All Outputs (15)

Book review: Další dvojskvost z Kabinetu pro studium českého divadla IU-DÚ (2016)
Journal Article
Drábek, P. (2016). Book review: Další dvojskvost z Kabinetu pro studium českého divadla IU-DÚ. Theatralia, 19(1), 306-307. https://doi.org/10.5817/ty2016-1-17

A book review of Eva Šormova et al. Česká divadelní encyklopedie: Česká činohra 19. a začátku 20. století (2015).

Sládkova strukturalistická smršť (2016)
Journal Article
Drabek, P., & Drábek, P. (2016). Sládkova strukturalistická smršť. Theatralia, 19(1), 282-289. https://doi.org/10.5817/TY2016-1-12

Reviewed works: Sládek, Ondřej. Jan Mukařovský: život a dílo. První vydání. Brno: Host, 2015. 446 s. ISBN 978-80-7491-531-4. Sládek, Ondřej. The metamorphoses of Prague School structural poetics. Muenchen: LINCOM GmbH, 2015. 196 s. Travaux linguistiq... Read More about Sládkova strukturalistická smršť.

Bakhtin and theatre? (2016)
Journal Article
Drabek, P., & Drábek, P. (2016). Bakhtin and theatre?. Theatralia, 19(2), 152-155

Review of Dick McCaw. Bakhtin and Theatre: Dialogues with Stanislavsky, Meyerhold and Grotowski. London and New York: Routledge, 2016. 247pp.

Book review: 3x on new dramaturgy and adaptation at Bloomsbury Methuen Drama (2016)
Journal Article
Drabek, P., & Drábek, P. (2016). Book review: 3x on new dramaturgy and adaptation at Bloomsbury Methuen Drama. Theatralia, 19(2), 156-159

Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New York: Bloomsbury, 2014. 284pp. Katalin TRENCSÉNYI and Bernadette COCHRANE (eds.). New Dramaturgy: International Perspectives on Theory and Practice. Lo... Read More about Book review: 3x on new dramaturgy and adaptation at Bloomsbury Methuen Drama.

‘Though this be method, yet there is madness in’t’: Cutting Ovid’s tongue in recent stage and film performances of Titus Andronicus (2016)
Book Chapter
Billing, C. M. (2016). ‘Though this be method, yet there is madness in’t’: Cutting Ovid’s tongue in recent stage and film performances of Titus Andronicus. In P. Holland (Ed.), Shakespeare and Rome (58-78). Cambridge University Press. https://doi.org/10.1017/sso9781316670408.006

Theatrical Reality: Space, Embodiment and Empathy in Performance (2016)
Book
Edinborough, C. (2016). Theatrical Reality: Space, Embodiment and Empathy in Performance. Intellect

Performance, dramaturgy, and scenography are often explored in isolation, but in Theatrical Reality, Campbell Edinborough describes their connectedness in order to investigate how the experience of reality is constructed and understood during perform... Read More about Theatrical Reality: Space, Embodiment and Empathy in Performance.

Exploring the hinterlands : avant-garde temporality, socialist realism, and Pogodin’s Aristocrats (2016)
Journal Article
Skinner, A. (2016). Exploring the hinterlands : avant-garde temporality, socialist realism, and Pogodin’s Aristocrats. Studies in Theatre and Performance, 36(3), 257-268. https://doi.org/10.1080/14682761.2016.1225184

Soviet socialist realism is frequently constructed as the death knell of the Russian avant-garde. The combination of vague instructions (mainly concerning the required effect of the work, rather than its formal construction) with severe consequences... Read More about Exploring the hinterlands : avant-garde temporality, socialist realism, and Pogodin’s Aristocrats.

Book review: Singing simpkin and other bawdy jigs: musical comedy on the Shakespearean stage: scripts, music & context, by Roger Clegg and Lucie Skeaping, with an appendix of dance instructions by Anne Daye, Exeter, University of Exeter Press, 2014, 340 pp. (2016)
Journal Article
Drábek, P. (2017). Book review: Singing simpkin and other bawdy jigs: musical comedy on the Shakespearean stage: scripts, music & context, by Roger Clegg and Lucie Skeaping, with an appendix of dance instructions by Anne Daye, Exeter, University of Exeter Press, 2014, 340 pp. Studies in Theatre and Performance, 37(3), 370-372. https://doi.org/10.1080/14682761.2016.1229771

Review of Singing simpkin and other bawdy jigs: musical comedy on the Shakespearean stage: scripts, music & context, by Roger Clegg and Lucie Skeaping, with an appendix of dance instructions by Anne Daye, Exeter, University of Exeter Press, 2014, 340... Read More about Book review: Singing simpkin and other bawdy jigs: musical comedy on the Shakespearean stage: scripts, music & context, by Roger Clegg and Lucie Skeaping, with an appendix of dance instructions by Anne Daye, Exeter, University of Exeter Press, 2014, 340 pp..

Shakespearean tragedy in Eastern Europe (2016)
Book Chapter
Drabek, P. (2016). Shakespearean tragedy in Eastern Europe. In M. Neill, & D. Schalkwyk (Eds.), The Oxford Handbook of Shakespearean Tragedy (746-760). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780198724193.013.45

Eastern Europe is a problematic geopolitical concept comprising anywhere from 7 to 20 countries—culturally, ethnically and historically different. What they share is a Communist past. This essay discusses the diverse historical heritage of Eastern Eu... Read More about Shakespearean tragedy in Eastern Europe.

Prunes and posses: Individuation and team cohesion in Silent Witness (2016)
Journal Article
Khorikian, A. (2016). Prunes and posses: Individuation and team cohesion in Silent Witness. Journal of British cinema and television, 13(3), 450-468. https://doi.org/10.3366/jbctv.2016.0329

© Edinburgh University Press. Silent Witness (BBC, 1996-) is a long-running and successful forensic crime drama. Although academic attention to the series has thus far focused on the iconic original protagonist Sam Ryan (Amanda Burton), an intriguing... Read More about Prunes and posses: Individuation and team cohesion in Silent Witness.

Krapp's last tape in Great Britain : production history amid changing practice (2016)
Book Chapter
Head, A. (2016). Krapp's last tape in Great Britain : production history amid changing practice. In Staging Beckett in Great Britain (107-121). Bloomsbury Publishing

This book chapter investigates the production history of the play, Krapp's last tape.

"Here is my space": Josef Svoboda's Shakespearean imagination (2016)
Book Chapter
Billing, C. M. (2016). "Here is my space": Josef Svoboda's Shakespearean imagination. In J. R. Brown, & S. Di Benedetto (Eds.), Designers' Shakespeare (12-37). Routledge

Constructing dialectical images in sound and space : adapting Walter Benjamin's The Arcades project (2016)
Journal Article
Edinborough, C. (2016). Constructing dialectical images in sound and space : adapting Walter Benjamin's The Arcades project. Performance Research, 21(3), 47-53. https://doi.org/10.1080/13528165.2016.1176737

In November 2014 a specially created audio walk, A Roving Soul: Walking the City with Walter Benjamin, was presented as part of the School of Advanced Study’s Being Human Festival of the Humanities. The piece invited listeners to put on headphones an... Read More about Constructing dialectical images in sound and space : adapting Walter Benjamin's The Arcades project.

Twisting your melon: describing tricky movements on the page (2016)
Journal Article
Edinborough, C. (2016). Twisting your melon: describing tricky movements on the page. Theatre, Dance and Performance Training, 7(2), 278-282. https://doi.org/10.1080/19443927.2016.1210921

Describes a warm-up exercise for drama students.

"the silent treatment": Absence as Presence in Linda McLean's Gendered Environments (2016)
Journal Article
Morgan McKean, K. S. (2016). "the silent treatment": Absence as Presence in Linda McLean's Gendered Environments. Contemporary Women's Writing, 10(1), 85-104. https://doi.org/10.1093/cww/vpv029

The landscapes of Linda McLean’s plays hold the bodies and voices of those the characters onstage have lost, creating echoes that connect to ideas of retelling, of hauntings that go beyond individual and cultural reenactments. This sense of echoes is... Read More about "the silent treatment": Absence as Presence in Linda McLean's Gendered Environments.