All Outputs (3)

‘The Road Never Ends’: Ecofeminism and Magical Realism in Rachel Zadok’s Sister-Sister (2021)
Journal Article
Westby-Nunn, T. (2021). ‘The Road Never Ends’: Ecofeminism and Magical Realism in Rachel Zadok’s Sister-Sister. Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 5(1), Article 8. https://doi.org/10.20897/femenc/9745

Ecofeminism is an interdisciplinary movement that analyses power imbalances and examines the intersectional impacts neoliberalism has on humanity and the planet. Cultural artefacts (literature, films, artworks, etcetera) play an important role in rai... Read More about ‘The Road Never Ends’: Ecofeminism and Magical Realism in Rachel Zadok’s Sister-Sister.

The Chamber of Banality: Hell on Earth (2021)
Journal Article
Arya, R. (2021). The Chamber of Banality: Hell on Earth. Performance Research, 26(1-2), 78--87. https://doi.org/10.1080/13528165.2021.1959237

In Sartre{\textquoteright}s play Huis Clos, hell is conceptualized as a psychological state of mind and interdependence rather than a physical place and is manifested through the conversational exchanges between the three characters, who seek to evad... Read More about The Chamber of Banality: Hell on Earth.

A World on His Shoulders: Nat Cohen, Anglo-EMI and the British Film Industry (2021)
Journal Article
Mayne, L. (2021). A World on His Shoulders: Nat Cohen, Anglo-EMI and the British Film Industry. Journal of British cinema and television, 18(1), 34-49. https://doi.org/10.3366/jbctv.2021.0554

Despite being one of the most significant players in the British film industry of the 1960s and 1970s, Nat Cohen remains a curiously neglected figure in histories of that era. At Anglo-Amalgamated he oversaw a varied slate of productions, from B-movi... Read More about A World on His Shoulders: Nat Cohen, Anglo-EMI and the British Film Industry.