Working memory for music, pitch labels and solfège : a cross-cultural study of university students' aural and cognitive skills
(2012)
Thesis
Apostolaki, A. (2012). Working memory for music, pitch labels and solfège : a cross-cultural study of university students' aural and cognitive skills. (Thesis). University of Hull. Retrieved from https://hull-repository.worktribe.com/output/4216101
All Outputs (34)
Rehearsal talk: Familiarity and expertise in singer-pianist duos (2012)
Journal Article
Ginsborg, J., & King, E. (2012). Rehearsal talk: Familiarity and expertise in singer-pianist duos. Musicae Scientiae, 16(2), 148-167. https://doi.org/10.1177/1029864911435733The cognitive and social processes underlying musical and social collaboration were explored in a small-scale study of two professional and two student singer-pianist duos. Each of the eight participants rehearsed one song with his or her regular par... Read More about Rehearsal talk: Familiarity and expertise in singer-pianist duos.
An investigation into pupils' attitudes towards secondary music education in Cyprus (2011)
Thesis
Teklos, P. (2011). An investigation into pupils' attitudes towards secondary music education in Cyprus. (Thesis). University of Hull. Retrieved from https://hull-repository.worktribe.com/output/4213081The focus of this study was on the identification of pupils’ attitudes towards music education in secondary schools of Cyprus. There is a growing body of literature about the Cypriot music education scene, although the majority of studies to date hav... Read More about An investigation into pupils' attitudes towards secondary music education in Cyprus.
Gestures and glances: interactions in ensemble rehearsal (2011)
Book Chapter
Ginsborg, J., & King, E. (2011). Gestures and glances: interactions in ensemble rehearsal. In A. Gritten, & E. King (Eds.), New perspectives on music and gesture (177-202). AshgatePerformers use physical gestures in numerous ways. They can be used to communicate musical expression, generate sound production, facilitate technical movements while playing or singing, regulate temporal aspects of performance, and provide musical a... Read More about Gestures and glances: interactions in ensemble rehearsal.
New perspectives on music and gesture (2011)
Book
Gritten, A., & King, E. (Eds.). (2011). New perspectives on music and gesture. Farnham: Ashgate. https://doi.org/10.4324/9781315598048© Anthony Gritten, Elaine King and the Contributors 2011. All rights reserved. Building on the insights of the first volume on Music and Gesture (Gritten and King, Ashgate 2006), the rationale for this sequel volume is twofold: first, to clarify the... Read More about New perspectives on music and gesture.
Review of ‘Reading Interpretation: Case Studies in Solo Piano Performance’ by Julian Hellaby (Farnham: Ashgate, 2009) (2011)
Journal Article
King, E. (2011). Review of ‘Reading Interpretation: Case Studies in Solo Piano Performance’ by Julian Hellaby (Farnham: Ashgate, 2009). Music and Letters, 92(1), 163-165. https://doi.org/10.1093/ml/gcq093
Listeners' perceptual and emotional responses to tonal and atonal music (2007)
Thesis
Prior, H. M. (2007). Listeners' perceptual and emotional responses to tonal and atonal music. (Thesis). University of Hull. Retrieved from https://hull-repository.worktribe.com/output/4208381This thesis examines listeners' responses to tonal and atonal music through a combined model that encompasses music perception theories such as the cue abstraction mechanism, and both listener- and stimulus-based models of emotional responses to musi... Read More about Listeners' perceptual and emotional responses to tonal and atonal music.
Supporting gestures: Breathing in piano performance (2006)
Book Chapter
King, E. (2006). Supporting gestures: Breathing in piano performance. In A. Gritten, & E. King (Eds.), Music and Gesture (142-164). Routledge. https://doi.org/10.4324/9781315091006Existing research provides valuable insight into the importance of breathing for music performers and its function in supporting instrumentalists. The study of pianists’ breathing is perhaps a less obvious choice of subject than breathing by singers... Read More about Supporting gestures: Breathing in piano performance.
The roles of student musicians in quartet rehearsals (2006)
Journal Article
King, E. C. (2006). The roles of student musicians in quartet rehearsals. Psychology of music, 34(2), 262-282. https://doi.org/10.1177/0305735606061855This study focuses on collaboration between student musicians in a wind quartet, saxophone quartet and string quartet. Devised as an explorative investigation using observation and interview methods, the roles of student musicians are defined within... Read More about The roles of student musicians in quartet rehearsals.
Strategies of ensemble practice (2004)
Book Chapter
King, E., & Davidson, J. (2004). Strategies of ensemble practice. In A. Williamon (Ed.), Musical Excellence: Strategies and Techniques to Enhance Performance (105-22). Oxford University Press
Review of ‘Ways of the Hand: A Rewritten Account’ by David Sudnow (Cambridge, Massachusetts: The MIT Press, 2001) (2003)
Journal Article
King, E. (2003). Review of ‘Ways of the Hand: A Rewritten Account’ by David Sudnow (Cambridge, Massachusetts: The MIT Press, 2001). Music Analysis, 22(3), 367-373. https://doi.org/10.1111/j.0262-5245.2003.00190.x
Ensemble Performance (2002)
Book Chapter
King, E. (2002). Ensemble Performance. In J. Rink (Ed.), Musical Performance: A Guide to Understanding (153-167). Cambridge University Press. https://doi.org/10.1017/CBO9780511811739.012Ensemble performance involves musical and social interaction between a group of performers. The term ‘ensemble’ derives from the French for ‘together’, and it defines the seemingly infinite array of musical performances involving more than one person... Read More about Ensemble Performance.
Review of ‘Musical Performance: A Philosophical Study’ by Stan Godlovitch (London: Routledge, 1998) (2000)
Journal Article
King, E. (2000). Review of ‘Musical Performance: A Philosophical Study’ by Stan Godlovitch (London: Routledge, 1998). Music and Letters, 81(1), 74-76. https://doi.org/10.1093/ml/81.1.74
Music and familiarity: listening, musicology and performance
Book
King, E., & Prior, H. Music and familiarity: listening, musicology and performance. The University of HullFamiliarity underpins our engagement with music. This book highlights theoretical and empirical considerations about familiarity from three perspectives: listening, musicology and performance. Part I, ‘Listening', addresses familiarity as it relates... Read More about Music and familiarity: listening, musicology and performance.