularism.

Bacon and Bergson on Time and Motion (2015)
Journal Article
Arya, R. (2015). Bacon and Bergson on Time and Motion. Visual culture in Britain, 16, 67--85. https://doi.org/10.1080/14714787.2015.990331

The bearing of Bergsonian thought on Bacon{\textquoteright}s paintings has become apparent as a result of Deleuze{\textquoteright}s study, Francis Bacon: Logique de la sensation (1981). But aside from Deleuze{\textquoteright}s application, there is a... Read More about Bacon and Bergson on Time and Motion.

Religion, Spirituality and Secularity (2014)
Journal Article
Arya, R. (2014). Religion, Spirituality and Secularity. The Year's Work in Critical and Cultural Theory, 22, 83--103. https://doi.org/10.1093/ywcct/mbu004

This chapter responds to a range of contemporary debates in the field of religion, spirituality and secularism in books published between 2011 and 2012, it is divided into five sections: 1. Introduction; 2. Secularism; 3. Religion, Media and Culture;... Read More about Religion, Spirituality and Secularity.

Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature (2014)
Book
Arya, R. (2014). Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature. Palgrave Macmillan. https://doi.org/10.1057/9780230389342

Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the co... Read More about Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature.

Taking apart the body: Abjection and body art (2014)
Journal Article
Arya, R. (2014). Taking apart the body: Abjection and body art. Performance Research, 19, 5--14. https://doi.org/10.1080/13528165.2014.908079

When thinking about abjection in relation to the body it is illuminating to think about the significance of the boundary between two different states. In abjection this boundary becomes problematized through transgression. This article examines the v... Read More about Taking apart the body: Abjection and body art.

Contemplations of the Spiritual in Contemporary Art (2013)
Book
Arya, R. (Ed.). (2013). Contemplations of the Spiritual in Contemporary Art. Peter Lang Ltd. https://doi.org/10.3726/978-3-0353-0444-2

This essay collection exploring the relationship between spirituality and art is the result of a conference that took place in December 2010 at Liverpool Cathedral. During this two-day event, artists, clergy and academics from different disciplines –... Read More about Contemplations of the Spiritual in Contemporary Art.

Embodiment as Sacrament: Francis Baconʹs Postwar Horror (2013)
Book Chapter
Arya, R. (2013). Embodiment as Sacrament: Francis Baconʹs Postwar Horror. In J. Romaine, & L. Stratford (Eds.), ReVisioning (311--322). CASCADE

The power of Francis Bacon{\textquoteright}s (1909–1992) art lies, in part, in the contradictory range of responses that it evokes. Some viewers experience his paintings as energetic and uplifting; others react to the despondent and annihilating qual... Read More about Embodiment as Sacrament: Francis Baconʹs Postwar Horror.

Bill Viola and the Sublime (2013)
Book Chapter
Arya, R. (2013). Bill Viola and the Sublime. In N. Llewellyn, & C. Riding (Eds.), The Art of the Sublime. Tate

The new media art of the 1970s and 1980s offered new possibilities for expressing the sublime. Rina Arya discusses selected works by the video artist Bill Viola in light of romantic notions of the sublime.

Francis Bacon: Critical and Theoretical Perspectives (2012)
Book
Arya, R. (Ed.). (2012). Francis Bacon: Critical and Theoretical Perspectives. Peter Lang Ltd. https://doi.org/10.3726/978-3-0353-0389-6

This collection of essays on Francis Bacon (1909-1992) pays tribute to the legacy, influence and power of his art. The volume widens the relevance of Bacon in the twenty-first century and looks at new ways of thinking about or reframing him. The cont... Read More about Francis Bacon: Critical and Theoretical Perspectives.

The graphic power of Käthe Kollwitz (2012)
Book Chapter
Arya, R. (2012). The graphic power of Käthe Kollwitz. In P. {Fryer } (Ed.), Women in the Arts in the Belle Epoque (210--224). McFarland and Company, Inc

Knowledge and Value in Art (2012)
Book Chapter
Arya, R. (2012). Knowledge and Value in Art. In {. }. Elkins, & M. Naef (Eds.), What do Artists Know? (175--177). Penn State University Press

Exploring Liminality from an Anthropological Perspective (2012)
Book Chapter
Arya, R. (2012). Exploring Liminality from an Anthropological Perspective. In D. Harrison (Ed.), Digital Media and Technologies for Virtual Artistic Spaces (159--165). IGI Publishing. https://doi.org/10.4018/978-1-4666-2961-5.ch012

The transition from the real to the digital requires a shift of consciousness that can be theorised with recourse to the concept of liminality, which has multidisciplinary currency in psychology and other disciplines in the social sciences, cultural,... Read More about Exploring Liminality from an Anthropological Perspective.