All Outputs (4)

Heritage, Community, Trawling and Gold Nose: Towards a model for the creative producer in UK City of Culture 2017 (2024)
Thesis
Dankoff, L. (2023). Heritage, Community, Trawling and Gold Nose: Towards a model for the creative producer in UK City of Culture 2017. (Thesis). University of Hull. Retrieved from https://hull-repository.worktribe.com/output/4587958

The UK City of Culture 2017 in Hull serves as a useful archive to develop a new model for the Creative Producer, a designation of a new type of producer that recognises the remit and capabilities of contemporary producing practice. The title of UK Ci... Read More about Heritage, Community, Trawling and Gold Nose: Towards a model for the creative producer in UK City of Culture 2017.

'Why, sir, are there other heauens in other countries?': The English Comedy as a transnational style (2019)
Book Chapter
Drábek, P. (2019). 'Why, sir, are there other heauens in other countries?': The English Comedy as a transnational style. In M. A. Katritzky, & P. Drabek (Eds.), Transnational Connections in Early Modern Theatre (139-161). Manchester: Manchester University Press

This essay analyzes the specifics of the English Comedy (Englische Comedie) as a genre practised by the popular travelling English troupes and their inheritors, during the century between the 1580s and 1680s. Most scholarship has assumed that English... Read More about 'Why, sir, are there other heauens in other countries?': The English Comedy as a transnational style.

Shakespeare’s myriad-minded stage: Propositional spaces of cultural hybridity (2019)
Journal Article
Drábek, P. (2019). Shakespeare’s myriad-minded stage: Propositional spaces of cultural hybridity. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies, 99(1), 45-55. https://doi.org/10.1177/0184767819835551

© The Author(s) 2019. The concept of hybridity is profoundly ingrained in logocentric epistemologies that assert such cultural constructs as the unity of a text, authorship, ownership or an identity of sorts. This article aims at hybridity that takes... Read More about Shakespeare’s myriad-minded stage: Propositional spaces of cultural hybridity.

Book review: Robert Henke. Poverty and charity in early modern theater and performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198 (2018)
Journal Article
Drábek, P. (2018). Book review: Robert Henke. Poverty and charity in early modern theater and performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198. Early theatre, 21(1), 209-212. https://doi.org/10.12745/et.21.1.3540

A book review of Robert Henke. Poverty and Charity in Early Modern Theater and Performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198.