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Bram Stoker and the Gothic: Formations to Transformations

Wynne, Catherinne

Authors

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Dr Catherine Wynne C.Wynne@hull.ac.uk
Reader in Victorian and Early Twentieth-Century Literature and Visual Culture



Contributors

Abstract

'My revenge is just begun! I spread it over centuries, and time is on my side,' warns Dracula. This statement is descriptive of the Gothic genre. Like the Count, the Gothic encompasses and has manifested itself in many forms. Bram Stoker and the Gothic demonstrates how Dracula marks a key moment in the transformation of the Gothic. Harking back to early Gothic's preoccupation with the supernatural, decayed aristocracy and incarceration in gloomy castles, the novel speaks to its own time, but has also transformed the genre, a revitalization that continues to sustain the Gothic today. This collection explores the formations of the Gothic, the relationship between Stoker's work and some of his Gothic predecessors, such as Poe and Wollstonecraft, presents new readings of Stoker's fiction and probes the influences of his cultural circle, before concluding by examining aspects of Gothic transformation from Daphne du Maurier to Stoker's own 'reincarnation' in fiction and biography. Bram Stoker and the Gothic testifies to Stoker's centrality to the Gothic genre. Like Dracula, Stoker's 'revenge' shows no sign of abating.

Citation

Wynne, C. (2016). C. Wynne (Ed.). Bram Stoker and the Gothic: Formations to Transformations. Palgrave Macmillan. https://doi.org/10.1057/9781137465047

Book Type Edited Book
Acceptance Date Aug 1, 2016
Publication Date 2016
Deposit Date Jan 13, 2020
Publisher Palgrave Macmillan
Series Title Palgrave Gothic
Series ISSN 2634-6214
ISBN 9781349554683 9781137465030
DOI https://doi.org/10.1057/9781137465047
Public URL https://hull-repository.worktribe.com/output/3361782