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Shakespeare’s myriad-minded stage: Propositional spaces of cultural hybridity

Drábek, Pavel

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Abstract

© The Author(s) 2019. The concept of hybridity is profoundly ingrained in logocentric epistemologies that assert such cultural constructs as the unity of a text, authorship, ownership or an identity of sorts. This article aims at hybridity that takes place in the act of the audience’s perception and understanding of the play. On the example of Shakespeare’splays, I address the question of (1) truth value and fiction in performance, (2) the propositionality of the stage and (3) the shift in performance as an oral medium from logocentric textuality to human interaction as social act.

Citation

Drábek, P. (2019). Shakespeare’s myriad-minded stage: Propositional spaces of cultural hybridity. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies, 99(1), 45-55. https://doi.org/10.1177/0184767819835551

Journal Article Type Article
Acceptance Date Jul 20, 2018
Online Publication Date Apr 12, 2019
Publication Date Jul 1, 2019
Deposit Date Jul 26, 2018
Publicly Available Date Jul 27, 2018
Journal Cahiers Elisabethains
Print ISSN 0184-7678
Electronic ISSN 2054-4715
Publisher SAGE Publications
Peer Reviewed Peer Reviewed
Volume 99
Issue 1
Pages 45-55
Series Title Anatomizing Shakespeare
Series Number 97
Series ISSN 0184-7678
DOI https://doi.org/10.1177/0184767819835551
Keywords Adaptation; Translation; Theatrical reality; Shakespeare in performance; Propositionality; Theatre theory
Public URL https://hull-repository.worktribe.com/output/948902
Publisher URL https://journals.sagepub.com/doi/10.1177/0184767819835551

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This accepted manuscript version ©2018 The author







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