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Visualising Process- Hofman’s 1926 Hamlet

Fergusson Baugh, Cat

Authors



Abstract

The 1926 production of Hamlet is of particular significance in a range of contexts. It was Karel Hiller’s return production following a career hiatus occasioned by a devastating stroke in 1924 and marked the beginning of a more reflective stage of his career (Burian, 1982:67). It was the production in which Hofman apparently shifted his focus from explorations of solid matter to explorations of open space (Burian, 2002:127) and has been further identified as significant in its use of screens to articulate that space (Burian, 2007). The significance of this particular production is further evidenced by the rich and varied original design material which has been preserved in a variety of archives (principally those held at Prague’s National Theatre and National Museum and in the Burian holdings of Columbus State University).

This Article explores Hofman's design through a processs of computer reconstruction, insights into the formal developments of Hofman’s design are enhanced by analysis informed by his critical writing on the subject published in his article ‘My Evolution in Theatre’ (Hofman, 1926d).

Citation

Fergusson Baugh, C. (2018). Visualising Process- Hofman’s 1926 Hamlet. Theatralia, 21(2), 15-28. https://doi.org/10.5817/TY2018-2-2

Journal Article Type Article
Acceptance Date Jul 12, 2018
Online Publication Date Mar 27, 2019
Publication Date 2018-12
Deposit Date Sep 10, 2018
Publicly Available Date Mar 1, 2019
Print ISSN 1803-845X
Peer Reviewed Peer Reviewed
Volume 21
Issue 2
Pages 15-28
DOI https://doi.org/10.5817/TY2018-2-2
Keywords Theatre; Design; Hofman; Hamlet; Reconstruction; Cubo-Expressionism
Public URL https://hull-repository.worktribe.com/output/1032740
Publisher URL https://digilib.phil.muni.cz/handle/11222.digilib/138512

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