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All Outputs (10)

Fear, trauma and found footage : how found footage horror can help us feel better (2022)
Thesis
Chinnery, B. Fear, trauma and found footage : how found footage horror can help us feel better. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4224518

Why would people experiencing a global pandemic seek out a pandemic disaster movie? Why would horror films help people feel better about an unrelated real world source of health anxiety? Why do people enjoy horror cinema at all? This project seeks to... Read More about Fear, trauma and found footage : how found footage horror can help us feel better.

Hardcore horror cinema in the 21st century: Production, marketing and consumption (2018)
Book
Aston, J. (2018). Hardcore horror cinema in the 21st century: Production, marketing and consumption. McFarland

Hardcore Horror Cinema in the 21st Century represents the first scholarly book of its kind. It addresses the exemplars of hardcore horror which are Fred Vogel's August Underground trilogy, Shane Ryan's Amateur Porn Star Killer series and Lucifer Vale... Read More about Hardcore horror cinema in the 21st century: Production, marketing and consumption.

“A malignant, seething hatework”: an introduction to U.S. 21st century hardcore horror (2016)
Journal Article
Aston, J. (2016). “A malignant, seething hatework”: an introduction to U.S. 21st century hardcore horror. Senses of cinema,

The proliferation of U.S. horror films in the 21 st century has engendered an increase in critical and academic response which has almost exclusively focused on the conventions of mainstream horror cinema. That is, films sanctioned by classificatory... Read More about “A malignant, seething hatework”: an introduction to U.S. 21st century hardcore horror.

"I've never murdered anyone in my life. The decisions are up to them.": Ethical Guidance and Cultural Pessimism in the Saw Series (2012)
Journal Article
Walliss, J., & Aston, J. (2012). "I've never murdered anyone in my life. The decisions are up to them.": Ethical Guidance and Cultural Pessimism in the Saw Series. Journal of Religion and Popular Culture, 24(3), 352-364. https://doi.org/10.1353/rpc.2012.0034

In this article we examine the ethical vision presented in the Saw series of films, focusing in particular how it represents a trend within popular culture post-9/11 towards increasing cultural pessimism. We will locate the Saw films within this cult... Read More about "I've never murdered anyone in my life. The decisions are up to them.": Ethical Guidance and Cultural Pessimism in the Saw Series.

The ethics of remembering: Little Big Man and the exoneration of American guilt (2011)
Book Chapter
Aston, J. (2011). The ethics of remembering: Little Big Man and the exoneration of American guilt. In A. Karatzogianni (Ed.), Violence and War in Culture and the Media : Five Disciplinary Lenses (78-91). Routledge. https://doi.org/10.4324/9780203143308-12

Andre Bazin reinvigorated the cultural form of the Western by declaring that it was ‘the American cinema par excellence’ (Lovell 1976: 166). For Bazin, the Western expressed ‘evocations of the birth of the United States of America’ (Bazin 1973: 14) t... Read More about The ethics of remembering: Little Big Man and the exoneration of American guilt.

The (un) spectacle of the real: forwarding an active spectator in Michael Haneke's Le temps du loup/Time of the wolf (2003) (2010)
Journal Article
Aston, J. (2010). The (un) spectacle of the real: forwarding an active spectator in Michael Haneke's Le temps du loup/Time of the wolf (2003). Studies in European cinema, 7(2), 109-122. https://doi.org/10.1386/seci.7.2.109_1

The two central themes in the films of Michael Haneke, the fragmentation and brutality of interpersonal and societal relations and the notion of cinematic reality as an illusory construction, reach an apex in his 2003 film Le temps du Loup/Time of th... Read More about The (un) spectacle of the real: forwarding an active spectator in Michael Haneke's Le temps du loup/Time of the wolf (2003).