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Machine, montage, and myth: Experimental cinema and politics of American modernism during the Great Depression

Haran, Barnaby

Authors



Abstract

This article looks at the film journal Experimental Cinema in relation to the radical Workers Film and Photo League

Citation

Haran, B. (2011). Machine, montage, and myth: Experimental cinema and politics of American modernism during the Great Depression. Textual Practice, 25(3), 563-584. https://doi.org/10.1080/0950236X.2011.569177

Journal Article Type Review
Acceptance Date Sep 1, 2010
Online Publication Date Jul 8, 2011
Publication Date Jun 1, 2011
Deposit Date Apr 12, 2019
Journal Textual Practice
Print ISSN 0950-236X
Publisher Routledge
Peer Reviewed Peer Reviewed
Volume 25
Issue 3
Pages 563-584
DOI https://doi.org/10.1080/0950236X.2011.569177
Public URL https://hull-repository.worktribe.com/output/1592876
Publisher URL https://www.tandfonline.com/doi/abs/10.1080/0950236X.2011.569177