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All Outputs (170)

Tendence v našem myšlení o divadle (Trends in our thinking on the theatre) (2011)
Journal Article
Drabek, P. (2011). Tendence v našem myšlení o divadle (Trends in our thinking on the theatre). Theatralia, 14(2), 285 - 291

A critical essay on the papers presented at the international theatre studies conference held at the Theatre Faculty of the Janácek Academy of Performing Arts, 2008, to the honour of Prof. Ivo Osolsobe. These papers were published in a collection ent... Read More about Tendence v našem myšlení o divadle (Trends in our thinking on the theatre).

Torontská disertace o ceském divadle (A Toronto doctoral dissertation on Czech theatre) (2011)
Journal Article
Drabek, P. (2011). Torontská disertace o ceském divadle (A Toronto doctoral dissertation on Czech theatre). Theatralia, 14(2), 277 - 279

A critical review of Adam Grunzke's PhD thesis "Models of Aesthetic Subversion: Ideas, Spaces, and Objects in Czech Drama and Theatre of the 1950s and 1960s", defended at the University of Toronto.

Absolute tempo in multiple performances of aboriginal songs: Analyzing recordings of Djanba 12 and Djanba 14 (2011)
Journal Article
Bailes, F., & Barwick, L. (2011). Absolute tempo in multiple performances of aboriginal songs: Analyzing recordings of Djanba 12 and Djanba 14. Music Perception, 28(5), 473-490. https://doi.org/10.1525/mp.2011.28.5.473

Songs that are not notated but transmitted through live performance are of particular interest for the psychological study of the stability of tempo across multiple performances. While experimental research points to highly accurate memory for the te... Read More about Absolute tempo in multiple performances of aboriginal songs: Analyzing recordings of Djanba 12 and Djanba 14.

Czech stage art and stage design (2011)
Book
Drábek, P., Billing, C., & Drabek, P. (2011). Czech stage art and stage design. Masarykova univerzita

A special issue of the peer-reviewed journal Theatralia/Yorick on Czech scenography, stage design and historical periods of Czech stage art. Co-edited and introduction co-written with Christian M. Billing.

Developing decision-making skills for performance through the practice of mindfulness in somatic training (2011)
Journal Article
Edinborough, C. (2011). Developing decision-making skills for performance through the practice of mindfulness in somatic training. Theatre, Dance and Performance Training, 2(1), 18-33. https://doi.org/10.1080/19443927.2010.543917

Decision-making is a fundamental part of the actor's work. Actors must choose how to present a character, how to tell a story, and how to communicate with an audience. This article examines how certain somatic practices used in actor-training can imp... Read More about Developing decision-making skills for performance through the practice of mindfulness in somatic training.

Kde se bere prevleková komedie (Where the comedy of disguise comes from) (2011)
Book Chapter
Drábek, P., & Drabek, P. (2011). Kde se bere prevleková komedie (Where the comedy of disguise comes from). In Jule Styne, Peter Stone, Bob Merrill: Sugar!: (Někdo to rád horké): šestá inscenace šedesáté šesté sezony 2010/2011 (56 - 70). Městské divadlo Brno

An essay on the history of the comedy of disguise in the theatre, written for the programme notes for a production of Jule Styne, Peter Stone, Bob Merrill's Sugar, directed by Stanislav Moša at the Municipal Theatre in Brno, Czech Republic.

A co když je to svetec?: Massingeruv Rímský herec jako krypto-Genesius (What if it's a saint?: Massinger's The Roman actor as a crypto-genesius) (2011)
Book Chapter
Drábek, P., & Drabek, P. (2011). A co když je to svetec?: Massingeruv Rímský herec jako krypto-Genesius (What if it's a saint?: Massinger's The Roman actor as a crypto-genesius). In Ad honorem Eva Stehlíková (81 - 86). Filosofický ústav Akademie věd České republiky (The Philosophy Institute, Czech Academy of Sciences)

A study dedicated to the Baroque tragedy The Roman Actor (1626) by the Jacobean dramatist Philip Massinger, and its relations to Lope de Vega's play Lo fingido verdadero (1605).

Joanne Rochester, Staging Spectatorship in the Plays of Philip Massinger (2011)
Journal Article
Drabek, P. (2011). Joanne Rochester, Staging Spectatorship in the Plays of Philip Massinger. Early Modern Literary Studies, 15(3), 0 - 0

Review of Joanne Rochester's book on "Staging Spectatorship in the Plays of Philip Massinger" drawing contextual links to early modern drama in Europe

No pain, no gain - the provocation of laughter in slapstick comedy (2010)
Journal Article
Peacock, L. S. (2010). No pain, no gain - the provocation of laughter in slapstick comedy. Popular entertainment studies, 1(2), 93-106

This article explores the relationship between danger and laughter in the work of a number of what might be defined as slapstick or physical comedians. The notion of physical comedians risking life and limb in order to generate laughter from an admir... Read More about No pain, no gain - the provocation of laughter in slapstick comedy.

Na troskách struktury: stati o divadelní sémiotice a strukturalismu roku 2008 (On the ruins of the structure: writings on theatre semiotics and structuralism in 2008) (2010)
Journal Article
Drabek, P. (2010). Na troskách struktury: stati o divadelní sémiotice a strukturalismu roku 2008 (On the ruins of the structure: writings on theatre semiotics and structuralism in 2008). Theatralia, 13(2), 150 - 157

An article reflecting on the state of theatre semiotics and theatre structuralism as presented by two collections of essays published in 2008.

Fletcherian dramatic achievement: a study in the mature plays of John Fletcher (1579-1625) (2010)
Book
Drábek, P., & Drabek, P. (2010). Fletcherian dramatic achievement: a study in the mature plays of John Fletcher (1579-1625). (1). Masarykova univerzita

The mature plays of John Fletcher, Shakespeare's collaborator and successor with the King's Men, have received little critical attention. This book analyzes the specifics of mature Fletcherian style, proposing a reading that agrees with the Baroque m... Read More about Fletcherian dramatic achievement: a study in the mature plays of John Fletcher (1579-1625).

The Roman Tragedies (2010)
Journal Article
Billing, C. (2010). The Roman Tragedies. Shakespeare quarterly, 61(3), 415 - 439. https://doi.org/10.1353/shq.2010.0006

This article is a critical account of the multi-media performance of Shakespeare's: Coriolanus, Julius Caesar, and Antony and Cleopatra by Toneelgroep (Amsterdam), directed by Ivo Van Hove and Designed by Jan Versweyveld.

Dynamic melody recognition : distinctiveness and the role of musical expertise. (2010)
Journal Article
Bailes, F. (2010). Dynamic melody recognition : distinctiveness and the role of musical expertise. Memory & cognition, 38(5), 641-650. https://doi.org/10.3758/MC.38.5.641

The hypothesis that melodies are recognized at moments when they exhibit a distinctive musical pattern was tested. In a melody recognition experiment, point-of-recognition (POR) data were gathered from 32 listeners (16 musicians and 16 nonmusicians)... Read More about Dynamic melody recognition : distinctiveness and the role of musical expertise..

Margita Havlícková: Profesionální divadlo v královském meste Brne 1668-1733 (Margita Havlícková: Professional Theatre in the Royal City of Brno 1668-1733) (2010)
Journal Article
Drabek, P. (2010). Margita Havlícková: Profesionální divadlo v královském meste Brne 1668-1733 (Margita Havlícková: Professional Theatre in the Royal City of Brno 1668-1733). Theatralia, 13(1), 111 - 112

A review of Margita Havlícková's Professional Theatre in the Royal City of Brno 1668-1733 (Brno: JAMU, 2009).