Nicole Cochrane
Ancient art and the eighteenth‐century auction: Collecting, catalogues and competition
Cochrane, Nicole
Authors
Abstract
This article explores the role of the auction in the formation and dispersal of collections of ancient art in late eighteenth- and early nineteenth-century Britain. I demonstrate that competitive collecting, as well as the culture of acquiring as well as fragmenting collections at auction, had a profound effect on the way in which British buyers collected and displayed antiquities within their private collections. I argue that through an exploration of two textual sites, the auction and collection catalogue, we can observe that collectors carefully curated their collections, visually as well as textually, in order to craft specific narratives centered on the act of auction collecting, shaping and shifting the ways in which collectors understood and curated the art of antiquity.
Citation
Cochrane, N. (2021). Ancient art and the eighteenth‐century auction: Collecting, catalogues and competition. Journal for Eighteenth-Century Studies, 44(3), 277-292. https://doi.org/10.1111/1754-0208.12775
Journal Article Type | Article |
---|---|
Acceptance Date | Aug 6, 2021 |
Online Publication Date | Sep 15, 2021 |
Publication Date | 2021 |
Deposit Date | Sep 16, 2021 |
Publicly Available Date | Sep 27, 2021 |
Journal | Journal for Eighteenth-Century Studies |
Print ISSN | 1754-0194 |
Publisher | John Wiley and Sons |
Peer Reviewed | Peer Reviewed |
Volume | 44 |
Issue | 3 |
Pages | 277-292 |
DOI | https://doi.org/10.1111/1754-0208.12775 |
Keywords | Antiquity; Art market; Auction; Collecting; Provenance; Sculpture |
Public URL | https://hull-repository.worktribe.com/output/3833417 |
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Copyright Statement
© 2021 The Authors. Journal for Eighteenth-Century Studies published by John Wiley & Sons Ltd on behalf of British Society for Eighteenth-Century Studies.
This is an open access article under the terms of the Creative Commons Attribution License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited.
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