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Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography

Wilson, Dawn M.

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Abstract

Some photographs show determinate features of a scene because the photographed scene had those features. This dependency relation is, rightly, a consensus in philosophy of photography. I seek to refute many long-established theories of photography by arguing that they are incompatible with this commitment. In Section II, I classify accounts of photography as either single-stage or multi-stage. In Section III, I analyze the historical basis for single-stage accounts. In Section IV, I explain why the single-stage view led scientists to postulate "latent"photographic images as a technical phenomenon in early chemical photography. In Section V, I discredit the notion of an invisible latent image in chemical photography and, in Section VI, extend this objection to the legacy of the latent image in digital photography. In Section VII, I appeal to the dependency relation to explain why the notion of a latent image makes the single-stage account untenable. Finally, I use the multi-stage account to advance debate about "new"versus "orthodox"theories of photography.

Citation

Wilson, D. M. (2021). Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography. Journal of Aesthetics and Art Criticism, 79(2), 161-174. https://doi.org/10.1093/jaac/kpab005

Journal Article Type Article
Acceptance Date Oct 9, 2020
Online Publication Date Apr 19, 2021
Publication Date Jan 1, 2021
Deposit Date Jan 8, 2021
Publicly Available Date Jan 2, 2023
Journal Journal of Aesthetics and Art Criticism
Print ISSN 0021-8529
Electronic ISSN 1540-6245
Publisher Wiley
Peer Reviewed Peer Reviewed
Volume 79
Issue 2
Pages 161-174
DOI https://doi.org/10.1093/jaac/kpab005
Keywords Philosophy of Photography; Camera Obscura; Latent Image; Invisible; Digital; Causal Dependence; Indeterminacy; New Theory; Multi-stage.
Public URL https://hull-repository.worktribe.com/output/3686748

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