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Art squats, artistic critique and resistance : Between recuperation and obliteration

Drake, Michael


Michael Drake


Art squats have been a characteristic form of the development and diffusion of counter­culture since the 1960s. Their function is twofold, engaging in both art and social critique, and as a form of direct action in each field, resisting both capitalist property relations and the institutions of the art market. However, those functions may be displaced by others as a result of the effects of art squats themselves, such as neighbourhood gentrification. The changing cultural politics of the embodied critical practice of art squats are traced through three European examples. This paper follows Critical Cultural Studies in reading cultural practice as text to engage critically with Boltanski and Chiapello’s dismissal of artistic critique, and also problematising the alternative autonomist assumption that art squats unify the projects of art and social revolution by showing how their strategies can be subject to recuperation, while linking the strategies developed in art squats to contemporary practices of resistance.


Drake, M. (in press). Art squats, artistic critique and resistance : Between recuperation and obliteration. Acta Universitatis Wratislaviensis. Prace Kulturoznawcze, 14-58

Journal Article Type Article
Acceptance Date Aug 19, 2016
Online Publication Date Aug 20, 2016
Deposit Date Oct 19, 2016
Journal Prace kulturoznawcze
Electronic ISSN 0860-6668
Peer Reviewed Peer Reviewed
Issue 19
Pages 14-58
Keywords Art squats, Resistance, Critical theories, Artistic practice
Public URL
Publisher URL
Additional Information This is a description of an open access article published in: Prace kulturoznawcze, 2016, issue 19.

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