Hanslick's deleted ending

Landerer, Christoph; Zangwill, Nick

Abstract

We question Mark Evan Bonds’ interpretation of the deleted ending of Eduard Hanslick’s On the Musically Beautiful. We argue that there is no evidence that it reveals a commitment to Pythagoreanism or Idealism. We supply an alternative explanation of the deletion.

Citation

Landerer, C., & Zangwill, N. (2017). Hanslick's deleted ending. British Journal of Aesthetics, 57(1), 85-95. https://doi.org/10.1093/aesthj/ayw056

• Journal Article Type: Article
• Acceptance Date: Nov 10, 2016
• Online Publication Date: Apr 20, 2017
• Publication Date: Jan 1, 2017
• Deposit Date: Dec 5, 2016
• Publicly Available Date: Jan 2, 2019
• Journal: British journal of aesthetics
• Print ISSN: 0007-0904
• Electronic ISSN: 1468-2842
• Publisher: Oxford University Press
• Peer Reviewed: Peer Reviewed
• Volume: 57
• Issue: 1
• Pages: 85-95
• DOI: https://doi.org/10.1093/aesthj/ayw056
• Keywords: Music; Hanslick, Eduard, 1825-1904; Bonds, Mark Evan; Absolute music : the history of an idea
• Public URL: https://hull-repository.worktribe.com/output/445944
• Publisher URL: https://academic.oup.com/bjaesthetics/article/57/1/85/3745743/Hanslick-s-Deleted-Ending?searchresult=1
• Additional Information: This is the accepted manuscript of an article published in British journal of aesthetics, 2017. The version of record is available at the DOI link in this record.