All Outputs (6)

Being There - XR Performance at PQ23 (2024)
Journal Article
Fergusson-Baugh, C. (in press). Being There - XR Performance at PQ23. Theatre and performance design, 10(1-2),

This article presents a personal, critical reflection on the XR work presented at PQ23 that explores virtual aesthetics, emergent cognitive paradigms and their impact on the art-function of performance. The discussion considers the impact and potenti... Read More about Being There - XR Performance at PQ23.

Notes and Queries... That Wren Drawing (2021)
Journal Article
Fergusson-Baugh, C. (2021). Notes and Queries... That Wren Drawing. Theatre and performance design, 21(1-2), 24-38. https://doi.org/10.1080/23322551.2021.1935625

In this article I will expand on work presented in ‘Haptic Insights’ (Fergusson Baugh 2018) and demonstrate the value of the methodologies proposed there on a case study reconstruction of the second Drury Lane theatre (1674) initially prepared for th... Read More about Notes and Queries... That Wren Drawing.

Visualising Process- Hofman’s 1926 Hamlet (2018)
Journal Article
Fergusson Baugh, C. (2018). Visualising Process- Hofman’s 1926 Hamlet. Theatralia, 21(2), 15-28. https://doi.org/10.5817/TY2018-2-2

The 1926 production of Hamlet is of particular significance in a range of contexts. It was Karel Hiller’s return production following a career hiatus occasioned by a devastating stroke in 1924 and marked the beginning of a more reflective stage of hi... Read More about Visualising Process- Hofman’s 1926 Hamlet.

Haptic insights: model making as historical methodology (2018)
Journal Article
Baugh, C. F. (2018). Haptic insights: model making as historical methodology. Theatre and performance design, 4(1-2), 83-100. https://doi.org/10.1080/23322551.2018.1464843

This article explores the value of digital reconstruction practice to the theatre historian in general but in particular the historian concerned with exploring visual histories offered by the areas of theatre design and architecture. It will articula... Read More about Haptic insights: model making as historical methodology.

From alchemy to Artaudian 'digital double' : a practical exploration in digital scenography (2018)
Thesis
Grimoldby, E. J. B. (2018). From alchemy to Artaudian 'digital double' : a practical exploration in digital scenography. (Thesis). University of Hull. Retrieved from https://hull-repository.worktribe.com/output/4221411

This research seeks to better understand the position of the contemporary stage phenomenon ‘The Digital Double’ within the theories of Antonin Artaud. This phenomenon can be defined as; the mediated form, or presence, of a physical performer, generat... Read More about From alchemy to Artaudian 'digital double' : a practical exploration in digital scenography.

Vlastislav Hoffman’s 1926 Hamlet (2017)
Exhibition / Performance
Fergusson Baugh, C. Vlastislav Hoffman’s 1926 Hamlet. Exhibited at Columbus Museum of Art. 10 February 2017 - 21 May 2017. (Unpublished)

This PaR project extends the principals explored in the reconstruction of architectural space to other visual forms, in this case, scenic design. The 1926 production of Hamlet is of particular significance in a range of contexts. It was Karel Hiller’... Read More about Vlastislav Hoffman’s 1926 Hamlet.