All Outputs (5)

The Western reception of Sergei Taneyev (2015)
Journal Article
Desbruslais, S. (2015). The Western reception of Sergei Taneyev. Zhurnal Obshchestva teorii muzyki, 9(1), 7-18

Sergei Taneyev is not a common name in Western musicology. Short studies of his theoretical writings include Allen Forte’s critical review of New Grove (1982), Ellon Carpenter’s survey in Russian Theoretical Thought in Music (1983), and Catherine Nol... Read More about The Western reception of Sergei Taneyev.

Breakbeat syncretism: The drum sample in African American popular music (2015)
Book Chapter
Oliver, R. (2015). Breakbeat syncretism: The drum sample in African American popular music. In J. Metcalf, & C. Spaulding (Eds.), African American Culture and Society After Rodney King: Provocations and Protests, Progression and 'Post-Racialism' (177-192). Ashgate

Embodied listening and the music of Sigur Ros (2015)
Journal Article
Elsdon, P. (2015). Embodied listening and the music of Sigur Ros. Popular Musicology Online,

In 1990 Susan McClary and Robert Walser appealed for a musicology which could account for the effects of rock, or as they put it: ‘a greater willingness to try to circumscribe an effect metaphorically, to bring one’s own experience as a human being t... Read More about Embodied listening and the music of Sigur Ros.

Technology as a vehicle (tool and practice) for developing diverse creativities (2015)
Book Chapter
King, A. (2015). Technology as a vehicle (tool and practice) for developing diverse creativities. In Activating Diverse Musical Creativities (203-222). Bloomsbury Publishing. https://doi.org/10.5040/9781474220316.ch-011

Burnard’s seminal work, Musical Creativities in Practice, has begun to change the way creativity is viewed in music (2012) . In this work Burnard rejects the view of a single concept of creativity that encompasses all aspects of music and instead pro... Read More about Technology as a vehicle (tool and practice) for developing diverse creativities.

Nightports, 'Depart' (2015)
Digital Artefact
Slater, M., & Martin, A. (2015). Nightports, 'Depart'. [https://nightports.bandcamp.com/album/depart]

A 60-minute studio album exploring the underlying concept of restriction in original musical creativity.

Liner notes (introduction):

Arrive. Move. Shift. Change. Depart. All sounds come from Emily. No other sound sources are permitted. Only sou... Read More about Nightports, 'Depart'.