Historiography, Rehearsal Processes, and Performance as Translation; or, How to Stage Early Modern English Drama Today?
(2015)
Presentation / Conference Contribution
Billing, C. (2015, June). Historiography, Rehearsal Processes, and Performance as Translation; or, How to Stage Early Modern English Drama Today?. Presented at Performance as Research in Early Modern English Studies: The Three Ladies of London in Context. The John Douglas Taylor Conference, Toronto, Canada
Outputs (160)
Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences (2014)
Journal Article
Billing, C. M. (2014). Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences. Theatralia, 17(2), 13-23
Forms of fashion: Material fabrics, national characteristics and the dramaturgy of difference on the early modern English stage (2014)
Book Chapter
Billing, C. (2014). Forms of fashion: Material fabrics, national characteristics and the dramaturgy of difference on the early modern English stage. In R. Henke, & E. Nicholson (Eds.), Transnational mobilities in early modern theater (131-156). Routledge
English comedy and Central European marionette drama (2014)
Book Chapter
Drabek, P. (2014). English comedy and Central European marionette drama. In R. Henke, & E. Nicholson (Eds.), Transnational Mobilities in Early Modern Drama (131-155). Routledge
Slapstick and Comic Performance: Comedy and Pain (2014)
Book
Peacock, L. (2014). Slapstick and Comic Performance: Comedy and Pain. Palgrave Macmillan. https://doi.org/10.1057/9781137438973Slapstick comedy has a long and lively history from Greek Theatre to the present day. This book explores the ways in which comic pain and comic violence are performed within slapstick to make the audience laugh. It draws examples from theatre, televi... Read More about Slapstick and Comic Performance: Comedy and Pain.
Into the Darkest Places: Pursuing Politics in the Plays of Phyllis Nagy (2014)
Journal Article
Morgan McKean, K. S. (2014). Into the Darkest Places: Pursuing Politics in the Plays of Phyllis Nagy. Contemporary Theatre Review, 24(1), 66-81. https://doi.org/10.1080/10486801.2013.858328In this article, I argue for the political relevance of the work of Phyllis Nagy not only to the 1990s – the decade in which the majority of her work premiered – but to current political, theoretical and theatrical debates. I consider the ways in whi... Read More about Into the Darkest Places: Pursuing Politics in the Plays of Phyllis Nagy.
Theatre, performance and technology: the development and transformation of scenography (2013)
Book
Baugh, C. (2013). Theatre, performance and technology: the development and transformation of scenography. Palgrave MacmillanChris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performa... Read More about Theatre, performance and technology: the development and transformation of scenography.
International Journal of Scottish Theatre and Screen: Volume 6 Issue 1 (2013)
Other
McKean, K. (2013). International Journal of Scottish Theatre and Screen: Volume 6 Issue 1
History without royalty? Queen and the strata of the popular music canon (2013)
Journal Article
Desler, A. (2013). History without royalty? Queen and the strata of the popular music canon. Popular music, 32(3), 385-405. https://doi.org/10.1017/s0261143013000287Although canon formation has been discussed in popular music studies for over a decade, the notion of what constitutes ‘the popular music canon' is still vague. However, considering that many scholars resent canon formation due to the negative effect... Read More about History without royalty? Queen and the strata of the popular music canon.
New media art, participation, social engagement and public funding (2013)
Journal Article
Chatzichristodoulou, M. (2013). New media art, participation, social engagement and public funding. Visual culture in Britain, 14(3), 301-318. https://doi.org/10.1080/14714787.2013.827486This article investigates the current condition of new media art in Britain, examining how cuts to arts funding have affected the art form's infrastructure and capacity for survival and growth. It considers media art in relation to other contemporary... Read More about New media art, participation, social engagement and public funding.