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All Outputs (8)

The Revolutionary Symbolism of Angelo Herndon- Photography, Race, and Communism in 1930s America (2024)
Journal Article
Haran, B. (in press). The Revolutionary Symbolism of Angelo Herndon- Photography, Race, and Communism in 1930s America. Oxford Art Journal, 47(2),

This article examines the photographic representation of Angelo Herndon, a Black Communist who was arrested in 1932 in Atlanta through seldom-used Georgian anti-insurrection legislation. Herndon (aged 19) endured many months in jail and faced 18-20 y... Read More about The Revolutionary Symbolism of Angelo Herndon- Photography, Race, and Communism in 1930s America.

Photography in the Big Frame: Conflicting Media Uses of the 1931 Arrest Photograph of the Scottsboro Nine (2023)
Journal Article
Haran, B. (2023). Photography in the Big Frame: Conflicting Media Uses of the 1931 Arrest Photograph of the Scottsboro Nine. History of Photography, 46(2-3), 140-163. https://doi.org/10.1080/03087298.2023.2221919

On 25 March 1931 nine young African Americans were arrested in Alabama for the alleged rape of two White women, nearly lynched, sentenced to death and eventually incarcerated for years. This article examines the arrest photograph of the Scottsboro Ni... Read More about Photography in the Big Frame: Conflicting Media Uses of the 1931 Arrest Photograph of the Scottsboro Nine.

The Hands of Fortune: Margaret Bourke-White’s Magazine Photographs of Manual Work in the Early Years of the Depression (2022)
Journal Article
Haran, B. (in press). The Hands of Fortune: Margaret Bourke-White’s Magazine Photographs of Manual Work in the Early Years of the Depression. Arts, 11(2), Article 45. https://doi.org/10.3390/arts11020045

In 1931, Fortune published an article entitled ‘American Workingman’, a survey of labor in the midst of the worsening Depression, with an emblematic composite image of hands at work to indicate the manual character and the diverse jobs of industrial... Read More about The Hands of Fortune: Margaret Bourke-White’s Magazine Photographs of Manual Work in the Early Years of the Depression.

Documenting an ‘Age-Long Struggle’: Paul Strand's Time in the American Southwest (2020)
Journal Article
Haran, B. (2020). Documenting an ‘Age-Long Struggle’: Paul Strand's Time in the American Southwest. Art History, 43(1), 120-153. https://doi.org/10.1111/1467-8365.12472

This article examines the photographs that Paul Strand made in the American Southwest between 1930-32, marking his crystallization as a photographer of interconnected people, objects, and places. Using Group Theatre director Harold Clurman’s appellat... Read More about Documenting an ‘Age-Long Struggle’: Paul Strand's Time in the American Southwest.

‘We Cover New York’: protest, neighborhood, and street photography in the (Workers Film and) Photo League (2019)
Journal Article
Haran, B. (2019). ‘We Cover New York’: protest, neighborhood, and street photography in the (Workers Film and) Photo League. Arts, 8(2), 61. https://doi.org/10.3390/arts8020061

This article considers photographs of New York by two American radical groups, the revolutionary Workers Film and Photo League (WFPL) (1931–1936) and the ensuing Photo League (PL) (1936–1951), a less explicitly political concern, in relation to the a... Read More about ‘We Cover New York’: protest, neighborhood, and street photography in the (Workers Film and) Photo League.

Tractor factory facts: Margaret Bourke-White's Eyes on Russia and the romance of industry in the Five-Year Plan (2015)
Journal Article
Haran, B. (2015). Tractor factory facts: Margaret Bourke-White's Eyes on Russia and the romance of industry in the Five-Year Plan. Oxford Art Journal, 38(1), 73-93. https://doi.org/10.1093/oxartj/kcu032

This article examines the particular form of documentary that the photographer Margaret Bourke-White employed in her images of sovietisation during the first Five-Year Plan in Russia. By her own admission she was more interested in machines than poli... Read More about Tractor factory facts: Margaret Bourke-White's Eyes on Russia and the romance of industry in the Five-Year Plan.