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Shakespeare’s myriad-minded stage: Propositional spaces of cultural hybridity (2019)
Journal Article
Drábek, P. (in press). Shakespeare’s myriad-minded stage: Propositional spaces of cultural hybridity. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies, https://doi.org/10.1177/0184767819835551

Shakespeare's Myriad-Minded Stage: Propositional Spaces of Cultural Hybridity The concept of hybridity is predicated on an assumed notion of purity, fixity or clarity. Arguably, this is profoundly ingrained in logocentric epistemologies that assert s... Read More

Visualising Process- Hofman’s 1926 Hamlet (2018)
Journal Article
Fergusson Baugh, C. (2018). Visualising Process- Hofman’s 1926 Hamlet. Theatralia, 21(2), 15-28. https://doi.org/10.5817/TY2018-2-2

The 1926 production of Hamlet is of particular significance in a range of contexts. It was Karel Hiller’s return production following a career hiatus occasioned by a devastating stroke in 1924 and marked the beginning of a more reflective stage of hi... Read More

Book review: Moving (across) Borders: Performing Translation, Intervention, Participation. Edited by Gabriele Brandstetter and Holger Hartung. Bielefeld: transcript, 2017. Pp. 243. €34.99 Pb. (2018)
Journal Article
Drábek, P. (2018). Book review: Moving (across) Borders: Performing Translation, Intervention, Participation. Edited by Gabriele Brandstetter and Holger Hartung. Bielefeld: transcript, 2017. Pp. 243. €34.99 Pb. Theatre Research International, 43(2), 223-224. https://doi.org/10.1017/S0307883318000317

Book review

Book review: Robert Henke. Poverty and charity in early modern theater and performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198 (2018)
Journal Article
Drábek, P. (2018). Book review: Robert Henke. Poverty and charity in early modern theater and performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198. Early theatre, 21(1), 209-212. https://doi.org/10.12745/et.21.1.3540

A book review of Robert Henke. Poverty and Charity in Early Modern Theater and Performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198.

Using the method to be myself: adapting and appropriating historical training approaches for interactive performance (2018)
Journal Article
Edinborough, C. (2018). Using the method to be myself: adapting and appropriating historical training approaches for interactive performance. Theatre, Dance and Performance Training, 9(2), 174-188. doi:10.1080/19443927.2018.1453863

This article examines how notions of artistic truth and authenticity articulated by Konstantin Stanislavski and his followers might be adapted for use within interactive and immersive performance. Making connections between Stanislavski's aesthetics... Read More

Book review: Two Books on Translation for the Stage (2018)
Journal Article
Drábek, P. (2018). Book review: Two Books on Translation for the Stage. Journal of Adaptation in Film and Performance, 11(1), 111-117. https://doi.org/10.1386/jafp.11.1.111_5

Two Books on Translation for the Stage A book review of: ADAPTING TRANSLATION FOR THE STAGE. EDITED BY GERALDINE BRODIE AND EMMA COLE (2017) London and New York: Routledge. 298 pp., and THE TRANSLATOR ON STAGE, GERALDINE BRODIE (2018) New York:... Read More

Haptic insights: model making as historical methodology (2018)
Journal Article
Baugh, C. F. (2018). Haptic insights: model making as historical methodology. Theatre and performance design, 4(1-2), 83-100. doi:10.1080/23322551.2018.1464843

This article explores the value of digital reconstruction practice to the theatre historian in general but in particular the historian concerned with exploring visual histories offered by the areas of theatre design and architecture. It will articula... Read More

The ‘Not Knowns’: memory, narrative and applied theatre (2017)
Journal Article
Conroy, C., Dickenson, S. J., & Mazzoni, G. (2018). The ‘Not Knowns’: memory, narrative and applied theatre. Research in Drama Education: The Journal of Applied Theatre and Performance, 23(1), 56-72. doi:10.1080/13569783.2017.1398641

© 2017 Informa UK Limited, trading as Taylor & Francis Group This is an attempt to articulate and explore the relationship between the science of memory and the applied theatre project, The Not Knowns. The project was a collaboration between theatr... Read More

Translating classical plays: collected papers, J. Michael Walton (2016) London and New York: Routledge, 270pp. (2017)
Journal Article
Drábek, P. (2017). Translating classical plays: collected papers, J. Michael Walton (2016) London and New York: Routledge, 270pp. Journal of Adaptation in Film and Performance, 10(1), (81-83). doi:10.1386/jafp.10.1.81_5. ISSN 1753-6421

Review of J. Michael Walton. Translating Classical Plays: Collected Papers. London and New York: Routledge, 2016. 270pp. ISBN 9781138124325. £85.00 (hb). ISBN 9781315648231. £24.49 (eb).

Vlastislav Hoffman’s 1926 Hamlet (2017)
Exhibition / Performance
Fergusson Baugh, C. Vlastislav Hoffman’s 1926 Hamlet. 10 February 2017 - 21 May 2017. (Unpublished)

This PaR project extends the principals explored in the reconstruction of architectural space to other visual forms, in this case, scenic design. The 1926 production of Hamlet is of particular significance in a range of contexts. It was Karel Hiller’... Read More

Corrigendum (2016)
Journal Article
Drábek, P. (2017). Corrigendum. Studies in Theatre and Performance, 37(3), ((i)-(i)). doi:10.1080/14682761.2016.1235762. ISSN 1468-2761

Exploring the hinterlands : avant-garde temporality, socialist realism, and Pogodin’s Aristocrats (2016)
Journal Article
Skinner, A. (2016). Exploring the hinterlands : avant-garde temporality, socialist realism, and Pogodin’s Aristocrats. Studies in Theatre and Performance, 36(3), (257-268). doi:10.1080/14682761.2016.1225184. ISSN 1468-2761

Soviet socialist realism is frequently constructed as the death knell of the Russian avant-garde. The combination of vague instructions (mainly concerning the required effect of the work, rather than its formal construction) with severe consequences... Read More

Book review: Singing simpkin and other bawdy jigs: musical comedy on the Shakespearean stage: scripts, music & context, by Roger Clegg and Lucie Skeaping, with an appendix of dance instructions by Anne Daye, Exeter, University of Exeter Press, 2014, 340 p (2016)
Journal Article
Drábek, P. (2017). Book review: Singing simpkin and other bawdy jigs: musical comedy on the Shakespearean stage: scripts, music & context, by Roger Clegg and Lucie Skeaping, with an appendix of dance instructions by Anne Daye, Exeter, University of Exeter Press, 2014, 340 pp. Studies in Theatre and Performance, 37(3), 370-372. https://doi.org/10.1080/14682761.2016.1229771

Review of Singing simpkin and other bawdy jigs: musical comedy on the Shakespearean stage: scripts, music & context, by Roger Clegg and Lucie Skeaping, with an appendix of dance instructions by Anne Daye, Exeter, University of Exeter Press, 2014, 340... Read More

Passion play : staging York's The conspiracy and Christ before Annas and Caiphas (2016)
Book
Crispin, P. (2016). Passion play : staging York's The conspiracy and Christ before Annas and Caiphas. In Staging scripture, 279-308. Brill Academic Publishers. doi:10.1163/9789004313958

In March 2013, I directed two Passion Pageants from the York Mysteries – The Conspiracy and Christ before Annas and Caiaphas (hereafter Conspiracy and Annas and Caiaphas). Each of them is both sacred and profane, devotional and political, providing a... Read More

Twisting your melon: describing tricky movements on the page (2016)
Journal Article
Edinborough, C. (2016). Twisting your melon: describing tricky movements on the page. Theatre, Dance and Performance Training, 7(2), 278-282. doi:10.1080/19443927.2016.1210921

Describes a warm-up exercise for drama students.

Surfaces, depths and hypercubes: Meyerholdian scenography and the fourth dimension (2015)
Journal Article
Skinner, A. (2015). Surfaces, depths and hypercubes: Meyerholdian scenography and the fourth dimension. Theatre and performance design, 1(3), 204-219. doi:10.1080/23322551.2015.1099829

An appreciation of Meyerhold’s engagement with theatrical space is fundamental to understanding his directorial and pedagogic practice. This article begins by establishing Meyerhold’s theoretical and practical engagement with theatre as a fundamental... Read More