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Outputs (52)

Covers, Concreteness, and Craft: A Reply To Giupponi, Pettersson and Campion (2024)
Journal Article
Wilson, D. (2024). Covers, Concreteness, and Craft: A Reply To Giupponi, Pettersson and Campion. Debates in Aesthetics, 18(2), 101-118

I reply to three authors who responded to my target article: 'Music, Visualization and the Multi-stage Account of Photography'. Mikael Pettersson raises concerns about absent light because traditional theories suppose that a photograph is a causal tr... Read More about Covers, Concreteness, and Craft: A Reply To Giupponi, Pettersson and Campion.

Music, Visualization and the Multi-Stage Account of Photography (2024)
Journal Article
Wilson, D. (2024). Music, Visualization and the Multi-Stage Account of Photography. Debates in Aesthetics, 18(2), 13-46

Like his contemporary, Edward Weston, Ansel Adams claimed that visualization is essential for creating fine art photography. But, unlike Weston, he believed that a print from a negative is like a performance from a score. In his analogy, a photograph... Read More about Music, Visualization and the Multi-Stage Account of Photography.

Empowering Women Leaders in a Time of Crisis: Fostering Inclusion in Ukrainian Academia (2024)
Presentation / Conference Contribution
Gonzalez-Arnal, S., & Marakhovska, N. (2024, June). Empowering Women Leaders in a Time of Crisis: Fostering Inclusion in Ukrainian Academia. Presented at II International Conference Political and Economic Self-Constitution: Migration, Inequalities and Discrimination., University of the Peloponnese, Corinth, Greece

Against Imprinting: The Photographic Image as a Source of Evidence (2022)
Journal Article
Wilson, D. M. (in press). Against Imprinting: The Photographic Image as a Source of Evidence. Social Research: An International Quarterly, 89(4),

A photographic image is said to provide evidence of a photographed scene because it is a causal imprint of reflected light: an indexical trace of real objects and events. Though widely established in the history, theory and philosophy of photography,... Read More about Against Imprinting: The Photographic Image as a Source of Evidence.

The Feeling Theory of emotions and the treatment of affective disorders (2022)
Thesis
Gorgogiannis, D. The Feeling Theory of emotions and the treatment of affective disorders. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4287082

I have two primary aims in this thesis. First, I intend to defend a Feeling Theory of emotion. Second, I want to explore the possible implications of a feeling theory for the treatment of emotional disorders. Both of these aims are important given th... Read More about The Feeling Theory of emotions and the treatment of affective disorders.

Reflecting, Registering, Recording and Representing: From Light Image to Photographic Picture (2022)
Journal Article
Wilson, D. (2022). Reflecting, Registering, Recording and Representing: From Light Image to Photographic Picture. Proceedings of the Aristotelian Society, 122(2), 141-164. https://doi.org/10.1093/arisoc/aoac008

Photography is valued as a medium for recording and visually reproducing features of the world. I seek to challenge the view that photography is fundamentally a recording process and that every photograph is a record — a view that I claim is based on... Read More about Reflecting, Registering, Recording and Representing: From Light Image to Photographic Picture.

Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography (2021)
Journal Article
Wilson, D. M. (2021). Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography. Journal of Aesthetics and Art Criticism, 79(2), 161-174. https://doi.org/10.1093/jaac/kpab005

Some photographs show determinate features of a scene because the photographed scene had those features. This dependency relation is, rightly, a consensus in philosophy of photography. I seek to refute many long-established theories of photography by... Read More about Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography.

Epistemic pluralism : the missing link and the ambitions of epistemology (2020)
Journal Article
Zangwill, N. (2020). Epistemic pluralism : the missing link and the ambitions of epistemology. Metaphilosophy, 51, 485-498

In this paper epistemic pluralism concerning knowledge is taken to be the claim that very different facts may constitute knowledge. The paper argues for pluralism by arguing that very different facts can constitute the knowledge‐making links between... Read More about Epistemic pluralism : the missing link and the ambitions of epistemology.