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Shadow Cinema: The Historical and Production Contexts of Unmade Films

Contributors

James Fenwick
Editor

Kieran Foster
Editor

Abstract

Filmmakers and cinema industries across the globe invest more time, money and creative energy in projects and ideas that never get produced than in the movies that actually make it to the screens. Thousands of projects are abandoned in pre-production, halted, cut short, or even made and never distributed – a “shadow cinema” that exists only in the archives.

This collection of essays by leading scholars and researchers opens those archives to draw on a wealth of previously unexamined scripts, correspondence and production material, reconstructing many of the hidden histories of the last hundred years of world cinema. Highlighting the fact that the movies we see are actually the exception to the rule, this study uncovers the myriad reasons why 'failures' occur and considers how understanding those failures can transform the disciplines of film and media history. The first survey of this new area of empirical study across transnational borders, Shadow Cinema is a vital and fascinating demonstration of the importance of the unmade, unseen, and unknown history of cinema.

Citation

Fenwick, J., Foster, K., & Eldridge, D. (Eds.). (2020). Shadow Cinema: The Historical and Production Contexts of Unmade Films. Bloomsbury Publishing. https://doi.org/10.5040/9781501351624

Book Type Edited Book
Online Publication Date Nov 22, 2020
Publication Date 2020
Deposit Date Jun 8, 2022
Publisher Bloomsbury Publishing
Book Title Shadow Cinema: The Historical and Production Contexts of Unmade Films
ISBN 9781501351594
DOI https://doi.org/10.5040/9781501351624
Public URL https://hull-repository.worktribe.com/output/3743900
Publisher URL https://www.bloomsbury.com/us/shadow-cinema-9781501351600/