Circulation: Aristocratic, Commercial, Religious and Artistic Networks
(2018)
Book Chapter
Drábek, P. (2019). Circulation: Aristocratic, Commercial, Religious and Artistic Networks. In R. Henke (Ed.), A Cultural History of Theatre in the Early Modern Age, Volume 3 (93-107). Bloomsbury Publishing
All Outputs (4)
Book review: Robert Henke. Poverty and charity in early modern theater and performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198 (2018)
Journal Article
Drábek, P. (2018). Book review: Robert Henke. Poverty and charity in early modern theater and performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198. Early theatre, 21(1), 209-212. https://doi.org/10.12745/et.21.1.3540A book review of Robert Henke. Poverty and Charity in Early Modern Theater and Performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198.
Book review: Two Books on Translation for the Stage (2018)
Journal Article
Drábek, P. (2018). Book review: Two Books on Translation for the Stage. Journal of Adaptation in Film and Performance, 11(1), 111-117. https://doi.org/10.1386/jafp.11.1.111_5Two Books on Translation for the Stage
A book review of: ADAPTING TRANSLATION FOR THE STAGE. EDITED BY GERALDINE BRODIE AND EMMA COLE (2017)
London and New York: Routledge. 298 pp.,
and
THE TRANSLATOR ON STAGE, GERALDINE BRODIE (2018)
New York:... Read More about Book review: Two Books on Translation for the Stage.
Shakespeare's myriad-minded stage as a transnational forum: Openness and plurality in drama translation (2018)
Journal Article
Drabek, P. (2018). Shakespeare's myriad-minded stage as a transnational forum: Openness and plurality in drama translation. Shakespeare Studies -Columbia then Albuquerque-, 46, 35-46In 1997, Stephen Greenblatt observed in his introduction to The Norton Shakespeare: “The fantastic diffusion and long life of Shakespeare’s works depends on their extraordinary malleability”. Two years later, Christy Desmet and Robert Sawyer publishe... Read More about Shakespeare's myriad-minded stage as a transnational forum: Openness and plurality in drama translation.